苏伯德·古普塔,一个名字里有什么(XIII),2019,亚麻布面油画,225 x 190 x 5(d) cm. Subodh GUPTA, What's In A Name(XIII), 2019, Oil on linen, 225 x 190 x 5(d) cm ⓒ Artist and Arario Gallery Art Basel Hong Kong 2023
巴塞尔艺术展香港展会
展期 | DURATION
2023.03.21 (Thu) - 2023.03.25 (Sat)
地点 | VENUE
香港会议展览中心
Hong Kong Convention & Exhibition Centre
布恩·卡路拜恩
崔秉昭
苏伯德·古普塔
黄渊青
井士剑
郑江子
金顺基
李珍珠
梁曼琪
名和晃平
卢相镐
艾柯·努格罗荷
严泰丁
Buen CALUBAYAN
CHOI Byungso
Subodh GUPTA
HUANG Yuanqing
JING Shijian
JUNG Kangja
KIM Soun-Gui
LEE Jinju
LIANG Manqi
Kohei NAWA
NOH Sangho
Eko NUGROHO
UM Tai-Jung
Kabinett 展区
金顺基 KIM Soun-Gui
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Email: info@ararioshanghai.com
阿拉里奥画廊欣然宣布将于3月21日至25日参加2023年巴塞尔艺术展香港展会。今年除了画廊的主展位外,阿拉里奥还将在Kabinett展区呈现韩国第一代实验艺术家金顺基最具代表性的作品之一——《彩票村》。
ARARIO GALLERY will be participating in Art Basel Hong Kong 2023 from March 21 to 25. This year, along with the main booth in the Galleries sector, ARARIO GALLERY will hold a showcase in the Kabinett sector with Lottery Village, one of the most representative works by Korea’s first-generation experimental artist, KIM Soun-Gui.01
画廊展位
Booth 1B18
在画廊展位(1B18)上,阿拉里奥将重点推介具有代表性的亚洲当代艺术作品。来自菲律宾的布恩·卡路拜恩、印度尼西亚的艾柯·努格罗荷、日本的名和晃平以及印度当代艺术界领军人物苏伯德·古普塔(他最近在法国巴黎左岸的乐蓬马歇百货展出了一件大型装置作品)都将悉数参展。For the Galleries sector (Booth 1B18), ARARIO GALLERY will focus on introducing works representative of contemporary Asian art. Buen CALUBAYAN from the Philippines, Eko NUGROHO from Indonesia, Kohei NAWA from Japan, and Subodh GUPTA, a leading artist in the Indian contemporary art scene who recently revealed a large-scale installation piece at Le Bon Marché department store, Rive Gauche, Paris, France will participate. 
严泰丁,记忆-迷失之地,1980,铜,作品: 39 x 32 x 58(h) cm; 底座: 38(dia), 15(h) cm. UM Tai-Jung, Memory - Lost Place, 1980, Copper, Work: 39 x 32 x 58(h) cm; Plinth: 38(dia), 15(h) cm ⓒ Artist and Arario Gallery
布恩·卡路拜恩,关于垃圾填埋场的气味的说明,2023,布面油画,122 x 152.5 cm. Buen CALUBAYAN, Notes on the Smell of Landfill, 2023, Oil on canvas, 122 x 152.5 cm ⓒ Artist and Arario Gallery
李珍珠,第三幕,2022-2023,未漂白棉布上粉末涂料、动物皮胶和水,222 x 182 x 6(d) cm. LEE Jinju, Act 3, 2022-2023, Powdered pigment, animal skin glue and water on unbleached cotton, 222 x 182 x 6(d) cm ⓒ Artist and Arario Gallery
除此之外,郑江子的作品也将在线下展位呈现,她即将参加在韩国首尔国立现当代艺术博物馆开幕的巡回群展“先锋派:1960-70年代的韩国实验艺术”,下一站为纽约古根海姆博物馆和洛杉矶哈默博物馆。目前,她的行为艺术作品正在英国白教堂画廊的群展“动作,姿态,行为:女性主义,身体和抽象”中展出,同时,今年春天郑江子也将在阿拉里奥美术馆举办个展。
Moreover, works by JUNG Kangja, who is scheduled to be presented in the touring group exhibition "The Avant-Garde: Experimental Art in South Korea, 1960s-70s" opening at the National Museum of Modern and Contemporary Art, Seoul, Korea, and traveling to the Guggenheim, New York and the Hammer Museum, LA, USA, will also be presented at the booth. Currently, her performance work is being exhibited in the group exhibition, "Action, Gesture, Performance: Feminism, the Body and Abstraction" at Whitechapel Gallery in London, UK, and will be included in her solo exhibition at ARARIO MUSEUM in SPACE this spring.
