ARARIO EXHIBITION | 浪漫反讽 ROMANTIC IRONY
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阿拉里奥画廊首尔全新空间将于2023年2月1日正式启幕，从钟路区昭格洞的画廊旧址，搬迁至苑西洞的“空间社屋”，如今的画廊新址就坐落于阿拉里奥美术馆附近。新空间由来自日本Schemata建筑事务所的知名建筑师长坂常主持设计，经过一年的时间修葺一新。
ARARIO GALLERY Seoul finally re-opens on 1 February 2023 with its new space after a year of preparations for relocation and renovation. The gallery’s new location, moving from the former space in Sogyeok-dong, Jongno-gu, will be at Wonseo-dong, the site of the previous Gonggan-Saok, where the current ARARIO MUSEUM in SPACE is situated. Jo Nagasaka, a world-renowned architect of Schemata Architects, Japan, has designed the new gallery space.
艺术家 / Artist
权五祥、李东昱、金仁培、安智山、卢相镐
GWON Osang, LEE Dongwook, KIM Inbai, AHN Jisan,
NOH Sangho
展期 / Duration
2023.2.1 (Wed) - 3.18 (Sat)
展览地点 / Venue
ARARIO GALLERY SEOUL
阿拉里奥画廊·首尔
85 Yulgok-ro, Jongno-gu, Seoul, Korea
85号，栗谷路，钟路区，首尔，韩国
👆扫描上方二维码进入阿拉里奥官网“线上观展”页面
Scan the upper QR code to enter the Online Viewing Room
Schemata建筑事务所在对地下一层到六层整个建筑进行改造的同时，也力图保留原有的建筑结构和材料，包括外砖墙的表面。建筑师旨在打造一栋与既有的“空间社屋（由金寿根设计）”相和谐的建筑。因此，一如旧有“空间社屋”建筑和新式玻璃楼宇之间的奇妙对比，阿拉里奥画廊全新首尔空间的黑色外观与明亮的白立方内部同样形成了鲜明对照，后者被再造成了一个极富吸引力的新空间。Schemata Architects has renovated the existing building from the basement floor to the 6th floor, aiming not to create something entirely new but to maintain the previous building structure and materials, including the brick exterior of the outer wall. The focus is on creating a building that harmonizes with the existing Gonggan-Saok architecture by KIM Swoo-Geun. As a result, like the contrast between the old Gonggan-Saok building and the new glass building, ARARIO GALLERY Seoul’s black exterior creates a stark contrast with the bright white cube interior, which has been recreated into a new attractive space.阿拉里奥画廊首尔即将推出2023年首展“浪漫反讽”，展出五位具有代表性，且亦与阿拉里奥有着长期的合作关系的艺术家，他们分别是权五祥、李东昱、金仁培、安智山和卢相镐。
ARARIO GALLERY Seoul’s first exhibition of 2023 commemorates the re-opening of its new space by presenting the first group exhibition, “Romantic Irony”, which will show five represented artists, each of whom has had a longstanding relationship with the gallery; GWON Osang, LEE Dongwook, KIM Inbai, AHN Jisan, and NOH Sangho.
展览基于德国浪漫主义者弗里德里希·冯·施莱格尔的“浪漫反讽”理论，这是一种肯定和阐明弥合两极化立场之转变过程的哲学推理。该过程必须被看作是一种尝试，以达到超越预期的转折或讽刺效果。许多艺术家会采纳这种方式，试图将藐视既定答案或结果的缜密且无限的反思塑造为艺术产出。“浪漫反讽”希望通过五位艺术家，即权五祥、李东昱、金仁培、安智山和卢相镐的作品来捕捉他们创作主题的精髓和其中反思的属性。
The exhibition is based on the methodology of German romanticist Friedrich von Schlegel’s theory of ‘romantic irony,’ a type of philosophical reasoning that affirms and illuminates the transformative process of bridging polarized stances. Said process must be seen as an attempt to reach beyond expected turns or ironic effects. Many artists would side with this approach, attempting to shape the rigorous and infinite reflections that defy set answers or results into artistic output. “Romantic Irony” hopes to capture the essence of its theme and its reflective attributes through the works of five artists, GWON Osang, LEE Dongwook, KIM Inbai, AHN Jisan, and NOH Sangho. The new gallery building, from the basement to the 6th floor, utilizes as much of its original structure.
