索卡北京 | 王小双“生命礼赞” x 张银亮“螺旋航行”双展将于12月1日开幕
生命礼赞 x 螺旋航行
Rhapsody of Life x Spiral Voyage
展期 Duration
2023.12.01 - 2023.12.30
策展人 Curator
宁文
Ning Wen
艺术家 Artist
王小双，张银亮
Wang Xiaoshuang，Anna Nganleong Cheung
地址 Address
索卡艺术·北京，北京市朝阳区酒仙桥路2号798艺术区707街
Soka Art·Beijing, 707 st., 798 Art Zone, Chaoyang District, Beijing
索卡艺术荣幸宣布：王小双《生命礼赞》以及张银亮《螺旋航行》双展将于2023年12月1日正式开幕，展览特邀宁文策展，将首次呈现两位艺术家创作于2023年的二十余件新作。
王小双《生命礼赞》
一直以来，对身体、距离、情感的思考是王小双的一条创作主线；而《生命礼赞》则呈现了艺术家从2022年开启的另一创作主题“对生命的探索”，这也是艺术家近期创作的核心。展览名称《生命礼赞》因此而来，呈现了2022年之后，艺术家对于生命以及人生新的感悟；作品也从之前较为个人的心理体验，逐渐更为宽广。《生生不息1》是这个新系列的第一张作品，灵感来自2022年艺术家孩子的降生；而《沉思者》是新系列的最后一张作品，与作品《生生不息1》一首一尾、遥相呼应，表达了艺术家对生与死的思考：生命的回归不是终结、是另一种重生。
王小双的作品容易让人联想到西方古典主义绘画，尤其是文艺复兴时期的作品。看似与现实无关的画面人物，却是现实之中人的镜像，她们彼此交织而成一幅幅抽离的生活图景，以“可见”反应“不可见。王小双的绘画看上去是具象的、平面的、静止的，而画面下则蕴藏着强大的生命力。无论是旧作还是新作，都有一些一脉相承的特点：（1）她作品中始终贯穿着一种，神秘的静谧感。（2）王小双喜欢画人，而作品中人物的眼神，多少有些怪诞——他们都很少直视观者。（3）服饰上，画面总好像把你带入中世纪的欧洲——无论是宽松的大袍，还是褶皱的、收紧的袖口。而在王小双的新作中，两个新的特点出现了：（1）突破了艺术家以前绘画的平面感。王小双首次尝试用砂石胶泥混合丙烯颜料，这样呈现出的画面会有颗粒感和一定的厚度，好像古老的岩壁画，增加了画面的质感。（2）用色上，新作中出现了色彩饱和度更高的作品，打破了之前低饱和度为主的特点。
王小双 Wang Xiaoshuang
沉思者 Meditator, 2022-2023
布面丙烯 Acrylic on canvas, 80 x 200cm
《生命礼赞》体现了艺术家对生命的尊重、敬畏和感恩之情，是对生命存在和生命力量的赞颂。生命礼赞不只是对自身生命的认同和珍视，亦是对他人生命的尊重与关怀。通过向生命致敬和珍视，让我们更深刻地体验到生命的美好和神奇，以及自身与整个宇宙之间的联系和共生关系。
张银亮《螺旋航行》
似曾相识，却又素昧平生——这是对张银亮绘画的第一感觉，那种图像带来的不确定性（ambiguity），让她的作品“不能被立刻认出”。
虽然张银亮绘画的图像大多源自艺术家现实生活中的真实场景，但画面看上去却有一种超越现实的陌生之感，一种与当下的疏离之感。张银亮好像一个勇敢行走在世界之外的“局外人”，同时她也是一位观察者，冷静地观察着我们的生活和世界。
在张银亮的作品之中，看似日常的景观，却是被抽离了生活气息的异度时空。如梦境般的熟悉且陌生感使得观者始终保持着他者的角度去俯瞰凝视画面中艺术家构建的不同文化的生活地景，即是真实的，亦是虚幻的。
从中学时代开始，张银亮就对自然、人和建筑的关系产生了浓厚的兴趣；在伦敦斯莱德美术学院上研究生时她已确定把这三者作为绘画的主题。看上去，张银亮好像在画人与城市，但更准确的说，其实张银亮一直感兴趣的、一直在描绘的主题始终都是公共空间——安置了人、建筑与植物的当下地景。
