云映荟｜未来未来青年实验影像计划，本周末来看展映专场和分享会

活动信息

艺术家：   

费亦宁                

刘雨佳                

佩恩恩                

彭祖强                

叶无忌   

导演：

胡伟

杨毅恒

张家骏&边禧暎

郑陆心源&张子木头

祝新

学术主持：

杨福东

策展人：

杨北辰

监制：

程笳淇

现工作生活于上海，2013年本科毕业于复旦大学新闻学院，2017年毕业于纽约帕森斯艺术学院，获硕士（MFA）学位。

创作媒介涵盖动画、影像、雕塑等。通过推想叙事结合荒诞与真实，探索后人类时代背景下可能的另类生存状态。

部分群展包括：

“撞上未来”，e-flux Artist Cinema，线上放映，2021

“李氏家宅鸿运展”，空白空间，北京，2021

“非物质/ 再物质：计算机艺术简史”，UCCA尤伦斯当代艺术中心， 北京，2020

“从纽约到布鲁塞尔，洛杉矶到上海”， SPURS Gallery，北京，2020

“沉睡者的抵抗”，UCCA沙丘美术馆，秦皇岛, 2020

“降临：发明风景，制作大地”，前哨当代艺术中心，上海, 2019

“坚决提高非生产性建筑的标准”，东画廊，上海，2018

FEI Yining is an artist who lives and works in Shanghai. She received her MFA in Design and Technology from the Parsons School of Design, The New School. She combines the absurd and the real to present speculative tales and fantastical worlds. By building multi-media narratives – spanning from 3D animation, moving-image, and sculpture, Fei explores the possible alternative states of existence in the post-human era.

Recent Group Exhibitions: 

“Crashing into the Future”, e-flux Artist Cinema, online screening, 2021
“Fortune Exhibition of Li's Family House”, WHITE SPACE BEIJING, Beijing, 2021

“Immaterial / Re-material: A Brief History of Computing Art”, UCCA Beijing, Beijing, 2020
“From New York to Brussels; Los Angeles to Shanghai”, SPURS Gallery, Beijing, 2020
“Resistance of the Sleepers”, UCCA Dune, Qinhuangdao, 2020
“Advent: Inventing Landscape, Produce the Earth”, Qianshao Contemporary Art Center, Shanghai, 2019
"Steadfastly Raise the Standards in Nonproductive Construction”, Do

胡伟1983年出生于北京，现工作和生活于巴黎。主要从事于电影和造型艺术创作。毕业于巴黎国立高等美术学院和Le Fresnoy法国国家当代艺术工作室，2014年度罗马法兰西学院梅迪奇宫驻场艺术家。2015年起，任北京师范大学讲师和美国电影艺术与科学学院委员。

Born in 1983 in Beijing, HU Wei currently works and lives in Paris. After studying at the École Supérieure des Beaux-arts de Paris and Le Fresnoy, National Studio of Contemporary Arts, HU Wei develop an artistic practice halfway between cinema and contemporary art. He was resident of Villa Médici, French Academy in Rome in 2014. Lecturer of Beijing Normal University and member of Academy of Motion Picture Arts and Sciences since 2015.

刘雨佳，本科毕业于四川美术学院，研究生毕业于伦敦艺术大学传媒学院，获艺术硕士学位。现工作、生活于北京。艺术家通常使用纪录片的手法来拍摄“真实生活”的场面，但同时又使用“虚构”或“虚假”形象来描绘“真实生活”的隐私时刻。她近期的作品使我们洞察到社会现实本身的虚构与幻象层面——即将现实本身体验为一种虚构。

