户尔北京 | 群展「亲密图集：卷二，流动的乐谱」即将开幕

亲密图集：卷二，流动的乐谱‍‍

艺术家 Artists

薇薇安·卡库里 Vivian Caccuri

米利亚姆·卡恩 Miriam Cahn

陈轴 Zhou Chen

丁世伟 Shiwei Ding

方迪 Di Fang

范尼·吉奎尔 Fanny Gicquel

韩子石 Zishi Han

戈登·霍尔 Gordon Hall

胡伟 Wei Hu

沈翰 Han Shen

托比亚斯·斯皮奇蒂 Tobias Spichtig

托马斯·吴 Tomas Vu

乌拉·冯·勃兰登堡 Ulla von Brandenburg

朱荧荧 Yingying Zhu

陈轴 Chen Zhou

《形同虚设》

如果有一个地图集连接着两个地方，而两地之间有着多种关系而互为彼此，那么它们之间的亲密关系，可能会很远，也可能会很近。户尔空间，作为德国和中国之间、两地一体的画廊，在过去的几年，便见证了远、近关系的存在，尤其是当流动、日常与交互都成为根本性问题的时期。如今，封闭的禁令已经放开，交流的机会重新复现，展览“亲密图集：卷二，流动的乐谱”，便在此时机应运而生。该展览既不是调研，也不是主题群展，而是团结一致的声明，反思新可能性的邀请，也是一场庆祝活动。它关于我们的日常生活如何被各种限制塑造，以及今天的日常行为又诞生出哪些乐谱。所谓“事件的乐谱”，源自Allison Knowle 的观念：日常生活中的简单动作、想法和物体，置于新的语境，演变为艺术。

Designating multiple relational proximities, the term affinity can seem either distant or close when viewed in an atlas that links two locations. Hua international, as a gallery bilocated between Germany and China, the past years have been marked by the fundamental issues related to movement, the everyday routines and exchanges that are part of the existence between two spaces. The exhibition,Atlas of Affinities: Vol.2, Scores for Movement, presents the opportunity for exchange on the occasion of the reopening of China after the end of the Zero-Covid policies. The exhibition is neither a survey, nor a thematic group exhibition, but a statement of togetherness, an invitation to reflect upon new possibilities, and a celebration. About how our day-to-day lives have been shaped through restrictions and what new “scores” can be written for everyday actions today. The concept for the show derives from Allison Knowle’s concept of the “event score”: simple actions, ideas, and objects from everyday life that are recontextualized as art.