《螺旋航行》展出的九张新作全部创作于2023年，呈现了张银亮从绘画角度出发正在探讨的几个问题：首先是对色彩的调度。新作中，大量出现了强对比色、互补色的运用——尤其是中国传统美学中一些常见的配色方式：比如红与绿、黄与紫等——选择这种配色方式无疑是危险的，一旦运用不好就会落入俗套，而张银亮在画面中保持了微妙的平衡。第二是在空间的处理上，作品中出现了一种奇异的时空交错之感。艺术家没有遵循传统透视法：她把不同的建筑变形、共置于同一画面；最重要的是，画面中的人亦表达了艺术家对空间的理解：“人本身也有正向空间（positive space）和负向空间(negative space)”。基于此，张银亮作品中的人物都是虚实相间的，你也许会恍惚，看到的是人本身、还是人的影子？甚至有时人几乎抽象为块状的几何形状。
张银亮的绘画去除了叙事性。她的创作主题散落在每张画中，好像一个伞状结构；所以她的画，需要并置起来呈现与观看。如果用电影来比喻，张银亮的绘画在传递艺术家对多样化生存形态的感知。每件作品都好像电影中的一个场景、一个片段，都是局部；而只有将她所有作品组合在一起，才能看到这部电影。
张银亮 Anna Nganleong Cheung
游乐园-0086 Amusement Park-0086, 2023
亚麻布面丙烯与油画 Acrylic and oil on linen, 250 x 400cm
“生命不是循环（cycle）而是螺旋（Sprial）”，美国作家凯伦·汤普森·沃克 (Karen Thompson Walker) 在她的科幻小说《奇迹时代》（The Age Of Miracles）中分享到,”曾经向你呈现的每一堂人生课程都会再次出现，直到你学会为止。”
“螺旋”（Sprial），在美学、哲学、文学、生物科学等不同角度都有不同的阐释。选择《螺旋航行》作为张银亮本次个展的主题，灵感源自艺术家的创作与生活轨迹。张银亮从小就在多种不同文化中成长与穿行：泉州出生、香港长大、去英国读大学、回国后居住在北京。她像一个安静的旅行者，飞翔于不同的地域与文化之中，汲取营养、观察世界。如果说，人生是一场大航海、人生是一个不断螺旋上升的旅程——就像我们每个人细胞中的DNA——呈现的也是双螺旋结构；那么对于张银亮来说，对于一位画家来说，“对绘画语言本身的探讨”是张银亮创作的核心。以此为始发点，无论她在绘画主题、内容、形式上如何变化，无论航行到哪里，始终都是围绕这个核心在螺旋上升。
个展《螺旋航行》，一方面呈现了张银亮在绘画中思考、关心的一些问题，例如“图像中有意义的形式是哪些？画面成立的准则在哪里？”，一方面也呈现出张银亮在艺术创作上与之前不同的探索，“到最后我画的不是对象的具象，到最后其实画的是感知和关联”。在《螺旋航行》中，我们可以看到艺术家在绘画语言上的新的探索；也可以看到，艺术家对于人在自然环境中生存到人在人造环境中生存的转变的观察，艺术家对人类作为生物体到作为文化体的演进的探究。
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Soka Art is pleased to announce the exhibitions of Wang Xiaoshuang's "Rhapsody of Life" and Anna Nganleong Cheung's "Spiral Voyage" will be held on December 1, 2023 at Soka Art Beijing. The exhibitions, curated by Ning Wen, will present more than twenty new artworks created by both artists in the year 2023.
