陈映舟，1995年出生于广东深圳，2019年毕业于中央美术学院雕塑系第三工作室，2021年毕业于马里兰艺术学院。陈映舟致力于结合互联网网民制作图像的思维和传统架上绘画的绘制思维来创作作品，尝试使用 meme( 梗文化 )， trolling( 巨魔 )，mash-up( 杂糅 )，kitchen sink( 厨房下水道式的 ) 等早期互联网内容创作思维来消解政治意识形态， 热点时事议题，哲学宗教等的宏大叙事。作品形式类似讽刺漫画，波普艺术。手工模仿电脑电子绘图效果，结合漫画， 插图的视觉元素。他的作品曾被广东当代艺术中心、X 美术馆等机构收藏。

他曾经参与的展览有 :“夹山改梁 第一期”，中央美术学院版画系展厅，（北京，2017）;“夹山改梁 第二期”，花家地 北里小区某二居室，（北京，2019）;“刚刚骑车突然有人问路，问 : 前有公园吗”，可以画廊，（合肥，2019）;“绿厂艺 术节”，深圳绿厂，（深圳，2019）;“Nose Art Project 群展 | 姑且相信”，凹凸空间，（北京，2019）;“动情，1949 后 变局中的情感与艺术观念”，中间美术馆，（北京，2019）;“绘画是观念艺术家的通行证，观念是绘画艺术家的墓志铭”， （线上展览，2019）;“大老黑”，上海某别墅，（上海，2019）;“无论盛开还是不盛开，花都是花”，可以画廊，（合肥， 2022）;“脑内窒息”，可以画廊，（合肥，2022）；“变态者绘画指南”，拟像空间，（北京，2022）；“作为意志和表象的世界”，可以画廊，（北京，2023） 等。

Yingzhou Chen, born in Shenzhen, Guangdong in 1995, graduated from the Third Studio of the Sculpture Department of the Central Academy of Fine Arts in 2019 and the Maryland Academy of Arts in 2021. Chen Yingzhou is committed to combining the image making thinking of Internet users and the drawing thinking of traditional easel painting to create works. He tries to use meme, trolling, mash up, kitchen sink and other early Internet content creation thinking to dispel political ideology, hot current afairs, philosophy and religion. The form of works is similar to caricature and pop art. Manual imitation of computer electronic drawing effect, combined with visual elements of comics and illustrations.

His works have been collected by Star Art Museum, Guangdong Contemporary Art Center, X Art Museum and other institutions. The exhibitions he once participated in include: "Phase I of Jiashan to Liang", Exhibition Hall of Printmaking Department of Central Academy of Fine Arts, (Beijing, 2017); "Jiashan to Liang Phase II", a two bedroom apartment in Huajiadi Beili Community (Beijing, 2019); "When I was just riding a bike, someone asked me the way. Is there a park in front of me?", KeYi Gallery , (Hefei, 2019); "Green Factory Art Festival", Shenzhen Green Factory, (Shenzhen, 2019); "Nose Art Project Group Exhibition | Believe It", Concave and convex space, (Beijing, 2019); "Emotion, Emotions and Artistic Concepts in the Post 1949 Change", Central Art Museum, (Beijing, 2019); "Painting is the passport of conceptual artists, and concept is the epitaph of painting artists", (online exhibition, 2019); "Da Lao Hei", a villa in Shanghai, (Shanghai, 2019); "Flowers are fowers whether they are in full bloom or not", KeYi Gallery , (Hefei, 2022);"Cerebral Asphyxia",KeYi Gallery, (Hefei, 2022);"The Pervert's Guide to Painting",  SIMULACRA Gallery, (Beijing, 2022), "The World as Will and Representation", KeYi Gallery, (Beijing,2023) etc.

李喷泉，1994年出生于河南洛阳，现在工作于河南洛阳。李喷泉一方面敏感于日常生活中具有超验感受的瞬间，试图在绘画中重现那个感受，另一方面他也敏感于忽左忽右的意识形态，想在绘画中尝试表达对社会更切身的思考。无论是宏大叙事还是微观日常，神秘荒诞的体验一直是他所关注的焦点。他的作品曾被广东当代艺术中心、X美术馆等机构收藏。

他参加的个展有：“中国许愿池”，可以画廊，（合肥，2022），他参加的的群展有：“作为意志和表象的世界”，可以画廊，（北京，2023）;“2021 迎春画展”，站台中国，（北京，2021）；“mineplus”，MOU PROJECT，（香港，2020）;“夹山改梁”，夹山改梁，（北京，2018）等。

He was born in Luoyang, Henan Province in 1994 and now works in Luoyang, Henan Province. On the one hand, Li Penquan is sensitive to the moment of transcendental feeling in daily life, and tries to reproduce that feeling in his paintings. On the other hand, he is also sensitive to the ideology of the left and the right, and wants to express more personal thinking about society in his paintings. Whether it is grand narrative or micro daily, mysterious and absurd experience has always been the focus of his attention. His works have been collected by Guangdong Contemporary Art Center, X Art Museum and other institutions.

