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偏鋒 博覽會 | 巴塞爾香港 1C29

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偏鋒 博覽會 | 巴塞爾香港  1C29  偏锋画廊 崇真艺客


偏鋒 博覽會 | 巴塞爾香港  1C29  偏锋画廊 崇真艺客

©️鄔建安「之後——兔子在一剎那躍向木星」(局部)

Detail of "Then: The Rabbit Runs to Jupiter Swiftly", WU Jian'an.



偏鋒畫廊
PIFO Gallery
@ 巴塞爾藝術展香港展會
@ Art Basel in Hong Kong
展位|BOOTH
1C29

貴賓預展(僅限邀請)|PRIVATE VIEW (BY INVITATION ONLY)


2023.3.21(星期二),12 AM - 8 PM
2023.3.22(星期三),12 AM - 5 PM
2023.3.23(星期四),12 AM - 2 PM
2023.3.24(星期五),12 AM - 2 PM
2023.3.25(星期六),11 AM - 12 AM

開幕之夜|VERNISSAGE
2023.3.22(星期三),5 PM - 9 PM

公众日|SHOW HOURS
2023.3.23(星期四),2 PM - 8 PM
2023.3.24(星期五),2 PM - 8 PM
2023.3.25(星期六),12 AM - 6 PM

香港會議展覽中心
灣仔港灣道1號
Hong Kong Convention & Exhibition Centre
1 Harbour Road, Wan Chai, Hong Kong




关于艺术家

鄔建安


偏鋒 博覽會 | 巴塞爾香港  1C29  偏锋画廊 崇真艺客


1980年生於北京,現為中央美術學院教授,博士生導師。


2017年,鄔建安的作品代表中國參加第57屆威尼斯雙年展。近年來,作品先後參加【思維的線索:館藏中的行動抽象】(美國伯克利美術館及太平洋影像藝術中心,2022)、【超融體:2021成都雙年展】(中國成都天府美術館,2021)、【玻璃應力:未來之窗】(俄羅斯國立艾爾米塔什冬宮博物館,2021)、【開物:當代中國的日常與想象】(法國里爾伯爵夫人博物館,2021)、【生生不息——敘事的黃河】(銀川當代美術館,2020)、【紙上談繽】(意大利那不勒斯國家考古博物館,2019)、【越後妻有大地藝術三年展】(日本新瀉越後妻有,2018)、【蛇形】(日本東京森美術館,2019;新加坡藝術科學博物館,2017)、【亞洲藝術部成立百年慶典·猴年新春特別項目】(美國紐約大都會藝術博物館,2016)、【三十年的中國當代藝術:卡羅琳與雷內收藏展】(美國波士頓美術博物館,2015)、【大道之行:中國當代公共藝術展】(德國卡塞爾,2012)等重要展事,並在北京、上海、香港、紐約等地舉辦多次個展。


他的代表作品進入伯克利美術館及太平洋影像藝術中心、康奈爾大學赫伯特 F. 約翰遜藝術博物館、洛杉磯郡立藝術博物館、大都會藝術博物館、波士頓美術博物館、巴西奧斯卡·尼邁耶博物館、澳大利亞白兔藝術收藏、日本福岡亞洲藝術博物館、北京民生現代美術館、中央美術學院美術館、上海星美術館等美術館的館藏,現代傳播集團、匯豐尚玉中心、陳一丹基金會,以及愛馬仕、迪奧、寶格麗等亦收藏有鄔建安的作品。


2019年,鄔建安入選CCTV紀錄頻道出品的《中國想象力》,這也是他的首部個人紀錄片。他獲得的主要藝術獎項包括「2022年度卓越藝術人才獎助」(紐約亞洲文化協會),「2018年度40 Under 40亞洲卓越藝術家」(《視野》)、「2020 Best of the Best年度藝術家」(《羅博報告》)、「2017年度青年力量」(《南方人物週刊》)等。



Wu Jian’an was born in 1980 in Beijing, China. He is currently a professor and Ph.D. degree tutor at the Central Academy of Fine Arts.