Rhapsody of Life
Reflections on the body, distance, and emotions have always been one of the main lines of Wang Xiaoshuang's artistic creation, and "Rhapsody of Life" presents another creative theme, "Exploration of Life", which is also the core of the artist's recent creations starting in 2022. Hence the title of the exhibition "Rhapsody of Life" , which presents the artist's new understanding of life and living after 2022, and the new works gradually become broader and more expansive compared tothe previous works that focused on individualized psychological experiences. The first work of the new series, Circle of Life·1, is inspired by the birth of the artist's child in 2022, while Meditator, the last work in the new series, echoes Circle of Life·1，expressing the artist's thinking on life and death: the return of life is not the end, but another kind of rebirth.
Wang Xiaoshuang's works are reminiscent of Western classical paintings, especially those of the Renaissance. The characters in the paintings that seem to have nothing to do with reality are the mirror images of people in reality, they are intertwined with each other to form an abstracted scene of life, reacting to the invisible with the visible. Wang Xiaoshuang's paintings appear to be figurative, flat and static, but underneath the picture lies a powerful vitality. Both her old and new paintings are characterized by a number of similarities: (1) A mysterious sense of tranquility is always present in her works. (2) Wang Xiaoshuang prefers to paint individuals, and the eyes of the characters in her works may be a bit strange, they rarely look directly at the viewer. (3) As for the costumes, the images always seem to transport viewers to medieval Europe – whether it is a loose robe, or ruffled and tightened cuffs. And in Wang Xiaoshuang's new works, two new features have emerged: (1) It breakthrough the flatness existing in the artist's previous paintings. For the first time, Wang Xiaoshuang attempts to mix acrylic paint with sandstone collodion, which presents a grainy feel and a certain thickness, as if it was an ancient rock fresco, increasing the texture of the painting. (2) Regarding the use of color, new works with higher color saturation have appeared,breaking the predominantly low saturation in previous works.
"Rhapsody of Life" embodies the artist's respect, reverence and gratitude for life, celebrating the existence and power of life. The salute to life is not only about cherishing one's own life, but also about respecting and caring for the lives of others. By honoring and cherishing life, we can experience more deeply the beauty and magic of life, as well as the connection and symbiotic relationship between ourselves and the entire universe.
Spiral Voyage
Déjà vu, yet unfamiliar is the initial feeling of Anna Nganleong Cheung's paintings, the ambiguity brought by the images makes her work "not immediately recognizable".
Although most of the images in Cheung's paintings originate from real scenes in the artist's life, the images seem to have a sense of strangeness that transcends reality and a sense of alienation from the present. Cheung seems to be an "outsider" who bravely walks outside the world, meanwhile, she is also an observer who calmly observes our life and the world.
In Cheung's works, the seemingly commonplace landscapes are actually alien time and space that has been separated from the flavor of life. The dream-like sense of familiarity and strangeness allows the viewer to always maintain the perspective of others, overlooking and gazing at the living landscape of different cultures constructed by the artist in the image, which is both real and illusory.
Since her middle school days, Cheung has been deeply interested in the relationship between nature, individuals and architecture; When she was a postgraduate student at the Slade School of Fine Art in London, she had already identified these three as the themes of her paintings. It may seem that Cheung is painting individuals and cities, but more accurately, the theme that Cheung has always been interested in and depicted is public space - a contemporary scene where people, buildings and plants are placed.