本次展览尽可能多地利用了建筑的原有结构，每一层都专注于一位艺术家的作品。展览空间从地下一直延续到四层，位于五层的VIP专属空间也将在首展开幕时向公众开放，为参观者提供了欣赏昌庆宫和苑西公园美景以及其他展出作品的绝佳机会。
For this exhibition, each floor has been dedicated to one artist. While the exhibition spaces exist from the basement to the 4th floor, the private space on the 5th floor will be open to the public for the inaugural exhibition, providing visitors with an opportunity to enjoy the beautiful view of Changgyeongung Palace and Wonseo Park as well as selected works for the show.
权五祥将在此次首展中展示他在“摄影雕塑”的实践中长期关注的各式实验。他近来的作品更进一步从具象接近于抽象，然而两种尝试都无不例外包含着权五祥对空间性的探索以及追求终极雕塑之美的驱使力量。
Opening the exhibition, GWON Osang introduces various formal experiments he has been focusing on in his ‘photographic sculptures.’ His formerly concrete figures move closer to bordering on the abstract in recent works; both appear, however, to share his drive to explore spatiality and pursue extreme sculptural beauty.
展览也将呈现李东昱的八件新作品，其作品呈现了微型人体的全部或局部，高约15厘米，围绕着这些形象，不同的情景或叙事结构得以显露——该形象是基于艺术家本人的创作。八件作品看似相互独立，但作品间互相的张力将整个展览空间串联，形成了一个完整的艺术品。
LEE Dongwook introduces a total of eight new pieces. LEE’s works present the entirety or parts of a small nubile human figure that represents the artist himself, usually about 15cm in height, around whom various situations or structural conditions unfold. While featured discretely, the eight pieces transform the exhibition space into a singular artwork through the curious tension that ties them together.
金仁培作品的展示空间有其专属的展览标题“三[ ]雾”，然而具有讽刺意味的是，展览展示的艺术品数量却是四件。以名义上的“三”和代表本质的“四”这两个不一致的数字开场，并且用“三”这个可数的数字来指代雾这个不可数名词和它可见却又朦胧的性质——金仁培的空间从一开始便引发了观者的困惑。
KIM Inbai’s exhibition space starts with a presentation of his own exhibition title, Fog. The number of artworks that it comprises, however, is ironically four. Opening up with the incongruous numbers of titular three and constitutional four, with the enumerable count of three assigned to the innumerable noun of the fog and its visible yet nebulous nature, KIM’s space induces confusion from its very onset.
安智山从他长期关注的暴雨岩山中继续深挖，进一步建构出了以暴风雪为主题的新景观。他笔下的暴风雪景观透露着荒凉与戏剧性，揭示了人类在面对自身处境时的焦虑情绪。
AHN Jisan’s works go a step further from his longstanding focus on the view of rocky mountains in torrential rain, imagining the new setting of a snowstorm. The stormy snowstorm of a landscape that AHN visualizes to depict our kind’s encroaching anxiety in the self-induced situation is still desolate and dramatic.
本次群展也将展出卢相镐的最新作品系列“Holy”。与他此前的作品不同的是，此次卢相镐将跨越数字和现实的混合图像置于前景，以此反映其现象学意义。
NOH Sangho introduces his new series ‘Holy’ in the exhibition. Unlike in his previous works, NOH foregrounds hybrid images that straddle the digital and actual, exposing the results to reflect their phenomenological implications.
“浪漫反讽”展览现场，阿拉里奥画廊首尔空间，2023
阿拉里奥画廊自1989年创立至今，分别于韩国天安、首尔和上海拥有其支点画廊。在过去的三十年间，阿拉里奥画廊始终致力于关注与推广亚洲与国际艺术家，丰富其艺术家名单，并长期培养支持年轻艺术家。其代理的五十余位艺术家来自韩、日、中、印和东南亚地区各国，涵盖自20世纪70年代至今的实验艺术先锋，创作门类包括视觉艺术、绘画、雕塑、影像以及装置等众多艺术类别，突出展现亚洲地区令人瞩目的社会历史文化。自2005年入驻北京798艺术区起，阿拉里奥通过展示亚洲地区极具代表性的优秀艺术家，迅速成为中国当代艺术发展的重要枢纽。2014年8月，上海徐家汇衡山坊馆正式开馆，2017年7月迁址上海西岸，与来自中国和海外的艺术家一道为中国艺术舞台的多元性注入活力，继续作为中国当代艺术的先驱力量而存在。2022年，由日本艺术家名和晃平及其SANDWICH工作室倾力打造的上海新空间落址西岸国际传媒港，集当代先锋艺术、国际限量艺术衍生品、收藏级家具设计、潮流时装快闪与精品咖啡品牌为一体，致力于打造一个当代都市长效生活方式的策展式艺术商业复合空间。
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