索卡北京 | “旅途”参展艺术家介绍② 杨勋、徐振
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“旅途”参展艺术家介绍
全新群展“旅途”已于02月25日在索卡艺术北京空间开幕，展览将持续展出至03月26日。
此次展览以“旅途”为题，邀请了六位艺术家展示他们近年的艺术作品。他们以有着丰富的经验，在创作中已慢慢趋于稳定。旅途，作为体验世界的媒介，为他们的创造性表达提供出口。绘画，以一种直接的方式交流，消除了时间屏障的存在。六位艺术家用各自不同的创作面貌去探索艺术的内在含义，踏上永无止境探索的旅途。
本文将介绍参展的其中两位艺术家，杨勋和徐振。在旅途中我们的目光不断被各式各样的景观所吸引。当我们沿途在乡野，村落，山谷，城市之间停停走走，随着脚步不断迈进，周边的风景也随之变化。
Journey Exhibiting Artists Introduction
Our latest exhibition Journey is on view until March 26. The exhibition, titled Journey, invited six post-80s artists, including Xu Zhen, Yan Zhancheng, Yang Xun, Zhang Ben, Zheng Mengqiang, and Zhou Dong, to showcase their recent artworks. They have years of practice in painting and thus have slowly established their style. Journey, as a medium for experiencing the world, provides opportunities for creative expression. Painting, as a direct way of communication, eliminates the existence of time barriers. Using painting as the medium to preserve ideas, artists explore the spiritual and philosophical aspects of art, embarking on a journey of never-ending exploration.
This article will introduce two of the artists, Yang Xun and Xu Zhen. People’s eyes are constantly drawn to the variety of scenes in the journey. We tend to stop and walk between the countryside, villages, valleys, and cities… And as we walk along the way, the scenery changes with pace.
从以苏州园林为母题进行创作到描绘明光烁亮的自然竹景，杨勋在长达将近二十年的创作历程中一直追随着内心的光，试图在当代的环境下保存传统的痕迹。从葱郁挺拔的高竹到对其的局部放大观看，杨勋选择把目光焦距于一个细节，去观察竹身，竹节，竹叶的刚与柔。伴随着点点微光色彩莹莹，色调随着光线不同而浓淡不一，雾气茫茫，如梦如幻，湿润且氤氲。
杨勋作品在“旅途”展览现场
在一次采访中杨勋曾说过：“我希望我的绘画不是物象本身，而是传递一种能量，虽然被物象承载，但他可能是宇宙中的一种能量，很强大。而人们在观看作品的时候，可以得到能量的互换，获得一种别样的体验。”1
杨勋 Yang Xun, 羽化 Feathering, 2022-2023, 布面油画 Oil on canvas, 150 x 100cm
杨勋以竹把东方传统美学精神和当代艺术形式相融合，而徐振画松则阐扬融合西方现代主义绘画革新观念与中国文人画以物寄情精神的可能。徐振关注于绘画本身，试图寻找日常物体或风景背后所隐藏的关于视觉和绘画性的关系和秩序。在创作过程中，他会以不同的视角观察同一对象并对细节反复描绘，试图寻找背后隐藏的真理。
徐振作品在“旅途”展览现场
正因如此，他笔下的松叶趋于平面化，以不规则几何形状被压缩在画面之中。但仔细观察，这些不同朝向的叶仿佛可以被整合在一起, 形成树木主体的架构。徐振抓住细微之处的变化去揭示新的可能性。而这一点点变化，在徐振眼里，“是绘画走向不确定性的敞开之地，是对重复和定式的打破，虽然很难，但值得思考。”2
徐振 Xu Zhen, 黄山松 Huangshan Pine, 2022, 布面油画 Oil on canvas, 100 x 73cm
From creating works based on the theme of Suzhou gardens to depicting natural bamboo scenes with bright and shining light, Yang Xun has been following the light of his heart for nearly two decades, trying to preserve the traces of tradition in a contemporary setting. From depicting the lush bamboo to focusing on their details, Yang Xun observes the rigidity and softness of the bamboo sheaths, nodes, and leaves. With the shimmering colors, the hue varies with the light, becoming dreamy, moist, and vibrant.
During an interview, Yang Xun once said: "I hope that my painting is not the object itself but transmits a sort of energy. Although the image is carried by the object, it may be an energy in the universe, very powerful. And when people look at my work, they can get the interchange of energy and different kind of experiences."1
徐振 Xu Zhen, 路边松 Sideway Pine, 2022, 布面油画 Oil on canvas, 100 x 73cm
Yang Xun paints bamboo to fuse the spirit of traditional Eastern aesthetics with forms of Contemporary Art, while Xu Zhen uses the image of a pine tree to illustrate the possibility of integrating the innovative concepts of Western modernist painting with the spirit of Chinese literati painting that use the object to express emotions and spirits. Xu Zhen focuses on painting itself, trying to find the relationship and order of visual and pictorial nature hidden behind everyday objects or landscapes. In the creative process, he usually observes the same object from different perspectives and depicts the details repeatedly, trying to find the hidden truth behind it.
Because of that, the pine leaves he depicted tend to be flat, compressed into irregular geometric shapes. However, upon closer inspection, the leaves that face different directions seem to have the potential to be integrated into the main structure of the tree. Xu Zhen seizes the subtle changes to reveal new possibilities. And the little bit changes, in Xu Zhen's mind, "are open places for painting to move towards to the uncertainty, which can break the repetition and stereotype. It is something difficult but worth thinking about."2
艺 术 家 介 绍
杨勋
Yang Xun
杨勋，1981年出生于重庆，2005毕业于四川美术学院油画系，现生活工作于北京。杨勋的绘画与传统有千丝万缕的关系，却又理性克制。在他的画中有园林、戏曲人物、假山石、花卉和竹子等等。他的工作看起来像是在试图复活某种传统，特别是在美学上。他的作品带着一丝不属于他这个年龄与时代的气息，被称为“新东方美学”年轻一代的代表。
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Yang Xun (b.1981) was born in Chongqing, graduated from the Oil Painting Department of Sichuan Fine Arts Institute in 2005. He currently works and lives in Beijing. Yang Xun’s paintings are inextricably connected with Chinese tradition, yet without losing rationality and restraint. Traditional Chinese landscaping, Chinese opera figures, rockeries, flowers and bamboos in traditional Chinese style are the major elements in his works. His painting appears to be an attempt to revive some certain traditions, especially from an aesthetical perspective. His work, with a touch of peculiarity foreign to his age and time, is considered the representative of New Oriental Aesthetics in the younger generation.
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徐振
Xu Zhen
徐振，1981年生于安徽，2000年毕业于西安美院附中；2005年毕业于西安美院油画系，获学士学位；2005 - 2010年受聘任教于西安美院油画系具象表现绘画工作室；2013年毕业于西安美院油画系，获硕士学位；现工作生活于北京。
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Xu Zhen, born in Anhui in 1981. He graduated from the oil painting department of Xi'an academy of fine arts with a Bachelor's degree in 2005 and was employed to teach at the Xi'an academy of fine arts painting studio figurative expressionism from 2005 to 2010. In 2013, he graduated from the oil painting department of Xi'an academy of fine arts with a master’s degree. Xu Zhen currently lives and works in Beijing.
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1. 文字内容基于艺术阿尔法文章《杨勋：寻找艺术的光》
Content based on Art Alpha Yang Xun: find the light of the art
2. 文字内容基于实验影像工作室林中路项目《徐振｜孤独而自由的身影》
Content based on Off the Beaten Track Project Xu Zhen: lonely and free figure
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