The nine new works on display in "Spiral Voyage", all created in 2023, present several issues that Cheung is exploring from the perspective of painting: the first is the scheduling of colors. In the new works, there is a great deal of use of strong contrasting and complementary colors - especially some common color schemes in traditional Chinese aesthetics, such as red and green, yellow and purple, etc. The choice of such color schemes is undoubtedly a dangerous one, and once it is used not well it will fall into the cliche, whereas Cheung maintains a delicate balance in her images. Secondly, in dealing with space, there is a strange sense of time and space interlacing in the work. The artist does not follow the traditional perspective method: she transforms and juxtaposes different buildings and places in the same image; most importantly, the people in the picture also expresses the artist's understanding of space: "People themselves also have positive space and negative space". Based on this, the figures in Cheung's works are alternately fictional and real, and you may be confused what you see is the person himself or the shadow of the person. There are even times when people are even abstracted into blocky geometric shapes.
Cheung's paintings remove narrative. Her creative themes are scattered throughout each painting, like an umbrella structure; therefore, her paintings need to be presented and viewed in juxtaposition. If we use movies as a metaphor，Cheung's paintings conveys the artist's perception of diverse forms of existence. Each work is like a scene, a fragment, a part of a movie, and the movie can only be seen when all her works are put together.
"Life is not a cycle but a spiral," American author Karen Thompson Walker stated in her science fiction novel The Age Of Miracles, "Every life lesson that has ever been presented to you will come back again, until you learn it. "
"Spiral" has different interpretations from different perspectives such as aesthetics, philosophy, literature and biological science. The choice of "Spiral Voyage" as the theme of Cheung's solo exhibition is inspired by the her artistic creation and life trajectory. Cheung has grown up and traveled through many different cultures since she was a child: she was born in Quanzhou, grew up in Hong Kong, studied at the universities in the UK, lived and worked in Beijing after returning to China. Like a quiet traveler, she soars through different regions and cultures, absorbing nourishment and observing the world. If life is a great voyage, a journey of continuous spiral - just like the DNA in each of our cells - presenting a double-helix structure; then for Cheung，for a painter, "the exploration of painting itself" is the core of Cheung's creation. Taking this as the starting point, no matter how she changes the theme, content and form of her paintings, no matter where she sails to, she always spirals upward around this core.
The solo exhibition "Spiral Voyage", on the one hand, it presents some issues that Cheung has been thinking and caring about in her recent paintings, such as "What are the meaningful forms in the image? What are the criteria for establishing a picture?" On the other hand, it also presents Cheung's different explorations in artistic creation from the previous ones: "In the end, what I paint is not the representation of the object, but the perception and connection". In " Spiral Voyage", we can see the artist’s new exploration in the language of painting, we also can see the artist's observation of the transition from human survival in a natural environment to human survival in the artificial environment, and the artist's exploration of the evolution of human beings as biological entities and as cultural entities.
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Curator
╱ 策展人介绍 ╱
宁文
Ning Wen
宁文
策展人，FT中文网专栏作者
先后毕业于北京师范大学和伦敦大学金史密斯学院（Goldsmiths, University of London），曾参与国内多家私人美术馆的建构与国际推广：包括三影堂摄影艺术中心、伊比利亚当代艺术中心、泰康人寿艺术品收藏部/泰康空间、CHAO艺术中心。她同时也是ARTFORUM中文网、《艺术新闻/中文版》（TANC）、卷宗 Wallpaper、《典藏》（台湾）、《望 NOBLELESS》 等媒体特邀作者。宁文曾担任2018年成都·蓬皮杜：“全球都市”国际艺术双年展（Cosmopolis #1.5: Enlarged Intelligence）宣传总监，2020年至今任知美术馆学术总监。
Ning Wen
Curator, Columnist of FT China
Graduated from Beijing Normal University and Goldsmiths, University of London. She has participated in the facilitation and inter-national promotion of many private art institutions in China, including Three Shadows Photography Art Center, Iberia Center for Contemporary Art,Taikang Life Art Collection Department/Taikang Space, and CHAO Art Center. Ning Wen is also a guest writer for ARTFORUM China, TANC, Wallpaper, Art Collection(Taiwan), and NOBLELESS. She was the publicity director of the 2018 Chengdu-Pompidou: Cosmopolis #1.5: Enlarged Intelligence International Art Biennale. From 2020 to present, Ning Wen serves as the academic director of Zhi Art Museum.
