刘窗（b. 1978, 天门）2001年毕业于湖北美术学院油画系，现生活工作于上海。他的作品包括移动影像、雕塑、现成品和装置。刘窗的作品通常将长时段的历史和生态弧结合起来进行想象，追踪当代中国的社会、文化和经济转型。他编织了连接微观和宏观、过去和现在、虚构和现实的叙事，探讨了自然、传统、人口、尖端技术和社会经济体系的巨大而复杂的变化如何影响个人以及他们与整个世界的接触。刘窗的作品曾在以下美术馆展出：雅典国立当代艺术博物馆（2022），奥斯陆阿斯楚普费恩利现代艺术博物馆（2022、2017和2007）；巴黎蓬皮杜艺术中心（2021、2020和2019）；蓬皮杜艺术中心-梅茨馆（2021），巴塞尔当代艺术馆（2021）；首尔市立美术馆（2021）；上海当代艺术博物馆（2021和2014）；东京都现代美术馆（2020）；台北市立美术馆（2020）；香港Para Site(2020、2016、2012和2009)；新加坡南洋理工大学当代艺术中心（2022和2016）；新加坡美术馆（2020）；广州广东时代美术馆（2019、2018和2017）；纽约古根海姆美术馆（2018）；柏林世界文化之家（2016）；里斯本贝拉多美术馆（2016）；巴黎路易威登美术馆（2016）；坦帕美术馆 (2014)；北京尤伦斯当代艺术中心(2013); 伦敦白教堂美术馆（2012）；上海民生现代美术馆（2011）；都灵阿涅利美术馆（2010）；纽约新美术馆（2009）；马其顿当代艺术馆（2004）；深圳何香凝美术馆（2003）。刘窗最近参加的双年展包括有：技术和工艺，第十五届吕勒奥艺术双年展（2022）；蝴蝶在泥浆上嬉戏，第二届泰国双年展（2021）；一次逃脱，第十一届首尔媒体城市双年展（2021）；水体，第十三届上海双年展（2021）；交融的激流: 前沿心智，第三届广州移动影像三年展（2021）；一园六季，加德满都三年展（2021）；你和我不住在同一个星球，2020台北双年展（2020）；地壳运动，第五届达卡艺术峰会（2020）；复活，第五届乌拉尔工业双年展（2019）；来自山和海的异人，第七届亚洲艺术双年展（2019）；社会工厂，第十届上海双年展（2014）；烧掉房子，第十届光州双年展（2014）；知道不知道，第43界国际艺术家沙龙（2013）；比耶稣年轻，第一届新美术馆三年展（2009）。刘窗参加的电影节包括有：32届新加坡国际电影节（2021），第66届柏林国际电影节（2016），第7届布切斯特国际实验电影节（2016），第5届基辅国际短片电影节（2016），第8届Crosstalk录像艺术节（2016），印度尼西亚Arkipel国际纪录&实验电影节（2016）。刘窗的作品被以下公共机构收藏：巴黎蓬皮杜艺术中心，伦敦泰特现代美术馆，香港M+博物馆，奥斯陆阿斯楚普费恩利现代艺术博物馆，阿尔勒卢玛艺术基金会，旧金山卡蒂斯特艺术基金会，迈阿密鲁贝尔家族基金会，纽约瓦尔特收藏，广州广东省美术馆，香港K11艺术基金会，瑞士西客收藏，巴黎DSL，北京新世纪艺术基金会，北京泰康空间。Liu Chuang (b. 1978, Tianmen) currently lives and works in Shanghai. In 2001, he received his BA from the Hubei Institute of Fine Arts. Liu Chuang works primarily with film, sculpture, readymade and installation. His works often integrate long-term history and ecological arc for imagination, tracing the social, cultural and economic transformations of contemporary China. Weaving narratives that connect the micro and macro, past and present, fiction and reality, Liu Chuang explores how vast and complex changes in nature, tradition, demographics, cutting-edge technology, and socio-economic systems affect individuals and their engagements with the world as a whole.
