参考文献：《日常心印 - 农少华其人其艺初见》， 陈红汗

Nong Shaohua says his inspiration comes mainly from meditating, and that he is also influenced by the random and accidental in everyday life. He also draws some influences from film.  On looking at his paintings it is clear that he intentionally avoids presenting a clear cultural identity, and similarly avoids topics linked to current events and happenings. This is clear from the ways in which Nong often obscures the individuality of the characters in his paintings, as well as their social status, cultural backgrounds and even genders. He ultimately creates his own worlds within his paintings, one which is fantastical in its detachment from the real world. His canvases are not marked by some traditional Chinese painting style, nor are they comfortably viewed and understood with reference to Western, or ancient, or even contemporary artistic techniques and subjects. For example, his paintings are often not constrained by traditional rules of perspective.

In all of this Nong Shaohua is able to present a surreal and dreamlike world, both in form, technique, and subject. Nong hopes that his paintings are accessible and that no matter where his audiences come from and regardless of their cultural background they are able to read the stories he presents, become lost in their plots, and feel their varied emotions, from depression and sadness to happiness and cheerfulness.

Reference: Daily Fantasy: Nong Shaohua and His Art by Chen Honghan

经验不是创造，只是书本，人都可以获得，作品是独立的世界，作品的诞生是创造性的是一个奇迹，我的工作是偶发的，潜意识的，冥想的，激情澎湃的，我最近作品的名称有一些是无名之地，无名者肖像，一个无名的下午，这些题目只是想让作品不和具体的地点，人物，时间对应，只是想让作品更宽泛，流动，让读画的人有更多的解读，这些作品不仅仅是我生活经历和视觉经验的摹写和临摹，那样会使作品太直白，仅仅是简单的呈现和表达只能使得作品狭隘，我认为一个好的作品画面背后一定有更多的信息和观念，观众能感觉得到画家面对画布的激动和述说的愿望。

农少华 Nong Shaohua