Artists Introduction
╱ 艺术家介绍 ╱
王小双
Wang Xiaoshuang
王小双，1986 ⽣于重庆，2010 毕业于川⾳美院油画系，现工作和生活于成都。
个展
2023
“生命礼赞”，索卡艺术，北京
2020
“欲说还羞”，域上和美艺术馆，成都
2019
“众妙之妳”，芳草地画廊798，北京
2016
“透明度”，宽云艺术馆，成都
2014
“蝴蝶镜⼦”，S.O艺术空间，上海
2013
“来⾃深处的谜”，⼗⼋度灰艺术馆，⻄安
部分群展
2023
“纯真博物馆”，真宝艺术空间，上海
“面包、多⾁植物与白海螺”，红印艺术中⼼，成都
“关于TA——成渝⼥性艺术家邀请展”，成都美术馆，成都
2022
“别性别”，森的美术馆，成都
“缪斯之灵”，⼤地美术馆，合肥
2021
“Art021上海艺术博览会”，上海
“逆光与凝望”，沪申画廊，成都
“报纸·⾹烟”，芳草地画廊，北京
“行行复行行·中国当代艺术作品展”，第三大街美术馆，成都
“艺术厦⻔”，厦⻔
2020
“从媒介出发：空间·语⾔·转化——当代艺术展”，成都市美术馆，成都
“西西弗斯的石头——夏日邀请展”，域上和美艺术馆，成都
“中国油画本体探索及东⻄⽅艺术相互关照——靳尚谊具象艺术创作教学研究项目启动展”，中央美术学院，北京
“发现未来之星三⼈展”，兰艺术，成都
“隐于市——当代艺术作品展”，⼗⼋度灰美术馆，⻄安
2019
“叠印·意中当代艺术展”，罗马，意大利
“守望·2019城市艺术汇”，文轩美术馆，成都
“艺术北京”，中国国际展览中⼼，北京
“贵州礼物当代艺术展”，天海美术馆，贵阳
“WE·⻘年艺术家邀请展”，宋呈文化，成都
2018
“天府百年美术⽂献展”，⼤观艺术馆，成都
“艺术北京”，北京农展馆，北京
“艺术深圳”，深圳会展中⼼，深圳
2017
“城市·两个年轻⼈的⽬光”，芳草地画廊798，北京
“丝路艺语——中国/⽩俄罗斯艺术家作品交流展”，成都画院，成都
“艺术北京”，全国农展馆，北京
“循循·情感意识下⾮常态的常态性”，芳草地画廊，北京
“清风三月——中国女性当代艺术家邀请展”，陕⻄省美术博物馆，⻄安
“开放的偶遇”，悦美术馆，北京
2016
“瞬间——来⾃中国的当代艺术”，玖玖画廊，德国
“循循——从感知到介⼊”，芳草地画廊，北京
“线粒体·源——现代艺术展”，中亚美术馆，德阳
“国际⼥性视觉艺术展”，⼤华博物馆，⻄安
2015
“美域·⽂境——新当代油画邀请展”，域上和美艺术馆，成都
“⽂轩·新象——天府油画艺术精品邀请展”，⽂轩美术馆，成都
“⽆尽的诗意——当代艺术展”，英盟当代艺术馆，成都
“后来——⻘年艺术家推荐展”，英盟当代艺术馆，成都
2014
“⽂轩·新象——中国当代艺术百⼈邀请”，⽂轩美术馆，成都
“艺术澳⻔博览会”，会展中⼼，澳⻔
“艺术北京”，北京
“⼩世界”，⻄安美术馆，⻄安
2013
“重新组合”，阁蕊莉画廊，上海
“这么近,那么远——成都德阳双城艺术家作品联展”，⾼迪艺术空间，德阳
“成都80艺术沙⻰”，巢艺术空间，成都
“⽓·质——五⼈作品联展”，阁蕊莉画廊，上海
2012
“开仓纳粮”，艺术粮仓，成都
“完美瑕疵——当代⼥性艺术展”，成都
“悦·周末——⻘年艺术家作品展”，悦美术馆，北京
“当代⻘年艺术家作品联展”，宋庄，北京
2011
“鲜果果——⻘年艺术家邀请展”，了了阁，成都
“5+3花汁草叶集——当代艺术展”，三和艺术馆，成都
“新星星艺术节”，上海
“上海艺术博览会”，上海
2010
“⼼的希望——慈善作品展”，A4画廊，成都
公共收藏
澳⼤利亚⽩兔美术馆
上海S.O艺术空间
成都英盟艺术馆
⻘岛天泰集团
贵阳天海美术馆
江苏伊索帕拉⽂化
向下滑动
Solo Exhibitions
2023
Rhapsody of life，Soka Art, Beijing
2020
Say It with Shyness, Yushanghemei Art Museum, Chengdu
2019
Wonderful You, Parkview Green Gallery798, Beijing
2016
Transparency, Kuanyun Art Museum, Chengdu
2014
Butterfly Mirror, S.O Art Space, Shanghai
2013
Mystery from the Deep, 18 Degrees of Grey Art Museum, Xi’an
Selected Group Exhibitions
2023
Innocent Museum, Zhenbao Art Space, Shanghai
Bread, Succulent Plant and White Conch, Red Seal Art Center, Chengdu
About TA -- Chengdu Chongqing Female Artist Invitation Exhibition, Chengdu Art Museum, Chengdu
2022
No Gender, Sen's Art Museum, Chengdu
Spirit of Muse, Earth Art Museum, Hefei
2021
Art021 Art Expo, Shanghai
Backlight and Gaze, Hushen Gallery, Chengdu
