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余音:《讯息即媒介》第二季第6集 | AMNUA展讯

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“破镜不重拾，落花难上枝”_《讯息即媒介》第二季

" Shattered Mirrors Cannot be Reassembled, Fallen Flowers Cannot be Returned to the Branches"_The Message is Medium, Season 2

第6集 Episode 6

余音

Lingering Echoes

艺术家：姜明易

Artist: Jiang Mingyi

策展人：何迟

Curator : He Chi

《讯息即媒介》系列项目

The Message is Medium project

艺术总监：李小山

Artistic Director: Li Xiaoshan

策划制作：王亚敏

Curated and produced by Wang Yamin

统筹：王韵

Coordinator: Wang Yun

团队：倪清蓉陈柯杏狄政杰

Team: Ni Qingrong Chen Kexing Di Zhengjie

展览时间 Duration : 2023.11.14—— 12.03

展览地点：南京艺术学院美术馆2、5号展厅

Venue：Hall 2，hall 5 of AMNUA

姜明易：余音

中国当代艺术40余年的不短历史，是否曾经错失过什么？是否曾经错过了某些时刻、时间？是否曾经错失了某些空间、地点？是否缺漏了某些行动？

中国当代艺术，有没有未曾得到叙述的事件和人物？有没有需要重申和叙述的事件和人物？

中国当代艺术有没有需要重申和行动的观念和经验？

依靠有限的当代艺术视觉历史和媒介讯息经验，从作品的感觉和气质上判断，姜明易是中国八五新潮时代的艺术家。他大概是多年偏居一隅，深心孤诣，进行着几乎不为人知的个人探索和实验的某类艺术家中的一位。他结合中国古典音乐理论和现代音乐作曲方法，在音符、乐谱、乐器、乐理等领域进行了持续多年的创造性探索，似乎旨在对西方传统的记谱法进行一系列中国本土化的改造。他的工作自成系统，具有鲜明独特的视觉风格和媒介特征。

艺术事件翻新感觉，质疑经验，在感觉和经验之间折冲往返，汇聚奔流。

姜明易的艺术，是缭绕在时代梁栋间不绝如缕的余音。

-何迟

Jiang Mingyi: Lingering Echoes

Does contemporary Chinese art's more than 40-year history contain moments that were once missed? Were there instances of lost time, missed opportunities, or overlooked spaces and actions?

In contemporary Chinese art, are there events and figures that have never been narrated? Are there events and figures that require reaffirmation and narration?

Does contemporary Chinese art hold concepts and experiences that need reaffirmation and action?

Based on limited experiences in contemporary art history and media messages, judging from the sensations and temperament of the works, Jiang Mingyi can be considered an artist from the 1985 New Wave era in China. He has lived in seclusion for many years, delving deeply into personal exploration and experiments that are almost unknown to the public. Combining classical Chinese music theory with modern music composition methods, he has creatively explored musical notes, scores, instruments, and music theory for many years. He aims to carry out a series of localized transformations on Western traditional notation methods. His work forms a self-contained system with a distinctive visual style and medium-specific features.

Renewing the sense of artistic events, questioning experiences, shuttling back and forth between sensation and experience, and gathering and converging like flowing streams.

Jiang Mingyi's art is entwined in the echoes that persist amidst the beams and pillars of the era.

By He Chi

关于艺术家 About the artist

姜明易，1958年，生于吉林省东丰县。1977年考入吉林艺术学院音乐系作曲专业。1983年开始发起《乐之暗面》计划，该计划旨在对西方传统的记谱法进行一系列本土化的改造。他通过对中国古典音乐理论和现代音乐作曲方法的结合，来完成对音符、乐谱、乐器、乐理等领域的创造性工作。2004年至2022年，在吉林省东丰县从事美术教育工作，并且以教师的身份和板书的形式介入音乐方面的创作。2022年至今，工作和生活在江苏昆山。

Jiang Mingyi was Born in 1958 in Dongfeng County, Jilin Province. In 1977, he was admitted to the Composition Department of the Jilin Academy of Arts and Started the Dark Side of Music project in 1983. This project aims to carry out a series of localized transformations on Western traditional notation methods. He combines classical Chinese music theory with modern music composition methods to creatively work on musical notes, scores, instruments, and music theory. From 2004 to 2022, he engaged in art education in Dongfeng County, Jilin Province, and was involved in music creation in the capacity of a teacher through classroom instruction. Since 2022, he has worked and lived in Kunshan, Jiangsu Province.

关于《媒介即讯息》系列 About the project

“破镜不重拾，落花难上枝”_

《讯息即媒介》第二季"

Shattered Mirrors Cannot be Reassembled, Fallen Flowers Cannot be Returned to the Branches"_The Message is Medium Season 2

2023.09.16 - 2024.01.20

第2、5展厅南京艺术学院美术馆

南京，中国Hall 2, 5
Art Museum of Nanjing University of the Arts, Nanjing, China

主办: 南京艺术学院美术馆
Organizer：AMNUA

支持：当代美术研究所-南京艺术学院

Support:Institute for Contemporary Art Nanjing(ICAN)©️ ICAN 2023