

Dance Theater:dance from the Han and Tang Dynasties
YONG Ⅲ

A returning tour as the spring approaches,
YONG Ⅲ, a masterpiece with great reputation upgraded and re-performed, featuring nine short dances and eight cultural relics, upgraded three times
Poetry, painting, and porcelain figurines to re-active the bodies that has been still for a thousand years
Looking back at the history, the modern and the classical coexist in the fantastic stage performance
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YONG Ⅲ
About YONG Ⅲ:The past is a foreign land.
Choreographer Tian Tian was the student of Mr. Sun Ying, the founder of Chinese classical dance of the Han and Tang dynasties. Led by Mr. Sun Ying's philosophy on dance, her works are integrated with modern dance, puppet drama and other elements, with the inherent temperament of modern and contemporary dance. The YONG SERIES have been highly recognized by many professionals in the circle and enjoyed great affection from the audience, and have been invited to attend many international dance festivals at home and abroad.
In YONG Ⅲ, you see the past, the history and the tradition; you also see the technology, neon, light, shadow and cyberpunk; you see the wonderful merging of historical telling in the context of future, which is the contemporary revival of the classical Han and Tang dance.


The YONG SERIES are the imagination of the past in an exotic place.
YONG Ⅲ is the third piece of work in TIAN Tian’s YONG SERIES. It continues to explore the postures of the ancient Chinese dancing miniatures, bringing the history back to life. Compared with the previous two works, YONG Ⅲ presents a deeper touch of contemporariness.
Focusing on the artistic interpretation of ancient paintings in different scenes, YONG Ⅲ is composed of seven dances: “Adorning Their Hair with Flowers”, “Tang Palace Concert”, “THE BEAUTY”, “Delight in Dancing”, “THAT Western”, “The Aristocrat in Shenyi” and “The Tage”.
01
“Adorning Their Hair with Flowers”
Dance. Dance gently.
You reach out your hand.
Most tenderly.

02
“Tang Palace Concert”
No man could look away
From this marvelous scene
Composed most splendidly
Yet how harmonious!
As they dance to the music
With the incomparable elegancy.

03
“THE BEAUTY”
She wakes up
Late in the morning.
A touch of light yellow
on the forehead;
And petals
on the cheeks.

05
“Delight in Dancing”
Oh!
Let us dance to the drum beats!

06
“THAT Western”
Wine in hand,
In darkness we go.
Harder and harder
The wind blows.

07
“The Aristocrat in Shenyi”
Wheels rolling
Corridors winding
Cornices piling.

08
“The Tage”
Tolerence, love and integrity.
A tribute to my mentor, Mr. Sun Ying.



YONG Ⅲ
A few words from her mentors
What others say…
Professor DENG You-ling, associate dean of Beijing Dance Academy
With the focus on ancient Chinese dancing miniatures, Tian Tian constantly uses body language and modern stage means to explore the historical memories and contemporary expression of culture, so as to make her works gain greater significance through the stage form and even beyond. This owns much to her abundant accumulation of knowledge in the field, her capabilities to put theories into practice and her persistence to improve her skills through extensive study.
YE Lang, aesthetician and honorary Dean of School of Arts of Peking University
Tian Tian's YONG SERIES have strong historical and cultural sense as well as high aesthetic value. She focuses on reviving the primitive form of the ancient Chinese dancing miniatures, and on the other hand, she tries to be innovative and explores different forms. This attempt to connect the past with the present is inspiring and meaningful especially in the current time.

YONG Ⅲ
Comments from the dance experts
What others say…
ZHANG Xian, playwright, theatrical director and Choreographer
Imagination and the stimulation to it are the vital signs of art. Since it belongs to a long time ago, why not push it away even further? The past and the present are interlinked in Tian Tian’s work.
LIANG Ge-luo, dance critic
The choreographer was more into practice before she chose the path of exploring the theories behind dance. Yet she wasn’t satisfied with simply being a scholar. Instead, she found her sparkle of inspiration and returned to the world of creative practice. Her knowledge of practice and theory complements each other. When looking at her works, you see a kind of relationship of the past with the present as well as you and me, because what she pursues and explores is our nation’s mentality toward beauty and its changes throughout our history.
QU Hui-jia, dean of School of performing arts of Shanghai Film Art Academy
The YONG SERIES have broken away from the previous creation mode of Chinese classical dance, and the choreographer has developed her own artistic creation style. From the works, I can always sense the choreographer herself, her appearance and temperament. The series composes a highly harmonious relationship among the artistic and cultural interpretation, the engagement with the audience and the choreographer’s individuality.
HUANG Lei, artistic director of Good Dance Center, associate dean of the Dance College of Guangxi Arts University
The gaze onto the history turns into an almost alien imagination that is far from our tradition, and the avant-garde experiment of light and shadow constructs the rhetoric of space. In the environment of theater, the past and the present found a way to exist in great harmony.
✦

YONG Ⅲ
Choreographer
TIAN Tian
YONG Ⅲ
Cast members
YONG Ⅲ
SIDCT
YOUTH INCUBATION PLATFORM

YONG Ⅲ
Dance Theater:dance from the Han and Tang Dynasties
YONG Ⅲ
Available to Purchase

Date:
19:30, April 7-8, 2023
14:00, April 9, 2023
Venue:
Grand Theater @ Shanghai International Dance Center
Choreographer :
TIAN Tian
Length :
70 mins
Price :
80/180/280/380/480/580 RMB
Hotline :
021-52990372,021-52995821

How to purchase
☑ Box Office: 1650 Hongqiao road (Shanghai International Dance Center) Building Two
☑ Purchase Online


Scan to Purchase
1. Tickets purchasing: Please select your seats online and both e-tickets and printed tickets by mail will be valid.
2. Ticket claim: Please get your tickets before the performance date or 90 minutes before the performance and follow our staff’s guidance to keep social distance.
3. Entering time: The audience can start to enter the auditorium 60 minutes before the performance starts.
4. Validation: please keep your mask on during your time in the theater.
5. Please double check the time, prize, seat information on the tickets as there is no refund or change available after the tickets are sold.

END

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