动态 | 陆平原个展“无题（艺术家）”将于3月17日在澳门Humarish Club开幕 - 没顶公司

动态 | 陆平原个展“无题（艺术家）”将于3月17日在澳门Humarish Club开幕崇真艺客

陆平原：无题（艺术家）

2023年3月18日 – 4月13日

Humarish Club

澳门路氹填海区溜冰路128号葡京人一楼 R82-R83

没顶画廊艺术家陆平原将于3月18日于澳门Humarish Club呈现个展“无题（艺术家）”，展出近年来从展览和研究中诞生的重要绘画与雕塑系列作品。陆平原将为创作供给灵感的“故事”角色与和艺术史交织的个人叙事巧妙串联，以此开启独特且观念的超现实窗口，并对艺术史以及经验的来源提出质疑。该展览是陆平原在澳门的首次个展。

陆平原的创作从一系列与艺术和现实生活相关的奇幻故事开启，通过想象力对多重文化基因进行整合编码，召唤出游走于古老-现代，想象-现实，人造-天然，物质-精神，过程-结果双重世界的幽灵，并将其附体流动的媒介之中：故事、绘画、雕塑、影像、装置、音乐，以及艺术创作行为本身。这种幽灵式的工作方法创造出一种看似稚拙实则深沉的“他者”，以在二元对立的思维框架外拓宽固有知识体系、图像生产和行为模式的边界。

陆平原《黑色自然-221001》2022，布上丙烯与油画，143 x 170 cm

在“无题（艺术家）”中，陆平原延续了对艺术史符号与流行文化经典的灵活挪用，以多层次的形象对艺术家的天赋迷思进行解构。《Look! I'm Picasso》将《玩具总动员》中土豆先生的五官零散拼贴于立体主义肖像之上，通俗与精英文化在反常规的意象耦合中差池其羽，也映射出艺术家生涯不同阶段的状态与渴求；可自由变幻身形的巴巴伯穿梭在《黑色自然》系列的各色绘画场景中，指涉艺术家在创作过程中的主体性与不确定性；《语言玩具》将来源于电影与日常的创作灵感转译成流动的蓝色精灵，邀请观者从图像观看的角度触碰语言沟通的未知之域；艺术家的方法论也寄居在《女巫日记》的饼干浮雕中，陆平原变身“烘焙”雕塑的巫师，在酥脆的场景中发酵与凝固关于“创作即赋灵，创作即冒险”的想象。

作为其艺术最大的践行者和质疑者，陆平原瞬时和多变的创作语言跳脱现代主义的合法屏障，超验的模因被他童话式的叙述手段捕捉入瓮，指引对故事有所相信的人们用超现实对抗现实精神疲乏的死水，在对当下普遍生存状态的新奇反思中寻找艺术的永恒。

陆平原

《Look! I'm Picasso!-2210-2》2023，布上油画与丙烯，250 x 190 cm

LU PINGYUAN: UNTITLED (ARTIST)

March 18 - April 13, 2023

R. da Patinagem, No. 128, piso 01 do Hotel do “Lisboeta”, Unit No. R82-R83, Cotai, Macau

MadeIn Gallery's artist Lu Pingyuan's solo exhibition "Untitled (Artist)" is opening on March 17th, 2023 at Humarish Club, Macau. The exhibition features important series of paintings, drawings and sculptures emerged from the artist’s recent exhibitions and research. Lu creates “story” characters derived from his inspirations that subtly respond to personal narratives interweaved with art history, opening up a unique and conceptual window of surrealism that leads us to reflect on the history of art and the origin of experience. This is the first solo exhibition of Lu Pingyuan in Macau.

Lu Pingyuan's practice starts with a series of fantasy stories paralleled with art and real life. Coding multiple cultural genes through imagination, he calls out phantoms that shuttle between the opposing worlds of ancient-modern, imaginary-real, artificial-natural, material-spiritual, and process-outcome. He applies a fluid medium to integrate storytelling, painting, sculpture, video, installation, music, and the action of artmaking into an entirety. This phantomlike approach creates a seemingly naive yet profound 'otherness' that broadens the boundaries of inherent knowledge systems, image production and behavioral patterns transcending the framework of dichotomy.

