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户尔空间展位 B319｜2023上海西岸艺术与设计艺博会

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户尔空间展位 B319｜2023上海西岸艺术与设计艺博会崇真艺客

2023‍

西岸艺术与设计博览会

West Bund Art & Design 2023

展位 B319‍‍‍

展期Duration

贵宾预览VIP Preview

11.09 周四 Thu. 13:00 - 19:00

11.10 周五 Fri. 12:00 - 13:00‍‍‍‍‍‍‍

公众日Public Hours

11.10 周五 Fri. 13:00 - 18:00‍‍

11.11 周六 Sat. 12:00 - 18:00

11.12 周日 Sun. 12:00 - 18:00

地址 Address

上海西岸艺术中心B馆

徐汇区龙腾大道2555号

West Bund Art Center Hall B‍‍‍‍

No. 2555 Longteng Avenue, Xuhui District‍‍

参展艺术家 Artists

薇薇安·卡库里 Vivian Caccuri

陈丹笛子 Chen Dandizi

拉斐尔·多梅内克 Rafael Domenech

范尼·吉奎尔 Fanny Gicquel

多萝西娅·里斯-汉姆 Dorothea Reese-Heim

托马斯·吴 Tomas Vu

户尔空间在西岸艺博会，荣幸地为大家呈现6位艺术家的作品，并以“之间”为主题，在展位带来在刚与柔之间、在人与自然界之间的艺术追索。

薇薇安·卡库里的声音实践弥漫在她的平面织物作品中，触发了人工与自然的双重韵律；陈丹笛子的新作与早年的旧作并置，重回对于南方自然之地的追忆与想象；拉斐尔·多梅内克将城市图景折叠于书籍与灯光装置之中，并在开合之间重现生存环境的开张与闭合；范尼·吉奎尔的细微感知在其新作中，通过水、石与浪的自然素材持续衍生；多萝西娅·里斯汉姆将书籍封存于石蜡，寓记忆于永恒；托马斯·吴的多媒介拼贴，在纸面之上构造出复杂的人类生存的境遇。

At the West Bund Art & Design 2023, Hua International is honored to present the works of six artists, under the theme of "In Between", the booth presents the artistic search between the strong and the soft, and between the human and the natural world.

Vivian Caccuri's sound practice permeates her graphic weaving works, triggering the dual rhythm of artificiality and nature; Dandizi Chen's new work, juxtaposed with her old ones, recalls the imagining of the wild land in the South; Rafael Domenech folds the cityscape into books and light installations, and reenacts the openness and restriction of the society in between the opening and closing; Fanny Gicquel's subtle perceptions continue to evolve in her new works through the natural elements of water, stone, and waves; Dorothea Reese-Heim seals books in paraffin to immortalize memories; and Tomas Vu's multi-media collage constructs a complex human condition on paper.

户尔空间展位 B319｜2023上海西岸艺术与设计艺博会崇真艺客 Vivian Caccuri 薇薇安-卡库里

查哈尔烟, 2023

蚊帐，打蜡棉，丙烯酸涂料，丙烯酸橡胶和树脂

75 x 100 cm

薇薇安-卡库里 Vivian Caccuri

薇薇安-卡库里（1986 年生于巴西）在里约热内卢生活和工作。专注于开发装置、声音作品、行为，绘画和刺绣，研究声音如何迷惑日常经验并激发新的生活形式。她的艺术实践探索声音与文化之间的关系，力求突出声音活跃但未被充分认识的一面。艺术家于2007年获得美术学士学位，参加过巴西和国际上多个重要机构展览，如圣保罗双年展（2016 年）、高知双年展（2018 年）、威尼斯双年展（2019 年）和纽约新美术馆的「春之影」（2022 年）等。她曾获得 Rumos Itaú Cultural 奖（2008年）、Sergio Motta 艺术与技术奖（2011年），入围未来一代艺术奖 (Future Generation Art Prize)（2017年）并入围 PIPA 奖（2018年）的决赛。

Vivian Caccuri (b.1986 Brazil) lives and works in Rio de Janeiro. Vivian Caccuri has been developing installations, sound works, performances, drawings, and embroideries investigating how sound can disorient everyday experiences and inspire new forms of living. Exploring the relationship between sound and culture, Caccuri’s artistic practice seeks to highlight active yet under-recognized aspects of sound. Graduated in Fine Arts in 2007, Vivian Caccuri has participated in several exhibitions in Brazil and abroad, among which stand out: São Paulo Biennial (2016), Kochi Biennial (2018), Venice Biennial (2019), and Shadow of Spring at New Museum, New York. The artist was a winner of the awards: Rumos Itaú Cultural, in 2008; in 2011, Sergio Motta Art and Technology Award; she was nominated for the Future Generation Art Prize in 2017 and a finalist for the PIPA Award, in 2018.