He has participated in solo exhibition include:  "China Fountain",  Keyi  Gallery, (Hefei, 2022),His group exhibitions include:“The World as Will and Representation”，Keyi  Gallery，（Beijing，2023）; "2021 Spring Festival Painting Exhibition", PLATFORM CHINA, (Beijing, 2021); "Mine plus", MOU PROJECT, (Hong Kong, 2020);"Jasagala", Jasagala, (Beijing, 2018)，etc.

孙逸飞，1995 年生于四川 ，2018 年学士毕业于中央美术学院油画系， 2022 年硕士毕业于中央美术学院油画系，现工作生活于河北。他近期的实践，受到拉康与齐泽克所做工作的启发，并开始将兴趣转移到那些曾经被忽略的，或者选择性回避的，曾经被认为是流行的、官方的、不纯粹的、走入死胡同的、 非绘画的图像以及实践方法。以视野的偏移，重新看待那些曾经被抛弃的剩余部分；重新看待那些被压抑的， 未曾进入“真理”之视野的“幽灵”。他的作品曾被 X美术馆、广东当代艺术中心、星美术馆等机构收藏。

他的个展包括：艺术家谱系研究之十三「孙逸飞：十日谈」,星美术馆，（上海，2022）；“满足”，可以画廊，（合肥，2021），主要群展包括："13+1" 艺术家谱系研究回顾展，星美术馆，（上海，2023），“作为意志和表象的世界”，可以画廊，（北京，2023）；“多少次呵，我离开了我日常的生活”，69 Art Campus，（北京，2022）；“无论盛开 还是不盛开，花都是花”，可以画廊，（合肥，2022）；“迎春画展”，站台中国 ，（北京，2021）；“夹山改梁II”花家地小区，(北京，2019) 等。

Sun Yifei, born in Sichuan in 1995, graduated from the Oil Painting Department of the Central Academy of Fine Arts in 2018 with a bachelor's degree, and graduated from the Oil Painting Department of the Central Academy of Fine Arts with a master's degree in 2022,he currently lives and works in Hebei. Inspired by the work done by Lacan and Zizek, his recent practice began to shift his interest to the images and practice methods that had been ignored or selectively avoided and were once considered popular, official, impure, dead end and non painting. Look again at the remaining parts that have been abandoned with the deviation of vision; Re look at those "ghosts" who have been suppressed and have never entered the vision of "truth". His works have been collected by X Museum, Guangdong Contemporary Art Center, Start Museum, etc.

His solo exhibitions include:“Decameron”，SSSSTART, Start Museum,（Shanghai，2022）;"Satisfied", Keyi Gallery, (Hefei, 2021),and major group exhibitions include： "Genealagy Study of Artists Retrospective Exhibition Season One"，Start Museum，（Shanghai，2023）,"The World as Will and Representation"，Keyi Gallery，（Beijing，2023);“How many times，I have left my everday life”，69 Art Campus，（Beijing，2022）；"Whether in full bloom or not, All flowers are flowers", Keyi gallery, (Hefei, 2022); "Spring Festival Painting Exhibition",Platform China,(Beijing,2021),”JasagalaII”，Huajiadi District，（Beijing，2019),etc.

汪立友，1998 年生于辽宁，分别于2019 年、2022年获鲁迅美术学院油画系学士学位以及硕士学位。现生活和工作于北京。他的绘画聚焦于纯粹的形式，通过制造传统意义的不在场或是隐匿来使得物象的自然意义成为了理解图像本质意义的通道，物体、空间、颜色与身份的理解和平面性的处理被联系了起来。艺术家通过对视觉元素的解码和编排，构造了一个在立体空间中的报纸剧场，反映和体现着艺术家对当下社会现象与个人身份认知的思考。他的作品曾被星美术馆、X美术馆等机构收藏。

他的个展有：“资产阶级的审慎魅力”，可以画廊，（合肥，2023），他主要参加的群展有：“On Flight 飞行中：青年艺术家特展”，油罐艺术公园 ,（上海，2022）；“艺术新星首飞毕业展”，TX 淮海 BIP.GALLERY,（上海，2022）；“Link2021 东北当代艺术创作计划”，M56 美术馆，（沈阳， 2021）；“破冰艺术计划”，；红梅文创园发酵艺术中心，（沈阳，2020）；“第八届大艺博”，琶洲南丰国际会展中心，（广州，2019）等。 