His works have been featured in art museums including: National Museum of Contemporary Art Athens (ΕΜΣΤ), Athens, Greece (2022); Astrup Fearnley Museet, Oslo, Norway (2022, 2017, 2007); Centre Pompidou, Paris, France (2021, 2020, 2019); Centre Pompidou - Metz, Metz, France (2021); Kunsthalle Basel, Basel, Switzerland (2021); Seoul Museum of Art, Seoul, South Korea (2021); Power Station of Art, Shanghai, China (2021, 2014); MOT, Tokyo, Japan (2020); Taipei Fine Arts Museum, Taipei (2020); Para Site Hong Kong, Hong Kong, China (2020, 2016, 2012, 2009); NTU Centre For Contemporary Art, Singapore (2022, 2016); National Gallery Singapore, Singapore (2020); Guangdong Times Museum, Guangzhou, China (2019, 2018, 2017); Solomon R. Guggenheim Museum, New York, US (2018); House of World Cultures, Berlin, Germany (2016); Museum Berardo, Lisbon, Portugal (2016); Foundation Louis Vuitton, Paris, France (2016); Tampa Museum of Art, Tampa, US (2014); UCCA, Beijing, China (2013); Whitechapel Art Gallery, London, UK (2012); Minsheng Art Museum, Shanghai, China (2011); Pinacoteca Giovanni e Marella Agnelli, Turin, Italy (2010); New Museum of Contemporary Art, New York, US (2009); Macedonian Museum of Contemporary Art, Thessaloniki, Greece (2004); He Xiangning Art Museum, Shenzhen, China (2003) among others.
His recent biennales and triennials include: 58th Luleå Biennia: Craft and Art (2022); 2nd Thailand Biennial: Butterflies Frolicking on the Mud (2021); 11th Seoul Mediacity Biennale: One Escape At A Time (2021); 13th Shanghai Biennale: Bodies of Water (2021); 3rd Guangzhou Image Triennale 2021: Intermingling Flux (2021); Kathmandu Triennale 2077: Garden of Six Seasons (2021); 12th Taipei Biennial 2020: You and I Don’t Live on the Same Planet (2020); 5th Dhaka Art Summit: Seismic Movements (2020); 5th Ural Industrial Biennial of Contemporary Art: Immortality (2019); 7th Asian Art Biennial: The Strangers from Beyond the Mountain and The Sea (2019); 10th Shanghai Biennale: Social Factory (2014); 10th Gwangju Biennale: Burning Down the House (2014); The 43rd (Inter) National Salon of Artists (43 SNA): Guide To The Unknown (2013); 1st New Museum Triennale: The Generational - Younger Than Jesus (2009) among others.
His film festival participation includes: 32nd Singapore International Film Festival (SGIFF), Singapore (2021); 66th Berlinale (Berlin International Film Festival), Berlin, Germany (2016); 7th Bucharest International Experimental Film Festival (BIEFF), Bucharest, Romania (2016); 5th Kyiv International Shot Film Festival, Kyiv, Ukraine(2016); 8th Crosstalk Video Art Festival: Dark Ecology, Budapest, Hungary (2016); Arkipel-Jakarta International Documentary & Experimental Film Festival, Jakarta, Indonesia (2016) among others.
Numerous prestigious public institutions have collected Liu’s works, such as: Centre Pompidou, Paris, France; Tate Modern, London, UK; M+ Collection, Hong Kong, China; Astrup Fearnley Museet For Moderne Kunst, Oslo, Norway; LUMA Art Foundation, Arles, France; Kadist Collection, Paris, France; San Francisco, US; Rubell Family Collection, Miami, US; The Walther Collection, New York, US; Guangdong Museum of Art, Guangzhou, China; K11 Art Foundation, Hong Kong, China; Sigg Private Collection, Switzerland; DSL Collection, Paris, France; New Century Art Foundation, Beijing, China; Taikang Art Space, Beijing, China.
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