In "Untitled (Artist)", Lu extends his flexible appropriation of art history symbols and pop culture classics, deconstructing the myth of the artist's talent with multi-layered imageries. "Look! I’m Picasso!" collages the facial features of Mr. Potato from "Toy Story" on top of Cubist portraits. The unconventional coupling of popular and elite culture triggers new dynamics that embody the artist’s ambition throughout different stages of his career. The shapeshifting Barbabeau travels through diversified painting scenes in the "Nature Noir" series, referring to the artist's subjectivity and the uncertainty in his artmaking process. "Lingua Playful" translates Lu’s inspiration from film and everyday life into floating blue elves, inviting the viewer to touch the uncharted territory of language communication from an iconographic perspective. The artist's methodology also resides in the biscuit relief of "The Witch's Diary", while Lu transforms himself into the wizard who "bakes" the sculptures. The imagination about "artmaking as ensouling, artmaking as adventure" is thereby fermented and solidified within a seemingly crisp scene.

As the greatest practitioner and questioner of his art, Lu’s instantaneous and versatile artistic language deviates from the barrier of modernism. He captures transcendental memes through tales, guiding people who have faith in storytelling to confront the stagnant pool of mental exhaustion with surrealism, and find the eternity of art via a novel way of examining our existence.

关于陆平原 | About Lu Pingyuan

1984年出生于中国浙江，生活工作于上海。陆平原的创作源自他对人类精神意志无形本质的兴趣，他通过对“故事”的创作和使用，展现人类经验的流传与流变，以此为核心，发展出了一系列结合艺术史、流行文化、个人经验等多重因素的创作，跨越文本、影像、绘画、雕塑、装置等媒介。陆平原将超现实叙事与概念艺术相结合，创造出一个与现实平行的、庞大的幻想世界，展现当代人类的精神困境，并重新挖掘人与万物精神联系的潜能。

‍

他的作品已在国内外广泛展出，近期参加的展览包括，个展：“画廊一夜”，星美术馆SSSSTART，上海，中国，2022；“烹饪诱捕，诱捕烹饪，我可爱的生活”，OCAT深圳馆，深圳，中国，2022；“第一个艺术家”，没顶画廊，上海，中国，2021；“有情世界”，宝龙美术馆，上海，中国，2020；“科拉”， chi K11美术馆，上海，中国，2019；“箱中奇遇”，爱马仕之家，上海，中国，2018；“迷之童年”，万和昊艺术酒店，上海，中国，2018；“成长的烦恼”，没顶画廊，上海，中国，2017；“宝藏”，星汇当代美术馆，重庆，中国，2017；“詹姆斯•斯坦利-第七世德比伯爵”，曼切斯特华人艺术中心，曼切斯特，英国，2016；“河原温”，没顶画廊，上海，中国，2016；“惊奇地发现”，没顶画廊，上海，中国，2015；“胶囊”，Gallery Box，哥德堡，瑞典，2011；“自律的呼吸”，M50创意空间，上海，中国，2010；等；

近期参加的群展包括：“开启START”，星美术馆，上海，2022-23；“我们从别人那里借梦想，像债一样”，没顶美术馆，上海，2022； “情念与宇宙”，月涌艺术中心，成都，2022；“好奇无界”，余德耀美术馆，上海，2021；“野生大都会”，宝龙美术馆，上海，中国，2019；“降临：发明风景，制作大地”，前哨当代艺术中心，上海，中国，2019；“极限混合 ——2019广州空港双年展”，广州，中国，2019；“敢当：当代神石注疏”，UCCA沙丘美术馆，秦皇岛，中国，2019； “仙境边缘——泰国双年展2018”，甲米省，泰国，2018；“艺术家在此”，余德耀美术馆，上海，中国，2018；“城市无界”——2018中国·上海静安国际雕塑展”，上海静安雕塑公园，上海，中国，2018；“这里是上海”，利物浦邱纳德大楼，利物浦，英国，2018；“长征计划：违章建筑三——特区”，长征空间，北京，中国，2018；“*㔷埋儿童节”，Para Site×香港歌德学院，香港，中国，2018；“动漫美学双年展—叙事曲”，上海当代艺术馆，上海，中国，2018；“PLAY”，没顶画廊，上海，中国，2018；“中国 2185”，赛迪HQ画廊，伦敦，英国，2017；“第十一届上海双年展”，当代艺术博物馆，上海，中国，2016；“第九届利物浦双年展”，利物浦，英国，2016；“无序之美”，卡斯雕塑基金会，英国，2016；“山中美术馆”，四方美术馆，南京，中国，2016；“第三届乌拉尔当代艺术工业双年展”，乌拉尔，俄罗斯，2015；等。陆平原也是第四届三亚艺术季“华宇青年奖”的入围艺术家；第一届保时捷青年艺术家大奖入围艺术家。

Lu Pingyuan was born in 1984 in Zhejiang province, China. He lives and works in Shanghai. Lu Pingyuan’s artworks involves a variety of media, including texts, installations, videos, paintings and others. For a few years, Lu Pingyuan concentrated his practice on the writing of “stories” as a unique type of media for art creation. These short “stories” significantly broaden the artworks’ state of existence in the real world, extend the inherent spirit of art itself. His works have been exhibited extensively in both national and international museums and biennales.

