展会现场｜2023 PHOTOFAIRS New York 熏依社画廊 展位 Booth # 136
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September 7, 2023（Thur.） 14:00-19:00公众日 | Public Days
September 8, 2023（Fri.） 11:00-19:00September 9, 2023（Sat.） 11:00-19:00September 10, 2023（Sun.） 11:00-18:00Javits Center - Level 3 Hall 3A445 11th Avenue, New York, NY10001
（熏依社画廊参加2023年纽约影像艺术博览会#136展位现场）熏依社画廊荣幸宣布参加2023年纽约影像艺术博览会(PHOTOFAIRS New York) 。纽约影像艺术博览会是一个全新的当代影像艺术博览会，致力于摄影作品、数字艺术和新媒体。Shun Art Gallery is honored to announce its participation in PHOTOFAIRS New York 2023. PHOTOFAIRS New York is a new contemporary art fair dedicated to photo-based works, digital art and new media.博览会于今年9月，以扎实的策展方式，在曼哈顿西区的贾维茨中心创建一个摄影与新技术交叉的新平台。熏依社为此次艺博会精心策划了艺术家马良的个展，展览带来了艺术家从2020年以来创作的三个系列的作品“人间乐园”、“刹那”、“彼岸花”。This September, the fair built a new platform where photography and new technologies intersect with a strong curatorial approach at the Javits Center on Manhattan's West Side. The gallery carefully planned the artist Maleonn's solo exhibition for the fair. The exhibition will bring the artist’s three series "The Garden of Earthly Delights", "Ksana" and "Faramita Flowers" since 2020.
The Garden of Earthly Delights
/ 人间乐园
The Garden of Earthly Delights (part) / 人间乐园（片段）
Inkjet print on Hahnemuehle FineArt Baryta Satin Paper133×230cm, Unique Edition2022
再读狄更斯的《双城记》前言，其中这句话深深打动了我：“人们面前应有尽有，人们面前一无所有。” 这似乎就是我们正面对的当代困境，物质极大丰富的时代，人类再精神上却更孤独和一无所有。When reading the preface of Dickens' "A Tale of Two Cities" again. This sentence deeply moved me: We had everything before us, we had nothing before us. It seems to be the contemporary dilemma we are facing. Humans are more lonely and spiritually deficient in an era of incredible material abundance.The Garden of Earthly Delights (part) / 人间乐园（片段）
Inkjet print on Hahnemuehle FineArt Baryta Satin Paper133×230cm, Unique Edition2022
消费主义成为了一种救赎，我用装置加摄影的方式重构了《人间乐园》，所有的原材料都采购自互联网，甚至所有人物的造像都来自于互联网图片，例如淘宝上的内衣模特，这暗喻了今天这个消费主义时代正成为我们最后的人间乐园。
—— 马良
Consumerism has become a kind of salvation. I reconstructed "The Garden of Earthly Delights" by installation and photography. All materials composed in this work are purchased from shopping online. Even the characters' pictures are taken from online shopping pictures, such as lingerie models on the shopping site Taobao. It is a metaphor that today‘s consumerism era is becoming our last paradise on earth.
—— Maleonn
Ksana-Love's Lost and Found (part) / 刹那 - 第二章：失爱招领（片段）
Inkjet print on Hahnemuehle Photo Rag Ultra smooth paper2021
整个作品包含四个章节：《落难神祇》《失爱招领》《万物归一》以及《少年之信》，探讨了信仰、童真、死亡和爱情四个主题。这个作品是由慢速曝光的摄影技巧一次性完成的拍摄结果，我几乎没有动用后期手段去修饰。每张照片曝光一炷香的时间，大约30分钟，摄影棚内几乎全黑，香头的一点光亮逐渐燃烧出流星般的光轨，也让无明的一切彰显。This work includes four chapters: Deities in Trouble, Love's Lost and Found, All as One, and Letter of Youth, discussing four themes: faith, innocence, death, and love. These photographs were produced by one-off shoots with slow shutters and required almost no post-editing. Each photo involves a long exposure of about 30 minutes, the time required to burn a stick of incense. The studio remained in almost total darkness, with only the tiny light of the incense stick burning, forming a meteoric track of light and making the unknown visible. Ksana-Love's Lost and Found (part) / 刹那 - 第二章：失爱招领（片段）Inkjet print on Hahnemuehle Photo Rag Ultra smooth paper2021
这些燃烧的香，是象征祭奠之物，也是指示之标线，我指给你看时间，看消逝，看万物的归途，我试图将其物质的美感，和其标示的关于消亡的精神上的无力感平衡与一处。
The burning sticks symbolise sacrifice and also serve as a marker. See the time, the extinction, and the return of everything. I am trying to balance its physical beauty and its marked spiritual helplessness about extinction.