刘雨佳曾在外交公寓12号（北京，2021）、剩余空间（武汉，2021）、当代唐人艺术中心（北京，2017，2016）与上海沪申画廊（上海，2015）举办个展。其作品曾展出于2022年第四届杭州纤维艺术三年展、2019年广州空港双年展、2016年第十一届上海双年展、美国匹兹堡大学美术馆、美国弗吉尼亚莫斯艺术中心、上海昊美术馆、上海当代艺术博物馆、广东顺德和美术馆、北京木木美术馆、UCCA沙丘美术馆、德国杜塞尔多夫尤莉娅·施托舍克收藏、澳大利亚白兔美术馆、英国曼彻斯特CFCCA、英国伦敦Troy House艺术基金会、美国旧金山卡蒂斯特艺术基金会、OCAT上海/深圳/北京、连州摄影博物馆、银川当代美术馆、上海民生现代美术馆、中国港口博物馆等大型机构。单屏影像作品也曾于法国蓬皮杜艺术中心与香港M+博物馆等美术馆与机构进行放映。她曾被提名“保时捷中国青年艺术家双年评选”(2019)与“OCAT × KADIST青年媒体艺术家项目”（2022）。

Liu Yujia graduated from Sichuan Fine Arts Institute and obtained her master's degree from London College of Communication, University of the Arts London. She currently lives and works in Beijing. Liu Yujia's recent practice engages with moving images. Her video works and films explore the dialectical tension between documentary reality and fiction, examining the complex and mysterious dimensions of subjective experience in different social and political contexts. The artist shoots the "real life" scenes in a documentary way, meanwhile, the private and invisible dimension of "real life" could be revealed by her fictional or "fake" figures. Her recent practice reveals the fictional and illusory aspects of social reality, allowing the audience to experience reality as pure fiction. 

Recent solo exhibitions include DRC No.12，Beijing(2021) ; Surplus Space，Wuhan (2021); Tang Contemporary Art Center, Beijing (2017，2016); Shanghai Gallery of Art, Shanghai (2015). 

Group exhibitions include the 4th Hangzhou Triennial of Fiber Art in 2022, Hangzhou; 2019 Guangzhou Airport Biennale, Guangzhou; the 11th Shanghai Biennial in 2016, Shanghai; University Art Gallery-University of P ittsburgh, USA; Moss Art Center，Virginia, USA; HOW Art Museum, Shanghai; Power Station of Art Museum, Shanghai; He Art Museum，Shunde, Guangdong; M Woods Museum, Beijing; UCCA DUNE Art Museum, Beidaihe; Julia Stoschek Collection, Dusseldorf, Germany; White Rabbit Museum, Sydney, Australia; CFCCA, Manchester, UK; Troy House Art Fundation，London，UK；Kadist Foundation, USA; OCAT Shanghai; OCAT Shenzhen, OCAT Beijing; Lianzhou Photo Museum, Lianzhou; Museum of Contemporary Art Yinchuan，Yinchuan; Minsheng Art Museum，Shanghai; China Port Museum, etc. Her video works and films have been screened in Centre Pompidou, Paris and Hongkong M+ Museum and other museums and institutes around the world. She has been nominated for the 2018-2019 Porsche "Young Chinese Artist of the Year" Award and "2022 OCAT × KADIST Emerging Media Artist Program".

佩恩恩，毕业于上海对外经贸大学。佩恩恩的实践深入不同权力控制机制之中，在全球竞争系统下流动化的金融、身体和图像之间展开工作，并成为其中的流放或者反叛者，以此来破坏或创造这些系统背后的冲突。 

近期展览：

神会，OPYUM022影像表演艺术节，巴黎

海上花中的金融魂灵，漩涡X花厅计划，美凯龙艺术中心，上海

集光片羽，UCCA Edge，上海

匹配池，OCAT上海馆，上海

Payne Zhu（b.1990,Shanghai）, graduated from Shanghai University of International Business and Economics.

PNZ critically investigates the control systems that lead the rheology of finance, body, image, and becomes an exile or a rule-breaker, revealing or creating conflicts that are often hidden behind these systems.