In 2017, Wu Jian’an represented China in the 57th Venice Biennale. In recent years, Wu’s art works have attended Lines of Thought: Gestural Abstraction in the BAMPFA Collection (Berkeley Art Museum and Pacific Film Archive, USA, 2022), SUPER FUSION: 2021 Chengdu Biennale (Tianfu Art Park, Chengdu, China, 2021), Glasstress: Window to the Future (The State Hermitage Museum, Russia, 2021), KAIWU: Art et design en Chine (Musée de l’Hospice Comtesse, France, 2021), The Endless Life—the Narrative of the Yellow River (The Museum of Contemporary Art Yinchuan, Ningxia, China, 2020), Art and Archaeology (Naples National Archaeological Museum, Italy, 2019), The 7 th Echigo-Tsumari Art Triennial (Echigo-Tsumari, Japan, 2018), Serpenti Form (Mori Art Gallery, Tokyo, Japan, 2019; Art Science Museum, Singapore, 2017), etc. He had held several solo exhibitions in Beijing, Shanghai, Hong Kong and New York City.


His work has been collected by important institutions including the Berkeley Art Museum and Pacific Film Archiver (USA), the Herbert F. Johnson Museum of Art at Cornell University (USA), the Los Angeles County Museum of Art (USA), the Metropolitan Museum of Art (USA), the Museum of Fine Art, Boston (USA), the Oscar Niemeyer Museum (Brazil), the White Rabbit Gallery (Australia), the Fukuoka Asian Art Museum (Japan), the Beijing Minsheng Art Museum (China), the CAFA Art Museum (China), the Start Museum (China), etc. His work is also in the collection of the Modern Media Group, the HSBC Jade center, the Chen Yidan Foundation, Hermès, DIOR and BVLGARI.


His first personal documentary was produced and broadcasted by CCTV 9 in 2019. Credited for the far-reaching impact of his artistic practice, Wu received The Asian Cultural Council 2022 Grants, which made him the only visual artist in China to receive this award that year. In recent years, he has also received 2020 Robb Report Best of the Best Awards for Artist and the 2018 Perspective 40 Under 40 Awards for Artist, and several other art awards bestowed by influential medias and institutes.






關於畫廊   


偏鋒畫廊堅持對中國當代藝術進程的洞察以及對歐洲及戰後藝術大師的探索,並在兩者的對話與碰撞中尋找各種可能的藝術力量。偏鋒既是中國最早推動抽象藝術研究與發展的重要畫廊,也是持續探討具象繪畫在當下多種可能性的主要機構。我們深信,藝術的體驗產生於一個又一個的變革中創造的新世界;藝術家的作品正是探索世界的第三隻眼睛。對於收藏家,偏鋒為其提供專業知識,鼓勵他們發掘個人獨特的視角,只因兩者的充分結合才能構建卓越的收藏。我們希望更多的藏家可以秉持鑒賞家的心態,更深入地理解當代藝術以及欣賞畫廊發掘、重塑並堅信的藝術家。



About the Gallery


PIFO Gallery concentrates on the participation of the course of Chinese contemporary art and the exploration of post-war European master artists and seeking for all possibilities of art power in the dialogue and collision between the two aspects. As a major gallery in China specialized in the study and promotion of abstract art, and also the main institution to continuously explore the various possibilities of figurative art at present, PIFO is convinced that the experience of art emerges from the new world created by one revolution after another; The artist's work is the third eye to explore the world. For collectors, PIFO provides expertise and encourages them to explore their own unique perspective because only the combination of the two can make a great collection. We hope to see a growing number of collectors to take on the roles of a connoisseur, with a more in-depth understanding of Asian and Western contemporary art, and appreciate the artists discovered, reshaped and firmly believed in by the gallery.



其他垂詢

All enquiries


王彧涵

Sophia Wang

sophia.wang@pifo.cn

M: +86 18210011135


孟玥辰

Meng Yuechen

mengyuechen@pifo.cn

M:+86 13466332576




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