同行/言语碎片中的视觉诗意|Joseph Grigely

Exhibition view of White Noise , Mass MOCA, North Adams,2023  

20 世纪 90 年代，他开始组装他所谓的“听证会对话”，这是一系列持续进行的装置作品，由对话者杂乱无章的评论组成。在 Mass MOCA，两件相隔 20 多年构思的作品占据了相连的房间。“白噪声（单色）”（2000）和最近的“白噪声（多色）”体现了整个可听频谱中随机频率产生的静电的等效效果。白噪音抹去了所有的意义和音乐；它既是所有声音，又是空无一物，是一种空洞的、超载的声学刺激。

Travels With Tess (2), 2023, Pigment print, Edition of 3, 23 1/2 x 16 1/2 in| 59.7 x 41.9 cm

Songs Without Words (Zorn),2021, Digital pigment print on photo rag paper, Edition of 3, 30 × 36 in | 76.2 × 91.4 cm, Frame includedSongs Without Words (Bartok),2017, Digital pigment print on Hahnemühle photo rag paper, Edition of 336 × 30 in | 91.4 × 76.2 cm, Frame included

Songs Without Words, 2020, Digital pigment print on Photo Rag Hahnemühle paper 305 g,Edition 1/3 + 1AP frame, 33 1/5 × 39 × 1 9/10 in | 84.4 × 99 × 4.8 cm, Frame included

Songs Without Words, 2020,Digital pigment print on Photo Rag Hahnemühle paper 305 g, Edition 1/3 + 1AP, frame, 39 3/10 × 33 × 1 9/10 in | 99.7 × 83.9 × 4.8 cm, Frame included

Be Nice v.4,2020, Framed watercolor on paper, 11 × 15 in | 28 × 38 cm

Blueberry Surprise (set), 2006, Unbound Artist Book, 44 pages, Edition of 22 + 8AP, 11 × 8 2/5 in | 28 × 21.4 cm

Blueberry Surprise,2006/2019, Vinyl wall installation, Dimensions variable, Edition of 3

Blueberry Surprise, 2006, Book, Edition of 250 + 50AP, 11 × 8 2/5 in | 28 × 21.4 cm, Frame included

Fourteen Untitled Conversations, 2002, Ink and pencil on paper, 14 sheets of paper, template

Somebody Talks About the Desert, The Wet Drips Down from Tropical Eaves,2017, 96 sheets of paper, pins, framed, 38 2/5 × 81 3/10 × 2 2/5 in | 97.5 × 206.5 × 6 cm

受现代主义和静物画的影响，耳聋的约瑟夫·格里格利将他日常对话的大量档案保存在纸片和餐巾纸上，并将它们组织成不同大小的装置。在他的“听觉对话”中，它们被放置在刚性的网格中，唤起现代主义硬边几何图形。对格里格利来说，这种“日常生活的物化”与静物画的概念联系在一起，因为两者都是由平庸的时刻或被遗忘的互动组成的。关于他的作品，格里格利说：“我想把人们带入失聪的经历中，并与他们分享。同时，我想把它与各种历史惯例混为一谈。”

Nicole M. in conversation with Joseph Grigely, July 1996, 1997. Gelatin silver print;11.5 x 8 cm., frame size 13.5 x 10 cm.

Nine Blue Conversations, 2001, Offset lithography on Canson 200 gram paper with 18 push pins, Edition of 100, 16 1/2 x 17 3/4 in| 42 x 45 cm

Remembering is a difficult job, but somebody has to do it, 2004, mixed media installaiton : 2 single channel video projections (DV and super 8mm transfered to DVD), artificial palm trees, 3 c-prints and 1 b&w pigment print), variable; 2.35 and 4.55 minutes, looped without frame 3 x (60 x 90 cm); 25.5 x 20.5 cm

Joseph Grigely and Amy Vogel, Inside the Outside, 2013, blown glass, signed on cardboard box, height 15 cm, diameter 8 cm; box 15 x 20 x 13 cm

Joseph Grigely and Amy Vogel, Storage Rack, 2012, crystal urethane, 214 x 60 x 92 cm

We Need a Drinking Song, 2012, crystal urethane (5 parts), circa 75 x 55 x 55 cm

Dog from ‘The Arch of Septimus Severus’, 2003, Painted fiberglass, Edition of 3,23 1/2 x 9 1/2 x 19 in | 59.7 x 24.1 x 48.3 cm

Selected Images of Hands Writing, 1996, chromogenic prints, 3 x 4 5/8 in | 7.6 x 11.7 cm.

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