Recent Exhibitions

Empathy, OPYUM 022 Video Performance Festival, Paris

The Financial Specter in The Sing-Song Girls of Shanghai, vortex@The Cloister Project, Shanghai

The Pieces I Am, UCCA Edge, Shanghai

MATCHPOOL, OCAT Shanghai, Shanghai, 2022

作品曾在尤伦斯当代艺术中心，时代艺术中心(柏林), 阿姆斯特丹国际纪录片电影节, AntiMatter影像艺术展, 以及休斯顿美术馆等展映。参与过的驻留项目包括MacDowell，Skowhegan，以及Core Program。2020年获得华宇青年奖“评委会特别奖”，和印尼日惹纪录片电影节国际长片竞赛单元的“特别提及”。曾就读于伦敦哥德史密斯学院和芝加哥艺术学院。

Peng Zuqiang makes moving images. Recent exhibitions and screenings include UCCA Beijing, Times Art Center (Berlin), Museum of Fine Arts, Houston, IDFA, Antimatter, and Open City Doc Festival. He has received fellowships and residencies from the MacDowell, Skowhegan, the Core Program. He received the ‘Jury Special Prize’ from the 8th Huayu Youth Award, and a ‘Special Mention’ from Festival Film Dokumenter, Yogyakarta for his first feature film, Nan (2020).  He studied at Goldsmiths, University of London, and the School of the Art Institute of Chicago.

导演杨毅恒常在日本与马来西亚两国拍电影。他执导的作品多以优美的诗情画意著称。2009年，杨以日语短片《金鱼》入选威尼斯影展竞赛片，为马来西亚历年入选该影展的导演中最年轻者。2010年， 杨的另一部作品《都是正常的》在釜山影展赢得最佳亚洲短片奖。2017年，杨凭长片《阿奇洛》获得30届东京国际影展最佳导演奖。

2021年的《月影》是杨最新的作品， 由小松菜奈主演。该电影改编自日本作家吉本芭娜娜同名短篇小说改编。

Edmund Yeo is a Malaysian filmmaker living and working in Kuala Lumpur and Tokyo. His short films, KINGYO (Venice Film Festival 2009) and INHALATION (Sonje Award winner, Busan International Film Festival 2010) secured his reputation as a promising filmmaker. 

In 2017, he won the Best Director award at the Tokyo International Film Festival for his sophomore feature AQERAT (We, The Dead). 

MOONLIGHT SHADOW (2021), based on internationally-acclaimed writer Banana Yoshimoto's beloved novella of the same name, is Yeo's latest film.

叶无忌1991年出生于中国内地。2014年毕业于四川美术学院，2016年毕业于伦敦大学金匠学院。他的具体实践不局限于单一媒介形式，他喜欢通过概念，图像，影像、装置、现成品、⽂本等不同的方式表达，创作中他重视对外部现象的调研和对自身情绪的理解并在制作中将两者交织。他喜欢去探索有潜力能超越或转换其自身的情境或脚本，面对不同脚本使用不同的对策。这种对策可以被视作一种协商的过程，或一种干扰机制的闪动。

他的部分参展经历包括: 器空间（重庆，2021）、金鹰美术馆（南京，2021）、魔金石空间(北京，2020)、Arti et Amicitiae(阿姆斯特丹，2017)、 Kingsgate Project Space(伦敦，2016)、布拉格国家美术馆(捷克共和国，2016)。他曾获得捷克 Start Point Prize 评委会奖（2016），入围新锐摄影奖（2018）以及入围华宇青年奖（2021）。

Ye Wuji was born in China Proper in 1991. He graduated from the Oil Painting Department of Sichuan Fine Arts Institute in 2014 and Goldsmiths, University of London in 2016. Wuji’s practice is not bounded to any single medium, he emphasises the importance of investigating and researching external phenomena and digging his own feelings and interweaving the two in his practice. He likes using different coping strategies to explore the situations and scenarios that may have the potential to transcend and transform itself. The strategies can be considered as a process of negotiation or a glitch that interferes with the mechanism. 

Some of his exhibitions include ：Organhaus(Chongqing，2O21), Arti et Amicitiae(Amsterdam, 2017), Kingsgate Project Space (London, 2016), National Gallery Prague (Czech Republic, 2016)， OCAT(Shenzhen, 2014). He won the Start Point Prize jury Award（Czech） in 2016 ，was shortlisted for the New Talent Photography Award （2018）and the Huayu Youth Award（2021）.