郑江子,韩服纪念碑,1998,布面油画,162 x 130 cm. JUNG Kangja, Monument of Hanbok, 1998, Oil on canvas, 162 x 130 cm ⓒ Artist and Arario Gallery
中国艺术家们的新近作品也将在现场与藏家和观众见面,包括黄渊青、井士剑以及最近在阿拉里奥画廊上海空间举办个展的梁曼琪。目前创作表现活跃韩国艺术家,如崔炳昭、李珍珠、卢相镐以及目前正在韩国首尔阿拉里奥美术馆举办个展的严泰丁,他们的作品也都将被纳入今年香港巴塞尔艺术展的现场呈现。
New and recent works by Chinese artists, including HUANG Yuanqing, JING Shijian, and LIANG Manqi, who recently had a solo exhibition at ARARIO GALLERY Shanghai, will also be on view. Works by Korean artists who are currently active in their practice, such as CHOI Byungso, LEE Jinju, NOH Sangho, and UM Tai-Jung, who is currently having a solo exhibition at ARARIO MUSEUM in SPACE, Seoul, Korea, will be included in this year’s presentation as well.
井士剑,丽影晨曦,2022,布面油画,120 x 100 x 5(d) cm. JING Shijian, Beautiful Silhouette in Morning Sunlight, 2022, Oil on canvas, 120 x 100 x 5(d) cm ⓒ Artist and Arario Gallery
黄渊青,2020-2022-3,2022,布面油画,63 x 70 cm. HUANG Yuanqing, 2020-2022-3, 2022, Oil on canvas, 63 x 70 cm ⓒ Artist and Arario Gallery 梁曼琪,重叠,时空,指针,2022,布面油画,160 x 200 cm. LIANG Manqi, Overlapping Space, Pointer, 2022, Oil on canvas, 160 x 200 cm ⓒ Artist and Arario Gallery
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Kabinett 展区
金顺基 KIM Soun-Gui
《彩票村 Lottery Village》
金顺基,彩票村,1999,综合媒介,尺寸可变 KIM Soun-Gui, Lottery Village, 1999, mixed media, dimensions variable ⓒ Artist and Arario Gallery 作为韩国现代实验艺术的领军人物之一,金顺基曾在上世纪60年代末首次将实验行为艺术和观念艺术引入韩国艺术界。在她的职业生涯伊始,金顺基就将哲学和技术以多样的体裁形式纳入她的实验性艺术实践,诸如影像、多媒体、声音艺术、行为表演、摄影和绘画。
As one of the leading artists of modern Korean experimental art, KIM Soun-Gui first introduced experimental performance art and conceptual art to the Korean art scene in the late 1960s. From the start of her career, KIM incorporated philosophy and technology into her experimental practice in the form of various genres such as video, multimedia, sound art, performance, photography, and drawing.
