同行/从自然到合成 | Giulia Cenci

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——Giulia Cenci

Equal Minds, 2023, Exhibition View, SpazioA, Pistoia

Dry Salvages, 2023, Exhibition View, PAKT, Amsterdam

Installation View, Strange.Sandretto Re Rebaudengo Collection, 2022, at Centro Andaluz de Arte Contemporáneo, Seville, ES

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Dead Dance (Scalata), 2021–22, Metal, Acrylic Resin, Fibreglass, Quartz Paint (Installation view, The Milk of Dreams, 59th Venice Biennale, 2022)

Dead Dance (Guardians) (Detail), 2021–22, Metal, Acrylic Resin, Fibreglass, Quartz Paint (Installation View, The Milk of Dreams, 59th Venice Biennale, 2022)

Giulia Cenci 在雕塑和沉浸式装置中将日常发现的物品和建模元素结合起来，将自然与合成相融合，探索技术和自然主题。这些物品经过铸造和重铸的炼金过程后，被逐渐组合成特定场所的安排。人和动物部分的模具随后被重新塑造成不同的动物，例如狼或马，而其他作品则暗示出肢体碎片。这些与橡胶和金属残余铸件配对，这些残留物是来自汽车和管道机器的废弃部件。随后，这些材料涂上如石墨粉、大理石灰尘和灰烬等有机成分。通过修改、分段和混合组成复杂对象，Cenci 推动了机器、动物、植物、细菌和人类之间等级制度区别的破坏和分解。

Dead Dance, 2021-2022, Installation View At The 59th International Art Exhibition, La Biennale di Venezia

Tallone di ferro, 2021 exhibition view, Museo Novecento, Firenze

Backland, 2021, Exhibition View, Galerie Fons Welters

Panorama, 2021, Exhibition View, Procida, NA

Waiting room #2, 2021, Agricultural Machine Fragment, Metal, Resin, Powders, Pigments,     164 x 286 x 376 cm

Lento-violento (Vertical Prison), 2020, MAXXI BVLGARI PRIZE 2020, Maxxi Roma

Lento-violento (Ininterrottamente) (Detail), 2020, Metal, Acrylcast, Found objects, Studio dust, Marble dust, Volcanic ash, Ash from the artist’s stove, Bone black, Dimensions variable

Lento-violento (Defeated), 2020, MAXXI BVLGARI PRIZE 2020, Maxxi Roma

Cenci 为《梦之乳》（The Milk of Dreams）创作的作品《死亡之舞》（dead dance，2021-2022年）构成了一个长达150米的步行环境，由工业农业设备残留物构建而成。这个支架中充满了人和动物身体的碎片，每个都用从汽车零件中回收的铝铸造而成，并且有些呈现多次迭代。通过这些妖兽般的人形在空间化的进程中，Cenci 探索了工业生产食物的条件，反过来也是生命本身的条件。

Fango, 2020, Exhibition View, SpazioA, Pistoia

Giulia Cenci, 2020, exhibition view, Mudam Luxembourg

Giulia Cenci, Pietraia, September 2020

Da lontano era un'isola, 2019, Exhibition View, Kunst Meran, Merano

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