Wang Liyou, born in Liaoning Province in 1998, graduated from the Oil Painting Department of Lu Xun Academy of Fine Arts in 2019 with a bachelor's degree, graduated from the Oil Painting Department of Lu Xun Academy of Fine Arts in 2022 with a master's degree, and now lives and works in Beijing.His paintings focus on pure form, making the natural significance of the object a gateway to understanding the essential meaning of the image by creating an absence or invisibility of traditional meanings, where objects, space, color are linked to the understanding of identity and the treatment of flatness. By decoding and arranging the visual elements, the artist constructs a newspaper theater in three-dimensional space, reflecting and embodying the artist's thoughts on current social phenomena and personal identity.His works have been collected by X Museum 、Start Museum and other institutions. 

His solo exhibitions include:"The Discreet Charm of the Bourgeoisie "，Keyi Gallery，（Hefei，2023），and major group exhibitions include："On Flight: Special Exhibition of Young Artists", Oil Tank Art Park,（Shanghai, 2022）; "Graduation exhibition of the first flight of art stars", TX Huaihai BIP. GALLERY,（Shanghai, 2022）; "Link2021 Northeast Contemporary Art Creation Plan", M56 Art Museum,（Shenyang, 2021）; "Ice Breaking Art Program",; Fermentation Art Center of Hongmei Cultural and Creative Park, （Shenyang, 2020）; "The 8th Graduates Art Fair", Pazhou Nanfeng International Convention and Exhibition Center,（Guangzhou, 2019），etc.

王一 ，1995出生于江苏，分别于2020年、2023年本科、硕士毕业于中国美术学院油画系，现工作生活于杭州。王一将绘画作为信息存储的载体和信息的输出端，绘画中非文字性的可读空间成为了信息前端，艺术家的灵感和创作动机成为了信息处理和发送的终端，使其成为了模拟计算机的信息媒介。他将自身的感性体验和哲学观念作为蓝本，利用类似于信息熵的方式将现实中的或虚拟世界中的视觉信息和元素量化处理，构建出一个以绘画为媒介的信息模型，探究艺术在信息时代的身份和意义。他的作品曾被星美术馆、X美术馆、北京时代美术馆、广东当代艺术基金会等机构收藏。

他的个展有：“图形猎手”，三角洲The Delta INST，（杭州，2023）；“模拟矩阵”，可以画廊，（合肥，2023）;“了不起的一修”，运气画廊，（杭州 ， 2022）;“明日浪潮”，出入艺术空间，（宁波，2022），主要群展包括：拟像，湖州美术馆，（湖州 2023）；“洛德世界Ⅱ敌友大会”，野松画廊，（深圳，2022）;“失真”，小杉画廊，（北京，2022）;“潮流玩家”，北京时代美术馆，（北京，2021）；“Ambition! Award”，西岸穹顶艺术中心，（上海，2021）;“生活剧场”，TasteRoom，（杭州，2018）等。 

Wang Yi , born in Jiangsu in 1995, graduated from the Oil Painting Department of China Academy of Art with a Bachelor's Degree in 2020 and a Master's Degree in 2023,now lives and works in Hangzhou. Wang Yi uses painting as a carrier of information storage and information output, the non-literal readable space of painting becomes the front-end of information, and the artist's inspiration and motivation become the terminal of information processing and sending, making it an analog computerized information medium. Using his own sensual experience and philosophical concepts as a blueprint, he utilizes a method similar to information entropy to quantify and process visual information and elements in reality or in the virtual world, constructing an information model with painting as the medium, and exploring the identity and significance of art in the information age. His works have been collected by Star Art Museum, X Art Museum, Beijing Times Art Museum, Guangdong Contemporary Art Foundation and other organizations.

His solo exhibitions include:"Graphic Hunter",The Delta INST,(Hangzhou,2023)；“Simulation Matrix”，Keyi Gallery，（Hefei，2023）；"Great First Repair", Luck Gallery, (Hangzhou,2022);"Tomorrow Wave", In and out of art Space, (Ningbo, 2022)，and major group exhibitions include："SIMULATION" , Huzhou Art Museum,  (Huzhou, 2023); "Luode World II Enemy and Friend Conference", issuing Gallery, (Shenzhen, 2022); "Distortion",FIR Gallery,( Beijing, 2022); "Trend Player", Beijing Times Art Museum, (Beijing, 2021);  "Ambition! Award", West Bank Dome Art Center,( Shanghai, 2021);"Life Theatre", TasteRoom,（Hangzhou, 2018）,etc.

