三远当代艺术参展2023第十届艺术深圳 ｜ 展位B22

藏家预览 VIP Preview

9/7  14:00 - 21:00

公众开放 Public Days

9/8 - 9/9  10:00 - 19:00

9/10  10:00 - 17:00

参展艺术家 Artists

冯良鸿 Feng Lianghong

黄丹 Huang Dan

席丹妮 Xi Danni

董大为 Dong Dawei

地址 Address

深圳会展中心6号馆

（深圳市福田区福华三路）

三远当代艺术将参展2023 第十届艺术深圳，届时展出冯良鸿、黄丹、席丹妮、董大为四位艺术家的作品。

N3 Contemporary Art is honored to present works by Feng Lianghong, Huang Dan, Xi Danni, Dong Dawei at Art Shenzhen Art Expo. 

冯良鸿 Feng Lianghong

在冯良鸿的抽象作品中，明黄色与蓝色充满金属质感，艺术家依靠形式和颜色的力量探寻表现自己的全新艺术方式。在此基础上，冯良鸿探讨形式与空间的关系，赋予作品不同的纹理及质感——时间与物质的时间都凝结于画作之上，引人思考痕迹、侵蚀与覆盖的过程，进一步带领观者走向如何看待生命体的时间这一恒常的议题。

蓝 22-6 Blue 22-6

布面油画 Oil on canvas

142 x 112 cm, 2022

Feng Lianghong's abstract works feature vibrant shades of yellow and blue that exude a metallic texture. The artist leverages the interplay of form and color to forge a unique mode of artistic expression. Drawing upon this foundation, Feng Lianghong delves into the relationship between form and space, imbuing his works with diverse textures and tactile sensations. The paintings embody the passing of time and material transformation, prompting reflection upon the processes of erosion, trace-making, and covering. Ultimately, they invite viewers to consider how to grapple with the timeless issue of the transience of human existence.

相关阅读：

三遠评论｜冯良鸿：另辟新境

Frieze批评家导览｜冯良鸿的抽象绘画

黄丹 Huang Dan

黄丹对“物与景”的抽象提纯与动态的捕捉，使画面处于变动的“一瞬”与形式的永恒之间。譬如作品中少年骑马东渡，雾剪远山，纤浓皆在一瞬。黑与白的多重层次超越了水墨这一媒介通常对于“影子”这一重要艺术史观念的忽视。从新融贯、构建出视觉的真实。

千万山 Majesty

绢本设色 Ink and color on silk

143 x 89 cm, 2021

Huang Dan showcases her artistry by refining abstract concepts and capturing dynamic scenes, bridging the gap between the fleeting "moment" and the timeless form. In one of her works, a young man is depicted riding a horse through the eastern landscape, with the mist cutting through distant mountains and delicately rendered in a single moment. Huang's use of multiple layers of black and white transcends the traditional medium of ink and wash, which often overlooks the crucial role of "shadow" in art history, resulting in a visually stunning and cohesive portrayal of reality.

相关阅读：

对话艺术家 ｜ 黄丹：人是半开半闭的存在

ArtAsiaPacific | 黄丹：过程式的完美

席丹妮 Xi Danni

如《追忆似水年华》的作者普鲁斯特仅用一块饼干之味便重返一生况味，席丹妮用自身特有的“微现实主义”风格，通过描绘个人化、日常化和微观化的对象，来表达自身的自由意志。譬如她本次参展作品聚焦于贮仓的一角，舍弃了背景底色，油画棒描摹出带霜的冬瓜细密连排，让人不禁开始回溯时空季节、山海厨房与日常百态。

Proust, the author of "Remembrance of Things Past," famously captured the essence of life through the taste of a biscuit. Similarly, Xi Danni uses her unique "micro-realism" style to portray personal, daily, and microscopic objects, expressing her own free will. In this exhibition, her works focus on a corner of a warehouse, abandoning the background color and depicting the dense rows of winter melons with frost using oil pastels. Through her art, she invites us to reflect on time, space, seasons, landscapes, kitchens and our ordinary life, prompting us to rediscover the beauty in the seemingly ordinary moments.

董大为 Dong Dawei

董大为的工作，有着同一个底色，他最有代表性的马克笔晕染画，其生成过程非常接近一个程序员，从源代码入手，生成字符串，建立程序语言，然后无限分形和编码。墨点晕染的动作，也体现了董大为图表中去技术化、去专业化的法则，一点接一点，机械而枯燥，在对墨性和纸性无数遍的尝试和体验中，百千万次的重复，艺术家洞悉了纤毫之际精微的奥妙，如同用显微镜揭开原子内部的微观世界，行动反哺观念以惊奇。

Dong Dawei's artistic practice has a unifying element. What he does is parallel to the iterative process undertaken by a programmer, starting from source code, generating strings, constructing a programming language, and delving into the boundless realm of fractals and coding. The method of smudging ink dots likewise exemplifies Dong Dawei's commitment to breaking away from technical intricacies and professional conventions within his diagrams. The process unfolds incrementally and mechanically. Throughout countless attempts and experiences with ink and paper, repeated millions of times, the artist gains profound insights into the subtle intricacies concealed within each iteration. This process parallels the use of a microscope to unveil the microscopic realm existing within an atom, and each action undertaken by the artist becomes a catalyst for surprising conceptual revelations.