

Courtesy of Louis Vuitton
LOUIS VUITTON 旅行家居空间
Object Nomades
2022.11.25-2023.03.31
Invitation ONLY 仅限邀请参观
Zhang Yuan | 588 WeihaiRoa, Shanghai
杜梦堂欣然分享艺术家翁纪军、文森·漆(Vincent Cazeneuve)、塔玛丽·伯瑞利(Tamaris Borrelly),和雨果·德维切尔(Hugo Deverchère)在Louis Vuitton旅行家居空间“Object Nomades”展出的多件艺术作品。值Louis Vuitton旅行家居系列“Object Nomades”成立10周年之际,其同名旅行家居空间正式亮相上海张园,并在独具海派风貌的石库门建筑空间举办了盛大的开幕展览,呈现了15位家居设计师和6位当代艺术家的作品,其中包括翁纪军和文森·漆(Vincent Cazeneuve)以大漆为媒介的创作,塔玛丽·伯瑞利(Tamaris Borrelly)的巨幅水彩作品,以及雨果·德维切尔(Hugo Deverchère)的《万象-记录》蓝晒摄影系列。Courtesy of Louis Vuitton | Image ©胡凯@AGENT PAY
DUMONTEIL is pleased to share the exhibition at Louis Vuitton's "Object Nomades", featuring artworks from Weng Jijun, Vincent Cazeneuve, Tamaris Borrelly, and Hugo Deverchère.On the occasion of the 10th anniversary of Louis Vuitton's "Object Nomades" — a collection of travel-inspired furniture and objects made in collaboration with internationally renowned designers, its eponymous space was officially unveiled in Zhang Yuan, Shanghai. A grand opening exhibition was held in the Shikumen mansion, featuring works of 15 interior designers and 6 contemporary artists, including Weng Jijun and Vincent Cazeneuve's latest creations in the medium of lacquer, Tamaris Borrelly's grand watercolor on paper, and Hugo Deverchère’s “Cosmorama-Recording” series.
Installation view at “Object Nomades", Louis Vuitton, Zhang Yuan, ShanghaiInstallation view at “Object Nomades", Louis Vuitton, Zhang Yuan, ShanghaiCourtesy of Louis VuittonInstallation view at “Object Nomades", Louis Vuitton, Zhang Yuan, ShanghaiInstallation view at “Object Nomades", Louis Vuitton, Zhang Yuan, Shanghai
Installation view at “Object Nomades", Louis Vuitton, Zhang Yuan, Shanghai
WENG Jijun
翁纪军 (b.1955)
WENG Jijun | 翁纪军
Solar System Planetary Series 2022-3
太阳系行星系列 2022-3
2022
Dry lacquer, gold and silver leaves 干漆,苎麻,金箔,银箔
103 x 66 x 6 cm
Image ©Susan TAN
WENG Jijun | 翁纪军
Constellation 2018-2
集聚 2018-2
2018
Chinese lacquer, ramie, wood panel 大漆,苎麻,木板
124 x 92 x 5 cm
Image ©Susan TAN
WENG Jijun | 翁纪军
Constellation 2021-20
集聚 2021-20
2021
Chinese lacquer, ramie, wood panel 大漆,苎麻,木板
122 x 82 x 7 cm
Image ©Susan TAN
WENG Jijun | 翁纪军
Solar System Planetary Series 2022-10
太阳系行星系列 2022-10
2022
Chinese lacquer, silver leaves, ramie, wood panel
大漆,银箔,苎麻,木板
185 x 125 x 10 cm
翁纪军以大漆为媒介,从大漆自身特性和传统漆艺中汲取灵感,以见微知著的方式将不同维度的世界相互连结。近年来,翁纪军开始更多地关注人对未知世界探索的渴求,用作品折射出科学棱镜之外宏观与微观世界之间的联系。对漆艺的精通则让他能够将所谓的传统“图案”、“纹样”转化为对生命起源的探寻和宇宙形态的描绘。
Drawing inspiration from lacquer, its characteristics, and its tradition, Weng Jijun provides an alternative for us to re-examine our connection with the world in a way that bridges its different dimensions.
In recent years, Weng Jijun has begun to focus more on the human desire to explore the unknown, using his works to reflect the connections between the macro and micro worlds beyond the prism of science. His mastery of lacquer art has enabled him to transform the traditional 'patterns' and 'motifs' into a search for the origins of life and a depiction of cosmic forms.