Recent solo exhibitions include: “One Night at a Gallery”, SSSSTART Museum, Shanghai, China, 2022; “Trapping Cooking, Cooking Trapping, It’s a Lovely Life”, OCAT SHENZHEN, Shenzhen, China, 2022; “The First Artist”, MadeIn Gallery, Shanghai, China, 2021; “Imperishable Affection”, Powerlong Museum, Shanghai, China, 2020; “KOLA”, chi K11 Art Museum, Shanghai, China, 2019; “La Malle aux Trésors”, Mansion de Hermès, Shanghai, China, 2018; “Lost Child”, ONEHOME Art Hotel, Shanghai, China; “HOME ALONe”, MadeIn Gallery, Shanghai, 2017; “Hidden Treasure”, The Galaxy Museum of Contemporary Art, Chongqing, China, 2017; “James Stanley-The Seventh Earl of Derby”, Center for Chinese Contemporary Art, United Kingdom, 2016; “ON KAWARA”, MadeIn Gallery, Shanghai, 2016; “Unexpected Discoveries”, MadeIn Gallery, Shanghai, 2015; “Time Capsule”, Gallery Box, Gothenburg, Sweden, 2011; “Autonomous Breathing”, M50 Creative Space, Shanghai, 2010.

He participated in numerous group exhibitions, including: “START”, Start Museum, 2022-23, Shanghai, China, 2022-23;“We Borrow Dreams From Others, Like Debt”, MadeIn Art Museum, Shanghai, China, 2022; “Emotion and Universe”, Harvest Moon Art Centre, Chengdu, China, 2022;“Ever-Curious, Mickey: The Original & Ever Curious Exhibition Shanghai Stop, Yuz Museum, Shanghai, China, 2021; “Wild Metropolis”, Powerlong Museum, Shanghai, China, 2019; “Advent: Inventing Landscape, Producing the Earth”, Qianshao Contemporary Art Center, Shanghai, China, 2019; “Extreme Mix-Guangzhou Airport Biennale”, Guangzhou, China, 2019; “Land of the Lustrous”, UCCA Dune, Beidaihe, China, 2019;“Edge of the Wonderland-Thailand Art Biennale”, Krabi, Thailand, 2018; “Artist is Present”, Yuz Museum, Shanghai, China, 2018; “City Unbounded-China · Shanghai Jing’an International Sculpture Project”, Jing’an Sculpture Park, Shanghai, China, 2018; “This is Shanghai”, Cunard Building, Liverpool, UK, 2018; “Long March Project: Building Code Violations III - Special Economic Zone”, Long March Space, Beijing, China, 2018; “Arts in Urban Cultures”, Taikoo Li Sanlitun, Beijing, China, 2018; “*underground-children-festival”, Para Site x Goethe-Institute Hong Kong, Hong Kong, China, 2018; “Animamix Biennale—Ballade”, Museum of Contemporary Art Shanghai, Shanghai, China; “PLAY”, MadeIn Gallery, Shanghai, China; “11th Shanghai Biennale”, Power Station of Art, Shanghai, China, 2016; “9th Liverpool Biennale”, Liverpool, England, 2016; “A Beautiful Disorder”, Cass Sculpture Foundation, England, 2016; “Mountain Sites: Views of Laoshan”, Si Fang Art Museum, Nanjing, China, 2016; “3rd Ural Industrial Biennial of Contemporary Art”, Ural, Russia, 2015 etc. Lu Pingyuan was nominated for the 4th Art Sanya “Huayu Youth Award” and the 1st Porsche “Young Chinese Artist of the Year”. Lu Pingyuan’s work proposal, Tree, was shortlisted for the third and fourth High Line Plinth commission in 2020.