Newspapers and Cigarettes, Fangcao Gallery, Beijing
Keep Walking -- China Contemporary Art Exhibition, Third Street Art Museum, Chengdu
2020
Starting from Media -- Space, Language, Transformation -- Contemporary Art Exhibition, Chengdu Art Museum, Chengdu
The Stone of Sisyphus -- Summer Invitational Exhibition, Yushanghemei Art Museum, Chengdu
Discover the Future Star Trio Exhibition, Lan Art, Chengdu
Hidden in the City -- Contemporary Art Exhibition, 18 Degrees Art Museum, Xi'an
2019
Overprint Italian -- China Contemporary Art Exhibition, Rome, Italy
Keep watch -- 2019 City Art Collection, Wenxuan Art Museum, Chengdu
Art Beijing, Agricultural Exhibition Hall, Beijing
Guizhou Gifts Contemporary Art Exhibition, Tianhai Art Museum, Guiyang
We -- Young Artists Invitational Exhibition, Song Cheng Culture, Chengdu
2018
Tianfu Centennial Art Documentation Exhibition, Daguan Art Museum, Chengdu
Art Beijing, Beijing Agricultural Exhibition Hall, Beijing
Art Shenzhen, Shenzhen Exhibition Center, Shenzhen
2017
City -- The Eyes of Two Young People, Parkview Green Gallery 798, Beijing
Silk Road Art Language -- Chinese/Belarusian Artists' Works Exchange Exhibition, Chengdu Art Academy, Chengdu
Walking with He Duoling, Wenxuan Art Museum, Chengdu
Art Beijing, National Agricultural Exhibition Hall, Beijing
Abnormal normalcy under emotional consciousness, Parkview Green Gallery, Beijing
Breezes in March -- Chinese Women Contemporary Artists Invitational Exhibition, Shaanxi Museum of Fine Arts, Xi'an
Open Encountering -- Contemporary Art Exhibition, Enjoy Art Museum, Beijing
2016
Instant View -- Contemporary Art from China, Jiujiu Gallery, Germany
Follow -- From Perception to Intervention, Parkview Green Gallery, Beijing
Mitochondria, Source -- Modern Art Exhibition, Central Asia Art Museum, Deyang
International Women's Visual Art Exhibition, Dahua Museum, Xi'an
2015
Beauty area, Cultural circumstances -- New Contemporary Oil Painting Invitational Exhibition, Shanghai Harmony Art Museum, Chengdu
Wenxuan, New scene -- Tianfu Oil Painting Fine Art Invitational Exhibition, Wenxuan Art Museum, Chengdu
Endless Poetry -- Contemporary Art Exhibition, British Alliance Museum of Contemporary Art, Chengdu