1996年出生，毕业于中国美术学院。其本科期间完成的处女作《漫游》，入围柏林国际电影节论坛单元，釜山国际电影节新浪潮单元，并在香港、台北、马拉喀什、索菲亚、维也纳等三十多个国际电影节竞赛和获奖；他的第二部电影《未来信》，在香港亚洲创投（HAF）赢得了万众注艺大奖，随后入围了吴天明创投，并在之江新导演计划荣获年度优选提案和浙江省宣传部重点项目，且作为唯一中国项目，入围了2020年鹿特丹国际电影节合拍市场创投。此外，祝新及其团队的装置艺术《漫游小说集》也在中国美术学院美术馆展出。

ZHU Xin, born in June, 1996, graduated from China Academy of Art in 2018. His debut feature, VANISHING DAYS(2018), was selected to Berlinale Forum, Busan International Film Festival New Currents, and screened at more than 30 international film festivals, including Hong Kong, Taipei, Marrakech, Sofia and Vienna.

He is now preparing for his second feature, WHO IS SLEEPING ON MY PILLOW, which was selected by Hong Kong Asia Film Financing Forum 2019, Award WU Tianming Film Fund for Young Talents 2019 and Rotterdam’s CineMart 2020, which made the only project from China in 2020. It was also awarded Project of the Year by Zhejiang Youth Film Festival – New Directors. In addition, ZHU Xin and his collaborators’ installation artwork, WEST LAKE COLLECTION is on exhibition at CAA Art Museum.

郑陆心源，1991年生于杭州。她毕业于美国南加州大学，电影制作专业硕士。其长片首作《The Cloud in Her Room》获第49届鹿特丹国际电影节金虎奖，第44届香港国际电影节火鸟奖（华语）。最新论文电影《Jet Lag》入选2022柏林电影节论坛单元，获南特三大洲电影节国际竞赛特别提及。她从平面摄影、街头艺术，到展场与动态影像，探索着媒材与表达的形式和边界。

Zheng Lu Xinyuan is a filmmaker and visual artist, based in Hangzhou, China. Her first feature film The Cloud in Her Room won the Tiger Award at Rotterdam International Film Festival 2020. Previously, her short films were selected into various film festivals such as Tribeca Film Festival, First Xining International Film Festival, China Independent Film Festival amongst others. Xinyuan cultivates a personal visual practice that explores the boundaries of various media as well as of articulation itself.

张子木，是一位研究者、策展人与动态影像作者。她曾于欧盟Docnomads联合硕士项目学习纪录片导演，后在香港城市大学创意媒体学院获得博士学位，研究方向为生态视阈下的视觉文化。她是2022年慕尼黑大学蕾切尔卡森环境与社会研究中心奖学金获得者。她也是关注东亚生态艺术研究的“万物实践社”成员，柏林电影节 Talent campus （2016） 的参与者。她的影像作品曾在多个国际影像艺术节展出，包括欧洲媒体艺术节、里斯本纪录片节、云之南及中国独立影像展等。她也作为策展人参与过新加坡国际电影节、印尼Akripel 纪录实验电影节、内蒙古青年电影周，北京国际短片联展等。她与朋友们联合发起了月光放映计划 （2017-2019于广州上阳台共治空间），黑帐篷剧场（2021- 广东时代美术馆），聚焦影像与影像活动的生态性与社会性。

Zimu Zhang is a researcher, curator and moving image practitioner. She has a doctorate on ecological visual culture from School of Creative Media, City University of Hong Kong and a master degree in documentary filmmaking from Erasmus Mundus Joint master program Docnomads. She is the recipient of the 2022 Landhaus fellowship at the Rachel Carson Center for Environment and Society, LMU. She is a member of the Wanwu Practice Group that focuses on ecology and art research in east Asia. She is also an alumna of Berlinale talents (2016). Her films have been featured in international film festivals, art and academic events, such as European Media Art Festival, Doclisboa, Yunfest, China Independent Film Festival, etc. She has curated screening programs for Singapore International film festival, Arkipel Documentary and Experimental Film Festiva, Inner Mongolian Film Week and Beijing International Short Film Festival, etc. Together with friends she co-founded Moonshine Screening Project (2017-2019, Guangzhou SJT co-governance space) and Black Tent Theater (2021-, Guangdong Times Museum), focusing on the ecology and sociality of moving image and moving image activities.