这位艺术家以背包客的身份游历世界,探索东西方的艺术和文化。特别是在纽约逗留的期间,她与白南准、中嶋興、伊拉·施耐德和弗兰克·吉勒特等影像艺术家们密切合作。从80年代末开始,由于全球资本主义和互联网的蔓延与传播,社会结构产生变动,金顺基的创作直面与之相关的重要议题。她秉持着对“资本价值优先于所有其他价值”这一观念的文明批判态度,持续制作“证券交易所”项目,并与包括雅克·德里达和让-吕克·南希在内的世界知名的美学家展开访谈,共同讨论艺术在新自由主义社会中的作用。
The artist backpacked around the world, exploring both the art and culture of the East and the West. Especially during her stay in New York, she worked closely with video artists such as Nam June Paik, Ko Nakajima, Ira Schneider, and Frank Gillette, and starting from the late 1980s, she presented works that confronted issues relating to the structural changes in society caused by the spread of global capitalism and the Internet. She carried on to produce the Stock Exchange project—taking on a critical viewpoint of civilization in which the value of capital takes priority over all other values—and carried out interviews with world-renowned aestheticians, including Jacques Derrida and Jean-Luc Nancy, to discuss the role of art in the neoliberal society.
金顺基,彩票村(局部),1999,综合媒介,尺寸可变. KIM Soun-Gui, Lottery Village (detail) , 1999, mixed media, dimensions variable ⓒ Artist and Arario Gallery
将在Kabinett区展出的《彩票村》(1999年)是艺术家在这一时期最具代表性的作品之一。艺术家用纸板建造房屋和楼宇,并在建筑物表面上覆盖废弃彩票。从独栋房屋到巨型摩天大楼,每个建筑聚集在一起,形成了一处"彩票村"。这件作品通过将一个掩埋在彩票中的社会视觉化,揭示了现代社会中经济价值普遍被认为高于所有其余价值的不幸现实,暴露出了个体永久被社会期望所束缚的罪行。
Lottery Village (1999), which will be presented in the Kabinett sector, is one of the artist’s most representative works created around this time of her life. The artist constructed houses and buildings from cardboard, covering each surface with discarded lottery tickets. From individual houses to enormous skyscrapers, each of the buildings comes together to form a “lottery village”. This work brings to light the unfortunate reality of modern society in which economic value takes precedence over all other values through the visualization of a society buried in lottery tickets and exposes the guilt of individuals forever bound to societal expectations.
目前生活和工作于法国的金顺基分别于德国卡尔斯鲁厄ZKM艺术媒体中心(2022年)和韩国首尔国立现当代艺术博物馆(2019年)举办了个展,并将在下半年参加韩国第14届光州双年展。
KIM Soun-Gui, who lives and works in France, recently held her solo exhibition at ZKM Center for Art and Media, Karlsruhe, Germany (2022) and the National Museum for Modern and Contemporary Art, Seoul, Korea (2019) and will be participating in the 14th Gwangju Biennale, Gwangju, Korea, later this year.
阿拉里奥画廊自1989年创立至今,分别于韩国天安、首尔和上海拥有其支点画廊。在过去的三十年间,阿拉里奥画廊始终致力于关注与推广亚洲与国际艺术家,丰富其艺术家名单,并长期培养支持年轻艺术家。其代理的五十余位艺术家来自韩、日、中、印和东南亚地区各国,涵盖自20世纪70年代至今的实验艺术先锋,创作门类包括视觉艺术、绘画、雕塑、影像以及装置等众多艺术类别,突出展现亚洲地区令人瞩目的社会历史文化。自2005年入驻北京798艺术区起,阿拉里奥通过展示亚洲地区极具代表性的优秀艺术家,迅速成为中国当代艺术发展的重要枢纽。2014年8月,上海徐家汇衡山坊馆正式开馆,2017年7月迁址上海西岸,与来自中国和海外的艺术家一道为中国艺术舞台的多元性注入活力,继续作为中国当代艺术的先驱力量而存在。2022年,由日本艺术家名和晃平及其SANDWICH工作室倾力打造的上海新空间落址西岸国际传媒港,集当代先锋艺术、国际限量艺术衍生品、收藏级家具设计、潮流时装快闪与精品咖啡品牌为一体,致力于打造一个当代都市长效生活方式的策展式艺术商业复合空间。