邢万里，1992 出生于河北承德，曾就读于四川美术学院、西安美术学院，现工作生活于成都。他的作品指向文学作品中的非线性叙事结构，并引用符号学中对能指的物质性和所指的心理表象之间的关系进行图像处理。他借由现实生活中的体验将这些文字重组转换成以“记忆”为母题的场景。其画面注重对文字的呼应与感性的体验，碎片化的元素和生活中的灵感一一对应，构建出一系列从现实到预设再记录转化过程的开放性图式。他的作品曾 被X美术馆等机构收藏，作品《刺杀骑士团长》入选“Cultural City of East Asia 2019 Toshima Award”。

他的个展包括：“遥远的绿洲”，可以画廊，（合肥 ，2021）；“故事的形状”，MOMO 艺术中心，（西安， 2019），主要群展包括：“作为意志和表象的世界”，可以画廊，（北京，2023）；“多少次呵，我离开了我日常的生活”，69 Art Campus，（北京，2022）；“斯普特尼克恋人”青矜计划，(北京， 2020)等。

Xing Wanli, born in Chengde, Hebei in 1992, studied at Sichuan Fine Arts Institute and Xi'an Academy of Fine Arts, and now lives and works in Chengdu.His works point to the non-linear narrative structure of literary works and invoke the semiotic image processing of the relationship between the materiality of the referent and the mental representation of the referent. He uses real-life experiences to reorganize and transform these words into scenes with "memory" as the main theme. His images emphasize the echoing of words and sensual experience, and the fragmented elements correspond to the inspirations in life, constructing a series of open-ended schemas that transform from reality to preconception and then record the transformation process. His works have been collected by X Museum and other institutions，his work "Assassinating the Chief of the Knights" was selected into the "Cultural City of East Asia 2019 Toshima Award".

His solo exhibitions include:" Far Oasis", Keyi Gallery,（Hefei, 2021）；"The Shape of Story", MoMo Art center, (Xi'an, 2019)，and major group exhibitions include：“The World as Will and Representation”，Keyi  Gallery（Beijing，2023)；“How many times，I have left my everday life”，69 Art Campus，（Beijing，2022）；Qingjin Plan of "Sputnik Lovers", (Beijing, 2020)，etc.

张珂，1996年出生于安徽淮北，2018年学士毕业于广州美术学院，2021年硕士毕业于英国皇家艺术学院，现工作生活于上海。张珂的作品以温馨和谐的表面与不安的内里的反差为基本来表达对于“稳定”和“常识”的怀疑，诸如幻觉与现实、生物和静物的糅合与对立。她将传统物象拆解、重构、并置，利用传统视觉元素本身所持有的原始性质营造错觉，创造出隐喻性的荒诞空间。她的作品曾被X美术馆，Longlati Foundation等机构收藏。

她参与的主要展览包括双人联展:“谎言是一种无法被抚平的褶皱”，可以画廊，（合肥，2023）；“游客中心”，想象力学实验室，(杭州，2022);群展包括:“具体绘画”，盒子美术馆，(佛山，2023);“一个干净明亮的地方”， Yuan Museum，(北京，2022);“USB 多端口链接展第二站”，Func Gallery，(上海，2021);“USB 多端口链接展第一站”，没顶画廊，(上海，2021);“闲人出差vacation”，Vacancy Gallery(上海,2021);“Final Not Over Again”，Unit 1 Gallery，(伦敦，2021)等。

Zhang Ke, born in Huaibei, Anhui in 1996, graduated from Guangzhou Academy of Fine Arts in 2018 with a bachelor's degree, and from the Royal Academy of Fine Arts in 2021 with a master's degree. Now she lives and works in Shanghai. Zhang Ke's works explore the miracle of personal perspective. She analogizes artistic creation to alchemy, extracts concepts from elements and reorganizes them, uses the original nature of elements to create illusion, and creates a series of paintings with absurd atmosphere. Her works have been collected by X museum, Longlati Foundation and other institutions.

The main exhibitions she has participated in include a two-person group show: "A Lie is a Crease that Cannot be Smoothed", KeYi Gallery, (Hefei, 2023); "Tourist Center", Imagokinetics, (Hangzhou, 2022); Her group exhibitions include："ConcRETe PAINTING", Boxes Art Museum, (Foshan，2023); " A Clean, Well-lighted Place", Yuan Museum, (Beijing, 2022); "The Second Station of USB Multiport Link Exhibition", Func Gallery, (Shanghai, 2021); "The first stop of USB Multiport Link Exhibition", Madein Gallery, (Shanghai, 2021); "Vacation by idle people", Vacancy Gallery, (Shanghai, 2021); "Final Not Over Again"，Unit 1 Gallery, (London, 2021); "Room Theater", OCAT Box Space Happy Coast Exhibition Area, (Shenzhen, 2021)，etc.