Chen Dandizi 陈丹笛子

秘密和南部森林的夜晚, 2023

木盒、丙烯、声音(存储于 USB)、纸张、陶、釉料、拾得物、纯金箔、仿真植物

蛾子、红土、不锈钢钥匙圈、环氧树脂、碎石和匣钵泥

尺寸可变

陈丹笛子 Chen Dandizi

陈丹笛子 (生于1990年) 现在生活工作在杭州。2015年毕业于广州美术学院油画系。陈丹笛子的作品具有媒介共生的特点。她对录像、装置、摄影和文学的运用构成了所需的组成部分，以照亮亲密的、短暂的瞬间和人类的情感。她的作品探索了与自然和人工世界中反复出现的现象相遇的感知和体验。她探索的主题包括人类情感的异化，被异化的个体的希望和绝望，以及对自然和想象中的景观的观察。陈丹笛子艺术探索的主题包括自我认识和对生活环境的观察，揭示独特的时刻和情感之间隐藏的关系是她创作过程的核心。

Chen Dandizi (b.1990) lives and works in Hangzhou. She graduated from the oil painting department of Guangzhou Academy of Fine Arts in 2015. Dandizi's works are characterized by a symbiosis of media: Her use of video, installation, photography, and literature form integral parts required to illuminate intimate, short-lived moments in time, and human emotion. Her works explore the perception and experience of encounters with reoccurring phenomena of the natural and artificial world. Dandizi's art explores central themes such as self-knowledge and observation of her lived environment. Revealing the fleeting nature of hidden connections between a unique moment and emotion is at the heart of her creative process.

户尔空间展位 B319｜2023上海西岸艺术与设计艺博会崇真艺客 Rafael Domenech 拉斐尔·多梅内克

椭圆时刻, 2023

胶合板、喷墨打印在特卫强纸上、彩色纸、档案粘合剂、有机玻璃、装订布

31 x 61 x 61 cm；Close: 67 x 65 cm

拉斐尔·多梅内克 Rafael Domenech

拉斐尔·多梅内克（1989年年出生于古巴），现工作生活于美国纽约。多梅内克站在新一代艺术家的最前沿，重新定义展览体验。他探索建筑、城市设计与当代材料生产的概念，开发生产不同类型的物体和空间：如实验性出版物、展馆、装置与公共项目。多梅内克的建筑干预与出版方式相联通，如切割、编辑、修改和流通，并以此作为研究策略，扩大了他对展览模式的关注。展览作为一个积极的生产机器，而不仅仅是一个存储容器。

多梅内克拥有哥伦比亚大学的艺术硕士学位。其作品曾在纽约雕塑中心、长岛市苏格拉底雕塑公园、纽约Storefront for Art and Architecture、迈阿密海滩巴斯美术馆、迈阿密菲利普与帕特里夏·弗罗斯特艺术美术馆、纽约布朗克斯艺术美术馆、西班牙维多利亚Artium美术馆、迈阿密 Fredric Snitzer画廊，以及柏林和北京户尔空间中展出。他曾获得洛克菲勒兄弟基金、塔尔萨艺术家奖学金和辛塔斯奖学金等奖项以及2021画廊周北京特别提名奖。

Rafael Domenech was born in 1989 in Cuba. Lives and works in New York, US. Domenech is at the forefront of a new generation of artists that is redefining the exhibition experience. He explores notions of architecture, urban design, and contemporary material productions to develop and produce different typologies of objects and spaces, such as experimental publications, pavilions, installations, and public programs. Domenech’s architectural interventions intersect publishing methodologies such as cutting, redacting, revising, and circulation as research tactics to amplify his interest in the exhibition model as an active machine for production rather than a repository space.

Domenech holds an MFA from Columbia University. His work has been exhibited at SculptureCenter; Socrates Sculpture Park, Long Island City; The Storefront for Art and Architecture, New York; The Bass Museum, Miami Beach; Phillip and Patricia Frost Art Museum, Miami; Bronx Museum of the Arts, New York; Artium Museum, Vitoria, Spain; Fredric Snitzer Gallery, Miami; and Hua International Gallery, Berlin, and Beijing. He was the recipient of an award from the Rockefeller Brothers Fund, the Tulsa Artist Fellowship, the Cintas Fellowship, 2021 Beijing Gallery Weekend Special Nomination Prize.

Dorothea Reese-Heim

密封字体系列, 2022

石蜡，书籍，烫金边

15x55x5cm

多萝西娅·里斯-汉姆 Dorothea Reese-Heim

多萝西娅·里斯-汉姆（1943年出生于德国辛德芬根），现生活工作于慕尼黑。里斯-汉姆先后求学于卡尔斯鲁尔及慕尼黑等德国城市，毕业于慕尼黑美术学院，里斯-汉姆一直致力于当代艺术理论研究。与此同时，对于自身的艺术创作她也有着独特的视角，新型材料的实验与运用，概念艺术的挑战与表达，其作品富于多层次的手法与深刻的理论。1980年开始，里斯-汉姆便与德国各地乃至欧洲其他国家及日本等各大美术馆和艺术机构进行合作，其作品主要探讨现代空间运用及个体表达的理论体系与最为前沿的视觉话语。里斯-汉姆以其独特而出色的艺术创作，获得多次世界级奖项：1995年巴伐利亚国家奖章、2002年Lotte Hofmann 纺织艺术纪念大奖、2004年布鲁塞尔Lace双年展金线轴奖、特洛伊赫特林根艺术节二等奖、2004年德国功勋章奖、2009年慕尼黑Seerosen艺术奖等等。

