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王晓曲参加云美术馆展览“动物园对面的游乐场”

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动物园对面的游乐场

“Zoo | Amusement Park”

2023.01.01 - 03.07

策展人 Curator

东门杨(Dongmen Yang)

艺术家 Artists

陈可(Chen Ke)、苗妙(Miao Miao)、娜布其(Nabuqi)、孙一钿(Sun Yitian)、王晓曲(Wang Xiaoqu)、温凌(Wen Ling)、武晨(Wu Chen)、烟囱(Yan Cong)

云美术馆，深圳龙岗大道与长山路交汇处

Cloud Art Museum, The Interchange of Longgang Avenue and Changshan Avenue, Shenzhen

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王晓曲参加云美术馆展览“动物园对面的游乐场”，展出3件绘画作品。展览由东门杨担任策展，邀请了娜布其、陈可、苗妙、孙一钿、王晓曲、温凌、武晨、烟囱，8位在当代艺术领域十分活跃的优秀青年艺术家参展。展览已于2023年1月1日开幕，将持续至3月7日。

展览“动物园对面的游乐场”基于一加七的结构，由一位雕塑家的大型游乐互动式装置，串联起七位画家幽默跳脱、风格各异却彼此呼应的作品。通过轻松、直接、参与式、互动性的艺术创作的勾连组合，营造出一种带温度的场域，将艺术体验融入自在、日常的感知。将“动物园和游乐场”这两个天真的隐喻搬进美术馆，就像将美术馆植入时间之外的乐园，场景虽变换，游戏规则却暗自相承。如同在动物园与动物的真切接触、在游乐场与伙伴的亲密互动，美术馆似乎改变了某种既定功能，人们流连其中，在艺术作品合力渲染的氛围里，或嬉耍休闲，或漫步冥想。

契合展览主题，此次展出了王晓曲的3件作品，《追随》、《狩猎》、《正气》。王晓曲运用幽默的叙事和夸张的效果在画布上记录下了种种日常事件和形象。她的绘画受到了漫画美学的影响，却通过笔触和光影技法增强了画面的物质感与真实性，使得画面在虚构与仿真之间徘徊。

《狩猎》，2018，布面油画，110 × 130 cm

Hunting, 2018,Oil on canvas, 110 × 130 cm

《追随》，2020，布面油画，100 × 120 cm

Follow, 2020, Oil on canvas, 100 × 120 cm

“动物园对面的游乐场”，展览现场，云美术馆，2023

"Zoo | Amusement Park", Installation View, Cloud Art Museum, 2023

Wang Xiaoqu participated in the exhibition "Zoo | Amusement Park" in Cloud Art Museum and exhibited three works. The exhibition is curated by Dongmen Yang. Sculptor Nabuqi, painters Chen Ke, Miao Miao, Sun Yitian, Wang Xiaoqu, Wen Ling, Wu Chen, Yan Cong, these eight outstanding young artists who are very active in the field of contemporary art are invited to participate in the exhibition. The exhibition opened on 1 January 2023 and will last until 7 March.

Based on one structure of plus seven, a large-scale amusement and interactive installation by a sculptress in series with the unsophisticated and humorous life-like artworks of seven painters. Through its circuit and combination of the relaxed, direct, participatory and interactive artworks, the exhibition creates a field of warmth and blends the experience of art into the comfortable everyday perceptions. Bringing the naive metaphors of "zoo and amusement park" into the art museum, is to implant the art museum into a fairyland beyond the reach of linear time. Now the scenes have been switched, but the same rules have been secretly followed. Like a genuine encounter with animals in a zoo, or an intimate interaction with a partner in amusement park, the art museum seems to have changed its function. People linger in it, playing, relaxing, strolling and meditating in the atmosphere here rendered by the combined efforts of artworks.

In line with the theme of the exhibition, three works by Wang Xiaoqu are exhibited this time, Follow, Hunting and Righteousness. Wang Xiaoqu records a chronicle of daily events and images on the canvases by using humorous narratives and exaggerated effects. Her paintings are influenced by the aesthetics of comics, however the pictorial senses of material and authenticity are enhanced through the techniques of brushstroke and chiaroscuro, making the pictures linger between the fiction and the simulation.

