熏依社·上海 | 群展 「脱线」Off-Line

内田江美的抽象作品画面整体让人感受到无限延伸的宇宙空间，更仔细的观察其实是无数炭笔连接交织的网络，暗示着神经网络细胞与宇宙的紧密相连，亦是身体内部的宇宙向空际无限延伸的飞翔，也正是日常向非日常的空间性跳跃。同时，内田江美也从事版画创作，她从江户时代的春画中汲取养料，用线条与拼贴去处理禁忌与露骨，遮挡与流露，赋予传统新的解读与生命力。

艺术家作品曾在日本、中国、中国台湾、美国、欧洲、土耳其、新加坡等地展出。2016 年于台北 101 塔美术馆（中国台湾），2018 年于三浦美术馆（日本爱媛），2018 年于中国台湾高雄市政府文化局 / 台湾文化中心（中国台湾）以及 2020 年于在濑户内市美术馆（日本冈山）等机构举办重要个展。

Emi Uchida's abstract works are infnitely extending as a whole. But on closer inspection, they revealed a dense interplay of charcoal paintinged lines suggestive of a network.The impression conveyed by the painted surfaces was of space exploding into infnity. Here were the neural networks of the human body connecting with the unbounded expanses of the universe and transporting with them the viewer. The familiar segued spectacularly into the ineffable. At the same time, Emi Uchida is also engaged in printmaking. She draws nourishment from the "Shunga" of the Edo period, using lines and collages to deal with taboos and explicitness, concealment and revealing, and endow tradition with new interpretation and vitality. 

Her works have been exhibited in Japan, China, Taiwan (China), the United States, Europe, Turkey, Singapore, and other places. Some important solo exhibitions were held in 2016 at the Taipei 101 Tower Art Museum (Taiwan, China), in 2018 at the Miura Art Museum (Ehime, Japan), in 2018 at the Kaohsiung City Government Cultural Bureau/Taiwan Cultural Center (Taiwan, China), and in 2020 at the Setouchi Art Museum (Okayama, Japan) and other institutions.

1958 年生于日本静冈县。1981 年多摩美术大学平面设计专业毕业后进入日本三大啤酒公司之一的麒麟（Kirin）啤酒，负责包装设计以及广告宣传等。

1985 年发行单行本《艾丽之春》，并以此作为漫画家出道。他的创作风格以恶搞为中心，逐渐成为一位备受众人瞩目的搞笑漫画家。1994 年独立之后，逐步发表了带有幻想色彩，充满文学风格的作品。他笔下的漫画，从讽刺时事新闻的四格漫画到长篇的故事性漫画，以及具有实验性意义的漫画等，向各个领域拓展开来，并以独具个人风格的创作方式持续活跃在第一线。与此同时，近几年在漫画之外，也积极的向影像作品、艺术等方向拓宽了自己创作领域。

SHIRIAGARI Kotobuki was born in 1958 in Shizuoka City, Japan. After graduating from Tama Art University with a major in Graphic Design in 1981, Shiriagari joined Kirin Brewery Company, Ltd. and worked on packaging design and advertisements.

In 1985, he debuted as a cartoonist with the book Ereki na Haru, receiving attention as a new type of gag cartoonist whose humor centers on parody. Working independently since 1994, Shiriagari continues to release fantasy and literary series works and other works in a wide range of genres, including satirical four-panel comic strips for newspapers and long-form narrative manga, as well as underground manga. While continuing to release original work, in recent years he has expanded beyond manga into a variety of media, including video and art.

1970 生于日本琦玉县浦和市。1998 毕业于东洋大学社会学专业。现工作、生活于东京的水野亮，虽然不是艺术专业出生，但是热爱绘画艺术的水野亮一直没有放弃自己的艺术。在日本游戏公司上班的同时，每天的工作之余都投入喜爱的绘画。

2001 年开始，水野亮的群展及个展在日本多家画廊及美术馆举办，并多次获得绘画大奖（当代艺术冈本太郎纪念奖、Philip Morris K.K 艺术奖、东京 Wonder Wall 奖、Shell 艺术奖)。水野亮用铅笔与墨笔创造出了无数神秘生物，这些生物似乎从他的手中自然流淌出来，他的绘画的速度之流畅，超出观者的想象，仿佛能感受到画面的色调逐渐暗下来，迫使观者用全部的感官去捕捉从深邃的黑暗中浮现出的细节。艺术家对现实世界秉持着一份冷静，却在另一个如梦境般的平行空间中，充满了天马行空的想象，在那里他是上帝，主宰着这些五花八门的生物的身体、情绪、思绪与能量。

此外，水野亮通过近三年艰辛地创作完成了 1000 幅《大头公主》，带着日式漫画“Kimokawa (有些恶心又有些可爱）”的特色。大头公主的五官，头颅被戏谑、把玩到了极致，每一个生命体都鲜活富有个性。艺术家将大头公主的出生时代设置在了 80 后，作品将 80 后的青春记忆充分地诠释出来，脆弱，孤独，迷茫，宅，搞怪，标新立异，所有孩子拥有的梦，经历的成长故事。

Ryo Mizuno was born in Saitama in 1998.He graduated from Sociology department, Tokyo University, and now live and work in Tokyo.Although Mizuno did not major in art, he loves painting and has never given up his art. While working at a Japanese game company, he devoted himself to his favorite painting after work everyday. 

Since 2001, Ryo Mizuno's group exhibitions and solo exhibitions have been held in many galleries and art museums in Japan, and he has won many painting awards (Contemporary Art Okamoto Taro Memorial Award, Philip Morris K.K Art Award, Tokyo Wonder Wall Award, Shell Art Award).Mizuno created countless mysterious creatures with pencils and ink pens, these creatures seem to flow naturally from his hands. The speedy images are so smooth that exceed the viewers’ imagination as if they can feel the tone of the picture gradually darkening. The viewer is forced to use all his senses to capture the details that emerge from the deep darkness. The artist maintains a calmness towards the real world, but in another parallel space like a dream, he is full of fantastic imagination, where he is God, who dominates the bodies, emotions, thoughts, and energy of these flourished creatures.

In addition, Mizuno completed 1000 “Funny Dolls” through nearly three years of hard work, with the characteristics of the Japanese manga "Kimokawa (a bit disgusting and a bit cute)". The facial features of Funny Dolls, the big heads have been parodied and played to the extreme, and each living individual is fresh and full of personality. The artist sets the birth time of Funny Dolls in the post-80s generation, and the work fully interprets the youthful memories of the post-80s generation, fragility, loneliness, confusion, homebody, parody, unconventionality, all the dreams that children have, and the growth stories they experience.