Later-Young Artists Recommended Exhibition, Anglo-Alliance Museum of Contemporary Art, Chengdu
Looking Back at Peach Blossoms -- Sketching Invitational Exhibition, Nest Art Center, Chengdu
2014
Wenxuan, New scene -- Chinese Contemporary Art 100 Invitation, Wenxuan Art Museum, Chengdu
Art Macao Expo, Convention Center, Macao
Residence, Kingdom -- 2014 Chengdu Blue Top Art Festival Community, Blue Top Art District, Chengdu
Micro Visualism -- Art Beijing, S.O Art Space, Beijing
Small World -- Art Exhibition, Xi'an Art Museum, Xi'an
2013
Re-combination -- Art Exhibition, Ge Ruili Gallery, Shanghai
So Near, So Far -- Chengdu Deyang Shuangcheng Artists' Works Joint Exhibition, Gaudi Art Space, Chengdu
Free: Highland Contemporary Art Ecological Community Exhibition, Highland Chengdu
Chengdu 80 Art Salon, Nest Art Space, Chengdu
Spirit, Quality -- Five People's Works Group Exhibition, Ge Ruili Gallery, Shanghai
Mowgli Spring -- Group Exhibition of Three People's Works, White Night Art Gallery, Chengdu
2012
Shanghai Art Fair, Shanghai
Open Warehouse -- Contemporary Art Exhibition, Art Granary, Chengdu
Perfect Flaw -- Contemporary Women's Art Exhibition, Chengdu
Enjoy, Weekend -- Young Artists Works Exhibition, Enjoy Art Museum, Beijing
Jiuduanjin -- Contemporary Women Art Exhibition, White Night Art Gallery, Chengdu
Contemporary Young Artists Group Exhibition, Song Zhuang, Beijing
2011
Fresh Fruit -- Invitational Exhibition for Young Artists, Shou Ge, Chengdu
5+3 Flower Juice Grass Collection -- Contemporary Art Exhibition, Sanhe Art Museum, Chengdu
Lotus New Fall: Their Sky -- Contemporary Art Exhibition, White Night Art Gallery, Chengdu
New Star Art Festival, Shanghai
Shanghai Art Fair, Shanghai
2010
Heart of Hope -- Charity Exhibition, A4 Gallery, Chengdu
Collection
White Rabbit Museum of Australia Collection, Australia
S.O Art Space Collection, Shanghai
Tiantai Group, Qingdao
Tianhai Art Museum, Guiyang
Isopala Cultural Collection, Jiangsu
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张银亮
Anna Nganleong Cheung
1988年生于泉州。2015年获英国伦敦大学学院斯莱德艺术学院硕士学位。2012年毕业于英国格拉斯哥美术学院绘画与版画系。现⼯作及⽣活于北京。
个展
2023
“螺旋航行”，索卡艺术，北京
2021
“疫情期我收拾了阿戴的家”，MAMALA当代艺术中⼼线上项⽬
2020
“启迪”，济宁美术馆，济宁
2019
“地|⼼”，⼀间IDS艺术空间，北京
“客厅”，⻘年100会客厅项⽬，嘉德艺术中⼼，北京
“迭场”，⼀介画廊，成都
2017
“⿊夜庭院”，少数派空间，北京
2011
“幻变⽆息地”，41空间，格拉斯哥
群展
2023