关于Humarish Club | About Humarish Club ‍‍‍

位于澳门葡京人商场内的 Humarish Club 是一家创立于澳门的新兴艺术空间，致力将国际优秀的艺术品引入澳门市场，亦将澳门本土艺术与摩登相结合的艺术氛围推向世界。Humarish Club 由“超盈文化”与“华氏文化”共同创立。“超盈文化”立足于澳门，是由青年企业家及收藏家何超盈小姐创立的文化创意公司;“华氏文化”扎根于上海，成立于 1997 年，为国内领先专业性画廊，具有多年的画廊运营经验。Humarish Club 以澳门为起点，通过内地市场的运作经验与澳门特别行政区更广阔的国际市场相结合，促进澳门文化艺术发展多元化的同时，也为澳门成为未来世界重要艺术品交易中心添砖加瓦。要藝術品交易中心添磚加瓦。

Humarish Club, co-founded by Chiu Yeng Culture and HWAS Art, is an emerging arts club located at H853 Fun Factory at Lisboeta Macau, is committed to introducing the international trend of art into the Macau market and promoting the artistic atmosphere of Macau that embodies both classicism and modernity to the world. Founded in Macau, Chiu Yeng Culture is a culturalandcreativeenterprise established by the young entrepreneur and collector Ms. Sabrina Ho. Founded in 1997 in Shanghai, HWAS Art has over 20 years of experience in gallery operation as a leading professional gallery in China. Combined the market operation experience in China with the broader international market of Macau, Humarish Club is dedicated to accelerate the diversified development of Macau’s arts and culture scene, and to contribute to offsetting up Macau as an important artwork global trading center in the future.

关于没顶画廊 | About MadeIn Gallery

没顶画廊成立于2014年上海，由当代艺术创作及策划平台没顶公司所发起创办，公司创始人徐震是一位深具国际影响力的当代艺术家。

没顶画廊致力于推广优秀的艺术家和项目活动，推动当代文化的发展与国际交流。自成立至今，画廊已为新锐艺术家和知名艺术家举办了众多具有策划性的、高品质的个展与群展，成为一个独特而重要的艺术平台。没顶画廊善于挖掘和培育具有天赋的年轻艺术家，并积极参与国际对话，活跃于中国及国际当代艺术舞台。

没顶画廊代理艺术家包括：蔡坚、陈英、丁力、冯至炫、傅斯特、何岸、李汉威、刘成瑞、陆平原、苗颖、莫少龙、佩恩恩、商亮、沈莘、苏予昕、汪建伟、王思顺、王梓全、徐震®、杨扬、尭、郑源、周子曦。

没顶画廊合作艺术家包括：边云翔、陈冷、艾略特·多德（Elliot Dodd）、方阳、葛辉、刘娃、郎港澳、陆博宇、蒲英玮、善良、史莱姆引擎、宋琨、夏诚安、夏云飞、杨深、张联、张文怡、钟慰。

MadeIn Gallery was established in 2014 in Shanghai by the contemporary art creation and curating platform MadeIn Company, a corporation founded by international influential artist Xu Zhen.

MadeIn Gallery is dedicated to the promotion of outstanding artists and projects, spurring the development of contemporary culture and international exchanges. Since its creation, the gallery has organized numerous curated, high-quality solo and group exhibitions of both emerging and established artists, becoming a unique and important art platform. MadeIn Gallery excels in discovering and accompanying young talented artists in their career, as well as actively participating among international dialogues, in the Chinese and international contemporary art scene.

Representing artists: Cai Jian, Chen Ying, Ding Li, Feng Zhixuan, Fu Site, He An, Li Hanwei, Liu Chengrui, Lu Pingyuan, Miao Ying, Mo Shaolong, Payne Zhu, Shang Liang, Shen Xin, Su Yu-Xin, Wang Jianwei, Wang Sishun, Wang Ziquan, XU ZHEN®, Yang Yang, YOYO, Zheng Yuan, Zhou Zixi.

Collaborating artists: Bian Yunxiang, Chen Leng, Elliot Dodd, Fang Yang, Ge Hui, Liu Wa, Lang Gang'ao, Lu Boyu, Pu Yingwei, Shanliang, Slime Engine, Song Kun, Xia Cheng'an, Xia Yunfei, Yang Shen, Zhang Lian, Evian Wenyi Zhang, Zhong Wei.

madeingallery.com

info@madeingallery.com

上海市静安区曲阜路9弄下沉庭院负一层1号

周二至周日 10:00 - 18:00 （周一闭馆）

动态 | 陆平原个展“无题（艺术家）”将于3月17日在澳门Humarish Club开幕崇真艺客