Vincent CAZENEUVE | 文森·漆
Untitled | 无题
2022
Chinese lacquer, rice bag fabric, bamboo
大漆,米袋,竹
125 x 125 x 21.5 cm
Image ©A Hui
文森·漆用看似简约实则繁复的艺术语言对东西方文化兼容并蓄,不懈探索将其他材料融入大漆创作的可能性,如旧米袋、羊毛毡、皮革等。同时,他还尝试汲取版画、浮雕、拼贴等其他艺术形式,以及梭织、竹编等传统工艺,使其作品拥有丰富的层次和触感。对大漆历史和与漆相关的传统手工艺的长期研究对文森·漆的创作具有重要的推动作用,使其逐步打破漆画与漆器等传统概念的束缚。Vincent Cazeneuve gradually developed his narratives and aesthetics from both occidental and oriental influences with his deceptively simple yet complex language while relentlessly exploring non-traditional supports such as old rice bags, wool felt, and leather. He also tries to draw on other art forms such as lithography, relief carving, collage, and traditional crafts such as rattan and bamboo weaving, lending his work rich layers and tactile feelings. Cazeneuve’s continuing research into the history of lacquer and its related traditional crafts has been an important catalyst for his work, enabling him to break the constraints of traditional concepts.
Tamaris BORRELLY | 塔玛丽·伯瑞利
Watercolors on kozo paper 楮纸上水彩150 x 210 cm
塔玛丽·伯瑞利的作品围绕由生命构成的世界展开,展现着它的蜕变、它的脆弱性和持久性。景观和梦境是伯瑞利作品的核心。她通过对万物融合的探索,质疑现有的物种体系和生物关联性。正如科学家对普世真理的追寻,伯瑞利则寻求创造一个能够通往别样世界的空间。
Tamaris Borrelly’s work revolves around the living world, its metamorphoses, its fragility, and its durability. Landscape and dreaming are at the center of Borrelly’s work. She questions the relationships between species and the biological links through her search for the fusion of matter. Like the scientist seeking to contribute to universal knowledge, she seeks to create a space opening onto another world.更多艺术家信息 | READ MORE
Tamaris BORRELLY参展西岸博览会 | 法国驻上海总领事馆——法国艺术家特展
展览现场 ON-SITE |「仲夏夜之梦 A Midsummer Night's Dream 」
雨果·德维切尔 (b.1988)
Hugo DEVERCHÈRE | 雨果·德维切尔
万象 - 记录(斜长岩)
Cosmorama - Recording (Anorthosite)
2017, 122 x 86 x 6 cm
Cyanotype print on Arches paper mounted on aluminum, poplar plywood
蓝晒显影法,Arches 水彩纸裱于铝板,杨木胶合板
Hugo DEVERCHÈRE | 雨果·德维切尔
Cosmorama - Recording (Flora A)Cyanotype print on Arches paper mounted on aluminum, poplar plywood蓝晒显影法,Arches 水彩纸裱于铝板,杨木胶合板雨果·德维切尔致力于探讨科学、技术以及它们的新型表现形式如何重塑我们的视野、知识、观念,乃至对周围环境的感知。
《万象 - 记录》 (Cosmorama - Recordings) 致力于探索并将不可见的光谱层可视化。这一系列被分为几个不同类别,与位于西班牙特内里费岛的泰德天文台合作完成。恒星星团由望远镜拍摄,图像由宇宙暗物质绘图法绘制而成:与某颗流星的组成相似的火山石碎片,在NASA测试火星探测器好奇号的熔岩沙漠里采集到的动物信息,在见证大陆五千万年变迁的原始森林里收集到的植物形状—这一系列将历史与当下接轨,重建起一个超越空间和时间限制的世界。
Hugo Deverchère explores how science, technology, and their new modes of representation shape our eyes, our knowledge, our consciousness, and the perception of our close and distant environment.“Cosmorama - Recordings” explores and gives tangible form to an inaccessible stratum of the lighting spectrum. Divided into a few subsections from pieces of volcanic rocks which composition is similar to some meteors, signs of animal presence collected in a lava desert, plant shapes gathered in a primal forest witnessing the state of our continent 50 million years ago: this series rebuilds a world out of the world disrupting and transcending spatial and temporal scales.
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