《正气》，2019，布面油画，150 × 150 cm

Righteousness, 2019, Oil on canvas , 150 × 150 cm

“动物园对面的游乐场”，展览现场，云美术馆，2023

"Zoo | Amusement Park", Installation View, Cloud Art Museum, 2023

关于艺术家

ABOUT THE ARTIST

王晓曲，1987年出生于广西桂林，中国，2014年毕业于四川美术学院油画系并获硕士学位，现生活工作于北京。

王晓曲企图建立一个“主题”形象，却又在作画的过程中通过笔触的冲突不停拆解这些形象，使得形象如同一个个模型，失去了原本该有的表达欲，她通过肖像这个题材表达出她对于绘画这一媒介的矛盾本质的理解。

她的个展包括“艺术家谱系研究之九——王晓曲：欢迎光临”，星美术馆筹备组 SSSSTART，上海，中国，2021；“石门开”，AIKE，上海，中国，2021；“Condo Shanghai”，AIKE，上海，中国，2018；“第十一届中艺博艺术家提名展”，中艺博国际画廊博览会，北京，中国，2015。她曾参加的群展有“影子爱人”，OCAT，西安，中国，2021；“金汤”，CHAO艺术中心，北京，中国，2020；“正在加载中”，昆泰·嘉瑞文化中心，Art Power 100，北京，中国，2020；“终端 >_How Do We Begin？”，X美术馆，北京，中国，2020；“出神一瞥，永不落幕的夏天”，蜂巢当代艺术中心，北京，中国，2019；“懒音”，Mine Project，香港，中国，2019；“极限混合：广州空港双年展”，广州，中国，2019；“敢当：当代神石注疏”，UCCA沙丘美术馆，秦皇岛，中国，2019；“旋梯”，AIKE，上海，中国，2018；“门闩”，C-Space+Local，北京，中国，2017；“气象——2015绘画专业研究生群展”，中间美术馆，北京，中国，2015；“冬季群展”，AIKE，上海，中国，2014；“旋构塔——2014中国青年艺术家推介展”，时代美术馆，北京，中国，2014。

Wang Xiaoqu was born in 1987 in Guilin, Guangxi, China. She graduated from the Oil Painting Department of Sichuan Fine Arts Institute with MA in 2014, currently lives and works in Beijing, China.

Wang Xiaoqu deliberately attempts to establish a “thematic” image, but constantly dismantles these images in the process of painting, turning images into models without the desire of expression they ought to have. She expresses her understanding of the contradictory nature of painting as a medium through the theme of portrait paintings.

Her solo exhibitions include “Genealogy Study of Artists No. 9—Wang Xiaoqu: Welcome”, Start Museum Preparatory Team SSSSTART, Shanghai, China, 2021; “Open Stone Gate”, AIKE, Shanghai, China, 2021; “Condo Shanghai Personal Project”, AIKE, Shanghai, China, 2018; “The 11th China International Gallery Exposition Artists Nominate Artists Exhibition”, Beijing, China, 2015. She has also participated in group exhibitions include “Shadow Lover”, OCAT, Xi’an, China, 2021; “Golden Flow”, CHAO Art Center, Beijing, China, 2020; “Loading”, Garry Culture Center, Art Power 100, Beijing, China, 2020; “How Do We Begin？”, X Museum, Beijing, China, 2020; “Summer Fling”, Hive Center for Contemporary Art, Beijing, China, 2019; “Scaffolds of Meaning”, Mine Project, Hong Kong, China, 2019; “Guangzhou Airport Biennale”, Guangzhou, China, 2019; “Land of the Lustrous”, UCCA Dune, Qinhuangdao, China, 2019; “Condo Shanghai”, AIKE, Shanghai, China, 2018; “Spiral Stairs”, AIKE, Shanghai, China, 2018; “The Latch”, C-Space+Local, Beijing, China, 2017; “Atmosphere”, Inside-Out Art Museum, Beijing, China, 2015; “Winter Group Show”, AIKE, Shanghai, China, 2014; “UP-YOUTH China Young Artists Exhibition”, Time Art Museum, Beijing, China, 2014.

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