Ksana-Love's Lost and Found (part) / 刹那 - 第二章：失爱招领（片段）Inkjet print on Hahnemuehle Photo Rag Ultra smooth paper
按照佛经里的时间计算方式，一刹那约等于0.018秒钟，所以每张照片里都存下了九万九千个刹那，而佛说一刹那又包含九百生灭，即世间九百个生命的诞生和毁灭。
According to the calculation of time in Buddhist texts, one ksana is equal to 0.018 seconds, so each photo contains 99,000 ksanas. The Buddha, meanwhile, said that one ksana contains 900 births and extinctions, referring to the birth and death of 900 lives in the world.
Ksana-Love's Lost and Found (part) / 刹那 - 第二章：失爱招领（片段）
Inkjet print on Hahnemuehle Photo Rag Ultra smooth paper
收藏级哈姆勒纯棉超平滑艺术纸喷墨打印
142.5×80cm×7piece, ED 6
我用这种方式来描述这个作品，因为我觉得这也是摄影创作的终极阐释：用按下快门的一瞬致敬无垠的时间，用存在献祭所有的消逝，用怀疑交换觉悟，用“我”去映射人世间的一切。
I describe this work in this way because I think it ties in with the essential interpretation of photography: The moment of pressing the shutter also pays tribute to the infinite time, sacrificing existence for passing away, exchanging doubt for enlightenment, and using “me" to reflect everything in the world.Faramita Flowers - poetry for unknown from old photosInkjet print on Hahnemuehle Photo Rag Ultra smooth paper
这些不是传统照片，而是用工业级扫描仪直接生成的图像。
These are not traditional photographs but images generated directly by industrial scanners.Faramita Flowers - poetry for unknown from old photosInkjet print on Hahnemuehle Photo Rag Ultra smooth paper
其中这些上海老照片，冲印于约80年前的几卷旧胶卷，他们是生活在上海的一家人，仪容姣好，照片拍的也不错，可惜不知道他们是谁。
The old photos come from some old films dated over 80 years ago. The people in these photos were a family living in Shanghai, with decent looks and nice camera skills, but without names.Faramita Flowers - poetry for unknown from old photosInkjet print on Hahnemuehle Photo Rag Ultra smooth paper
一张照片中，一个女人被叫做“彼岸花”的花园包围着，彼岸花也称曼珠沙华，因其叶不见花，花不见叶，传说盛开于冥河的两岸，同时也是佛教四花之一，喻修行得果，智慧超拔于尘世。
In one of the photos, there is a woman surrounded by equinox flowers, also known as Manjusaka. It is a kind of plant in which the flowers and leaves never exist at the same time, and it becomes a legendary plant that grows on the banks of hell's river in the Buddhist myths. It also becomes a metaphor for wisdom.
Faramita Flowers - poetry for unknown from old photosInkjet print on Hahnemuehle Photo Rag Ultra smooth paper
随着扫描仪光线移动，如同岁月无情涤荡人间，春风散骸骨，落红化尘埃。玻璃上低俯的音容笑貌，再次被照亮，消亡显影成为一帧崭新的存在，时间又一次合上大门，沙漏翻转，这是新的，一次全新的遗忘。
——马良
The movements of the rays of the scanner whilst working remind us of the ruthless years that pass by. Wind blows. Bones scatter. Petals decay. The laughters and smiles in the past times are illuminated once again. The old fading images become vivid and new. Yet when this process of renewal is done, the hourglass would be turned upside down again, starting another segment of fading and forgetting.
Faramita Flowers - poetry for unknown from old photosInkjet print on Hahnemuehle Photo Rag Ultra smooth paper
关于艺术家
（Benjamin Schmachtenberg 摄影）
1972年生于上海，1995 年毕业于上海大学美术学院设计专业。著名摄影师，深具影响力的中国当代艺术家之一，中国观念摄影的代表人物之一。他使用摄影、绘画、木偶、录像、装置等综合媒介创造出独具一格的艺术作品。展现了异想天开的世界，其中狂野的想象力寄托于隐喻性的叙事，常常带有讽刺意味。
Maleonn was born in 1972, Shanghai, China. He graduated from the Academy of Fine Arts of Shanghai University in 1995, majored in Graphic design. As a famous photographer, he is one of the most influential Chinese contemporary artists, and one of the representatives of Chinese conceptual photography. Using mixed media such as photography, painting, puppet, video, and installations, he presents whimsical universes where wild imaginations serve metaphorical narratives, often with irony.
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