艺术科隆现场 Art Cologne 2023
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11.16 周四 Thu. 13:00 - 19:00
11.17 周五 Fri. 12:00 - 13:00
公众日Public Hours
11.17 周五 Fri. 13:00 - 18:00
11.18 周六 Sat. 12:00 - 18:00
11.19 周日 Sun. 12:00 - 18:00
拉斐尔·多梅内克
多萝西娅·里斯-汉姆
童昆鸟
Rafael Domenech
Dorothea Reese-Heim
Tong Kunniao
艺术科隆现场 Art Cologne 2023
户尔空间将在 2023 年科隆艺术博览会上展出三位艺术家的作品:拉斐尔·多梅内克(Rafael Domenech)、童昆鸟和多萝西娅·里斯-汉姆(Dorothea Reese-Heim)。
来自纽约的艺术家拉斐尔·多梅内克(Rafael Domenech)是新一代尝试以图书制作探索时间和空间模式的艺术家之一。多梅内克将展览创作理解为一种扩展的出版形式,他认为展览空间是一个活跃的生产场所,而不是一个存放物品的容器,以此理念创造出同时具有多种功能与用途的物体和情境。多梅内克与里克利·提拉瓦尼合作创作了 "暴风眼中的沉思 "系列作品,充当了光的编舞者,邀请我们在生动、折射诗意的多变景观中描绘自己的路径。
Hua International’s presentation at Art Cologne 2023 will include three artists at the forefront of the gallery’s program: Rafael Domenech, Tong Kunniao, and Dorothea Reese-Heim. The New York-based artist Rafael Domenech is part of a new generation of artists experimenting with the temporal and spatial modalities of book-making. Domenech understands exhibition-making as an expanded form of publishing. He considers the exhibition space as an active place for productivity rather than a repository container, thereby creating objects and situations that propose simultaneous functions and usages. With his series Meditating in the eye of the storm, a collaboration with Rirkrit Tiravanija, Domenech acts as a choreographer of light, inviting us to chart our own path through a variable landscape of vivid, refracting poetry.
Rafael Domenech & Rirkrit Tiravanija, Meditating in the eye of the storm, 2019-2023 ,
拉斐尔·多梅内克和里克利·提拉瓦尼,在暴风眼中沉思, 2019-2023
Inkjet print on paper, wood, archival adhesive, book cloth, hardware ,
喷墨打印在纸张、木材、档案粘合剂、书衣和五金上,
Close 21.6 x 21.6 x 2.5 cm Open 55.9 x 21.6 x 21.6 cm
德国艺术家多萝西娅·里斯-汉姆(Dorothea Reese-Heim)自 2000 年代初开始制作书本式雕塑,颠覆了人们对书籍的传统联想,强调的并非书籍的内容,而是书籍的结构,以及书籍作为物品在世界上的运转方式。书的形式可以传达什么样的权威?书与时间和记忆的关系如何?此外,如果我们把书理解为一种混合体,在非物质的思想世界与可以观察和感受的物质对象之间摇摆不定,那么把一本书从 "流通 "中抽离出来,将其转化为雕塑,会意味着什么呢?里斯-汉姆的雕塑作品将拾得的书籍包裹在一层层石蜡中。石蜡是一种用于制作蜡烛的原料,让人联想到照明、时间流逝、记忆与延展。通过封存这些作品,里斯-汉姆唤起了古罗马用蜡板书写的记忆,"其中的内容可以随心所欲地回忆或熄灭"。
The sculptural book-objects that German artist Dorothea Reese-Heim has been making since the early 2000s upend conventional associations with the book, emphasizing less their content than their structure and, by extension, how they operate in the world as objects. What kind of authority might the form of a book convey? How might a book relate to time and memory? Moreover, if we understand the book as a hybrid that oscillates between the immaterial world of thought and a material object that can be observed and felt, what might it mean to take a book out of “circulation,” so to speak, and transform it into sculpture? Reese-Heim’s sculptures encase found books within layers of paraffin. A wax-like substance used to make candles, paraffin evokes strong associations with illumination, the passing of time, memory, and malleability. Through sealing off these works, Reese-Heim evokes the ancient Roman wax tablets in which “content could be recalled or extinguished as desired.”
Dorothea Reese-Heim 多萝西娅·里斯-汉姆
密封字体系列, 2004
石蜡,棕榈蜡、书籍,金属外壳
31 x 39 x 4 cm
童昆鸟以创造充满黑色幽默的沉浸式世界而闻名。他使用现成的材料,自由采样中国和西方艺术史中的审美冲动,以特立独行、高度个人化的多媒体方式表达对我们当前的社会、生态和政治危机的反思。童昆鸟的许多作品都强调了平衡的脆弱性--无论是在自我内部、社区内部,还是与他人之间寻找平衡。作为当今中国最著名的年轻艺术家之一,童昆鸟的绘画作品让人能够深入了解他对人类经验的量化和机械化以及人类世中所有生命的脆弱性的复杂思考。
Tong Kunniao has built a reputation for creating immersive worlds that bristle with dark humor. He uses found materials and freely samples aesthetic impulses from Chinese and Western art histories to articulate idiosyncratic, highly personal multimedia reflections upon our current state of social, ecological, and political crisis. Many of Kunniao’s works foreground the fragility of equilibrium—whether finding balance within the self, one's community, or with the other. One of the most celebrated young artists working in China today, Kunniao’s drawings offer an intimate insight into his complex reflections on the quantification and mechanization of human experience and the fragility of all life in the Anthropocene.
童昆鸟 Tong Kunniao
Red Mouth and Brain Whip, 2023
红嘴脑鞭图,2023
Mineral pigment on silk
绢面,矿物颜料等
60 x 50 cm
关于户尔空间
About Hua International
户尔空间(Hua International)是一家位于柏林与北京两地的当代艺术画廊,展览、出版和公共项目致力于跨学科及行为表演的艺术实践。画廊专注于发展与艺术家长期动态的合作关系,以其地理上的两地性为依托,扩展艺术家及其作品在迥异文化背景下的展览和接受。
以 XC.Hua 为名,经历了两年实验艺术策展项目运营积累后,花笑婵于2020年8月正式更名成立了户尔空间(Hua International),并在北京798艺术区、柏林历史悠久的当代艺术中心之一麦卡托庭院分别设立空间。在常驻两地空间之外,户尔空间也在国际知名的艺术博览会展示其艺术家作品。
Hua International is a contemporary art gallery located in Berlin and Beijing whose exhibitions, publications, and public programming supports cross-disciplinary and performative artistic practices. The gallery focuses on developing long-term relationships with its represented artists and leverages its geographic bilocation as a means to critically expand how their work can be presented and received in radically diverse cultural contexts.
After two years curating the experimental art and performance project XC.Hua, Xioachan Hua founded Hua International in August 2020 and inaugurated the new gallery with spaces in Berlin’s historic Mercator Höfe and Beijing’s acclaimed 798 Arts District.