Dorothea Reese-Heim (b. 1943 in Sindelfngen, Germany) lives and works in Munich, Germany. In 1964 Reese-Heim started her studies of art in city Karlsruhrand continued her studies at Academy of Fine Arts in Munich where she received the diplom degree in 1972. She has been a professor at University of Paderborn since 1983. In 1995, she was appointed the dean of the FB 4 of University of Paderborn.Since 2006, Reese-Heim has served as vice dean of the faculty of cultural studies. Currently, she lives and works mostly in Munich.Reese-Heim has exhibited throughout the Germany and internationally, and has had museum\institute shows in Germany, Denmark, and Japan. She has received numerous awards including the Verdiensorden der Bundesrepublik Deutschland. Her works include various series and individual works , for example, the series Arbeitsspuren Trennspuren (1999); Spiegelfechter(1992/93); Trophäe (1992/93); the series Verlorene Landschaft (2001) and the series Nervaturen Gefecht (2006), etc. The works of Dorothea Reese-Heim move between transparent installations of technical, industrial textiles and drawings, which focus on the confrontation with the line. She forms lattice-like fabrics with a contrasting tension between inside and outside.

Tomas Vu 托马斯·吴

平原, 2001

亚克力，丝网印刷，激光切割木单板，铅笔和水粉在萨默塞特纸上

118.5 x 88.5 cm

托马斯·吴 Tomas Vu

托马斯·吴出生于越南西贡，现生活工作在美国纽约。托马斯·吴通过将丝网印刷，绘画和激光雕刻图像层叠在一起，创造出代表破坏，坍缩和重生周期的幻想场景。其作品的灵感和呈现主要来源于战时在越南长大的个人记忆，图像描绘了人与机器，自然和技术之间的史诗般的冲突，作品由层层开放的空间构成，模糊想象与记忆之间的界限。吴曾在世界各地展出，并在日本，意大利，中国和越南举办过个人美术馆展览，包括：Centro Colombo Americano，波哥大(2012)和中央美术学院博物馆(北京)(2015)等；吴同时还担任巡游团体展览项目 DRAW 与持续性合作项目 Green Go Home 的策展人，目前已有100多位艺术家参与；吴获得过诸多奖项，包括 Joan Mitchell 基金(2001)，古根海姆基金(2002)， Sharpe-Walentas 工作室计划(2015)，第30届卢布尔雅那图像艺术双年展(2016)最佳驻地艺术家和观众奖， Louis Comfort Tiffany 艺术家奖(2017)，以及约翰迈克尔科勒艺术中心(2018)的艺术/工业驻地。

Tomas Vu was born in Saigon, Vietnam, and lives and works in New York. Tomas Vu creates fantastical scenes that represent cycles of destruction, collapse, and rebirth by layering screen printing, painting, and laser-sculpted images on top of each other. Inspired and presented primarily by personal memories of growing up in wartime Vietnam, the images depict the epic conflict between man and machine, nature and technology, and the work is composed of layers of open spaces that blur the boundaries between imagination and memory. Vu has exhibited around the world and held exhibitions in his own museums in Japan, Italy, China, and Vietnam, including Centro Colombo Americano, Bogota (2012) and The Central Academy of Fine Arts Museum (Beijing)(2015); Vu is also the curator of Green Go Home, a touring group exhibition project called DRAW and a continuing collaboration with more than 100 artists. Vu has received numerous awards, including the Joan Mitchell Foundation (2001), The Guggenheim Foundation (2002), the Sharpe-Walentas Studio Program (2015), the 30th Ljubljana Image Art Biennale (2016) Best Resident Artist and Audience Award, Louis Comfort Tiffany Artist Award (2017), and the Art/industrial residency of the John Michael Kohler Art Center (2018).

关于户尔空间

About Hua International

户尔空间（Hua International）是一家位于柏林与北京两地的当代艺术画廊，展览、出版和公共项目致力于跨学科及行为表演的艺术实践。画廊专注于发展与艺术家长期动态的合作关系，以其地理上的两地性为依托，扩展艺术家及其作品在迥异文化背景下的展览和接受。

以 XC.Hua 为名，经历了两年实验艺术策展项目运营积累后，花笑婵于2020年8月正式更名成立了户尔空间（Hua International），并在北京798艺术区、柏林历史悠久的当代艺术中心之一麦卡托庭院分别设立空间。在常驻两地空间之外，户尔空间也在国际知名的艺术博览会展示其艺术家作品。

Hua International is a contemporary art gallery located in Berlin and Beijing whose exhibitions, publications, and public programming supports cross-disciplinary and performative artistic practices. The gallery focuses on developing long-term relationships with its represented artists and leverages its geographic bilocation as a means to critically expand how their work can be presented and received in radically diverse cultural contexts.

After two years curating the experimental art and performance project XC.Hua, Xioachan Hua founded Hua International in August 2020 and inaugurated the new gallery with spaces in Berlin’s historic Mercator Höfe and Beijing’s acclaimed 798 Arts District.