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评论｜韩国著名评论家尹晋燮评雎安奇个展「草体 Grass Style」

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阿拉里奥画廊上海空间正在举办雎安奇个展

「草体（Grass Style）」

此次展期将持续至2023年4月28日。

雎安奇个展“草体”展览现场，阿拉里奥画廊·上海，2023

关于《草体》审美普遍性的实验

An Experiment on the Aesthetic Universality
of Grass Style

学术主持

尹晋燮 Yoon Jin-sub

韩国著名艺术评论家、单色画派(Dansaekhwa)定义和倡导者

Korean art critic, the advocator of the Dansaekhwa school of monochrome painting

2023.03

2017年是我第一次接触雎安奇的画作《草体》(Grass Style)，他以草为基础，将一种自古以来东方文人们为陶冶情操而借物喻人拟化出的某种意象“草”提炼了出来。这些抽象的画面不仅仅是生长在大自然的草，也源自于其东方文化背景之下的书法文化。事实上，一位艺术家为了开创超越种族、地域以及时代的伟大艺术世界，必须要不断努力，还要有颠覆性的画风，我觉得雎安奇正是属于这一类艺术家。我认为他是中国单色绘画的代表人物，时隔六年，我依然没有改变这一想法。

When I first encountered Ju Anqi's paintings Grass Style in 2017, he used grass as the basis for these paintings, distilling a certain kind of imagery "grass" that has been developed by Eastern writers since ancient times in order to cultivate human sentiments. These abstract images are not just grasses growing in nature, but their cultural background is the calligraphy culture of the East. In fact, in order to create a great world of art that transcends race, region, and time, an artist must constantly strive and have a subversive painting style, and I think Ju Anqi falls into this category. I consider him to be the representative of Chinese monochrome painting, and six years later I have not changed my mind.

评论｜韩国著名评论家尹晋燮评雎安奇个展「草体 Grass Style」崇真艺客

雎安奇个展“草体”展览现场，阿拉里奥画廊·上海，2023 ⓒ阿拉里奥画廊及艺术家

评论｜韩国著名评论家尹晋燮评雎安奇个展「草体 Grass Style」崇真艺客

雎安奇，草体 No.17066，2017，布面丙烯，160x240cm ⓒ阿拉里奥画廊及艺术家

从西方文化传入东方，直到现在的很长一段时间里，包括中国在内的东方的艺术家们围绕表现问题有很多矛盾。这种矛盾的根源究竟是以何种形式表现现代的生活情感，并导致了审美普遍性问题的发生。从这一点看，雎安奇的艺术世界似乎很直接地在解决审美普遍性问题。

For a long time, since the introduction of Western culture to the East and up to now, artists in the East, including China, have had many contradictions around the issue of representation. The root of this contradiction is the form of expression of modern life emotions, which also leads to the problem of aesthetic universality. From this point of view, Ju Anqi's art world seems to address the issue of aesthetic universality quite directly.

评论｜韩国著名评论家尹晋燮评雎安奇个展「草体 Grass Style」崇真艺客

左：雎安奇，草体 No.22019, 2022, 布面丙烯, 150x150cm

右：雎安奇，草体 No.22018, 2022, 布面丙烯, 150x150cm

ⓒ阿拉里奥画廊及艺术家

即，草作为自然的一个比喻进入画面，不仅体现了生命处境的复杂性，还表现出了向人类传播美的终极精髓的意图。他画面中的两种或最多三种单色的相互协调给观众带来了非常清爽的美感。再加上将画面分成左右对称的独特构成法，线条边缘处理得干净利索，特有的收尾质量展现了几何学抽象绘画的精髓。

That is, grass enters the picture as a metaphor for nature, not only reflecting the complexity of life's situation but also showing the intention of spreading the ultimate essence of beauty to human beings. The harmony of two or at most three monochromatic colors in his picture brings the viewer a very refreshing sense of beauty. Together with the unique composition method of dividing the picture into left and right symmetry, the clean edge of the lines, and the characteristic quality of the finish show the essence of geometric abstract painting.

评论｜韩国著名评论家尹晋燮评雎安奇个展「草体 Grass Style」崇真艺客

雎安奇个展“草体”展览现场，阿拉里奥画廊·上海，2023 ⓒ阿拉里奥画廊及艺术家

评论｜韩国著名评论家尹晋燮评雎安奇个展「草体 Grass Style」崇真艺客

雎安奇，草体 No.22005, 2022, 布面丙烯, 120x90cm ⓒ阿拉里奥画廊及艺术家

左：雎安奇, 草体 No.20001, 2020, 布面丙烯, 36x36cm

右：雎安奇, 草体 No.17101, 2017, 布面丙烯, 36x36cm

ⓒ阿拉里奥画廊及艺术家

关于艺术家 ABOUT THE ARTIST

评论｜韩国著名评论家尹晋燮评雎安奇个展「草体 Grass Style」崇真艺客

1975年出生于新疆乌鲁木齐，在北京电影学院导演系接受了电影教育。雎安奇是世界当代电影的重要作者之一，作品参加过超过40个国际影展，也曾于巴黎蓬皮杜中心、纽约现代艺术博物馆、纽约古根海姆美术馆等国际顶级艺术机构展出。雎安奇亦是中国单色绘画的代表，其创作的《草体》绘画系列作品在亚洲的单色画创作领域中享有重要地位，作品呈现在全球众多的重量级展览，美术馆和艺术博览会上。

Born in 1975 in Urumqi, Xinjiang province, Ju Anqi graduated from the Directing Department of the Beijing Film Academy. As one of the most important directors of contemporary films in the world, his works participated in more than 40 international film exhibitions and were exhibited in top international art institutions such as Centre Pompidou (Paris), MoMA (New York) and Solomon R. Guggenheim Museum (New York). He is a leading figure in Chinese monochromatic painting, and his “Grass Style” painting series enjoys a vital position within the domain of Asian monochromatic painting. These artworks have been shown in highly influential exhibitions, galleries, and art trade fairs both in China and abroad.

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当前展出 | Current Exhibitions

阿拉里奥画廊·上海 ARARIO GALLERY SHANGHAI

阿拉里奥画廊·天安 ARARIO GALLERY CHEONAM

阿拉里奥画廊·首尔 ARARIO GALLERY SEOUL

关于画廊 | ABOUT US

阿拉里奥画廊自1989年创立至今，分别于韩国天安、首尔和上海拥有其支点画廊。在过去的三十年间，阿拉里奥画廊始终致力于关注与推广亚洲与国际艺术家，丰富其艺术家名单，并长期培养支持年轻艺术家。其代理的五十余位艺术家来自韩、日、中、印和东南亚地区各国，涵盖自20世纪70年代至今的实验艺术先锋，创作门类包括视觉艺术、绘画、雕塑、影像以及装置等众多艺术类别，突出展现亚洲地区令人瞩目的社会历史文化。

自2005年入驻北京798艺术区起，阿拉里奥通过展示亚洲地区极具代表性的优秀艺术家，迅速成为中国当代艺术发展的重要枢纽。2014年8月，上海徐家汇衡山坊馆正式开馆，2017年7月迁址上海西岸，与来自中国和海外的艺术家一道为中国艺术舞台的多元性注入活力，继续作为中国当代艺术的先驱力量而存在。

2022年，由日本艺术家名和晃平及其SANDWICH工作室倾力打造的上海新空间落址西岸国际传媒港，集当代先锋艺术、国际限量艺术衍生品、收藏级家具设计、潮流时装快闪与精品咖啡品牌为一体，致力于打造一个当代都市长效生活方式的策展式艺术商业复合空间。