“往昔即异乡”，沪申画廊，上海
“纯真博物馆”，真宝艺术空间，上海
“⾯包、多⾁植物与⽩海螺”，红印艺术中⼼，成都
“持续性短暂”，七⽊空间，北京
2022
“⾮凡的冒险”，Rosenfeld画廊，伦敦
“半边天天下⽆限”，SHOUT Contemporary，⾹港
2021
“和合，成都双年展特别邀请展”，成都东盟美术馆，成都
2020
“关係户”，⼤世界画廊，北京
2019
“⽴”，诚品画廊，台北
“⻘衿计划历年优秀作品选展”，济宁市美术馆，济宁
“秋艺集”，隐美术馆，北京
“你是不是忘记了我”，MAMALA庙会，晨画廊，北京
“升维味觉实验”，曜空间，北京
2018
“苏旺伸和他的⻘年朋友们”，诚品画廊，台北
“纸⺠主义”，⼒画廊，北京
“⻘衿计划” ，正观美术馆北京，国⻛艺术馆，北京，深圳
“缝隙”，斑⻢视觉，北京
2016
“花家地⾸届双年展”，花家地⼩区，北京
2015
“牆外”，HQS惠灵顿，伦敦
“棱镜”，亮点设计中⼼，北京
2014
“版画展”，斯莱德美术学院研究中⼼，伦敦
2012
“新团队”，坎迪德艺术信託画廊，伦敦
“宣⾔”，格雷斯与克拉克法伊夫画廊，格拉斯哥
向下滑动
SOLO EXHIBITIONS
2023
Spiral Voyage, Soka Art, Beijing
2021
Placing Items from The Epidemic Period in Adai’s Studio, MAMALA Online Project, Beijing
2020
Illumination, Jining Art Museum, Jining
2019
Psychogeography, In-Definite Scenario Art Space, Beijing
Drawing Room, Art Novo 100 Project Space, Guardian Art Centre, Beijing
Aurae, Yiiie Gallery, Chengdu
2017
Courtyard in A Nocturne, Minority Space, Beijing
2011
Changing Land with Katrin Jaberg, The Studio 41, Glasgow
SELECTED GROUP EXHIBITIONS
2023
The Past is a Foreign Country, Space & Gallery Association, Shanghai
The Museum of Innocence, Bao Room, Shanghai
Bread, Succulent and White Conch, HONIN Art Center, Chengdu
Persistent Transients, Qimu Space, Beijing
2022
An Extraordinary Adventure, Gallery Rosenfeld, London
Half the Sky; The Sky Is the Limit, SHOUT Contemporary, Hong Kong
2021
Interdependency, Art Museum of Chengdu University, Chengdu
2020
Relative Family, GWG Space, Beijing
2019
Stance, Eslite Gallery, Taipei
Fall Fair, InArt Museum, Beijing
Ascending Dimensions, Shine Space, Beijing
Have You Forgotten Me, MAMALA Temple Fair 2019, Chen Gallery, Beijing
Young Artist Nomination Exhibition, Jining Art Museum, Jining
2018
SU Wong-shen With His Young Friends, Eslite Gallery, Taipei
Paperism, Link Gallery, Beijing
Crack, Zebravm, Beijing
Elite Young Artists Program, Guofeng Art Museum, Right View Art Museum, Shenzhen and Beijing
2016
The First Hua Jiadi Biennale, Hua Jiadi Residency, Beijing
2015
Off The Wall, HQS Wellington, London
Prism, Smart Art Room of LD Design Centre, Beijing
2014
Slade Print Fair 2014, Slade Research Centre, London
2012
Manifesto, The Grace and Clark Fyfe Gallery, Glasgow
New Firm, Candid Arts Trust, Islington, London
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