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动态 | 李关帅参加BLANKgallery 群展“记忆”

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可以画廊代理艺术家李关帅于2024年1月20日参加BLANKgallery 群展“记忆”，展览展出艺术家一件绘画近作。另外参展的艺术家有于航、朱湘闽、亓文章、刘家铭、蒋小余、郑田明、张海军、张小危、林枞、李可津、王超群、张炜、范桦晓、高英普、赵新宇、朱逸舟、李子麟。展览将于3月2日结束，欢迎关注！

Li Guanshuai, the artist represented by KeYi Gallery, participated in the BLANKgallery group exhibition "Memory" on January 20, 2024, showcasing a recent painting by the artist. Other artists include Yu Hang, Zhu Xiangmin, Qi Wenwen, Liu Jiaming, Jiang Xiaoyu, Zheng Tianming, Zhang Haijun, Zhang Xiaowei, Lin Zong, Li Kejin, Wang Chaoqun, Zhang Wei, Fan Huaxiao, Gao Yingpu, Zhao Xinyu, Zhu Yizhou, and Li Zilin. The exhibition will end on March 2nd, welcome to visit!

“记忆”现场

"Memories" Installation View

图片由BLANKgallery提供

Image provided by BLANKgallery

李关帅致力于让自己的绘画作品能传达出当下人们对“神性”的复杂情绪，他试图通过绘画中的“仪式化”和“神化”的对象来反省对自身的信仰认知以及对外界的联想，笔触与形象之间的碰撞也显现出他内心中两者的博弈，合体、分裂、变形等处理将“神性”的情绪的迷思转换为由自身诞生的具有史诗感的形象。他的个人语言与他画中形象的“蜕皮”使得画面短暂的形象叙事中隐藏着他对自身不断更新变化的认知的新喜与旧爱。

Li Guanshuai is dedicated to making his artworks convey the complex emotions people have towards "divinity" in the present time. He ritualizes and deifies characters from literature, movies, classical paintings, games, and so on through deformation. Processes like fusion, division, and transformation convert the myth of "divine" emotions into epic-like images born from his essence. Li Guanshuai's painting language notably intertwines with the inexpressible awe that humans harbour towards "epic," "ritual," and "monstrosity," while the "moulting of images" often conceals ancient tales of both new joys and old loves within the brief narrative of the canvas.

动态 | 李关帅参加BLANKgallery 群展“记忆” 崇真艺客

永动机绊脚石 / Eternal Obstacles

180×120cm

布面油画 / Oil on canvas

2022-2023

关于艺术家 / About Artist

李关帅，1997年生于山东东营，2019年就毕业于四川美术学院版画系，2022年研究生毕业于四川美术学院造型艺术学院，曾在四川美术学院驻留，现工作生活于重庆。他的作品收藏于澳大利亚悉尼白兔美术馆，广东当代艺术基金会，罗中立美术馆等。

他的个展：“赞歌”，可以画廊，（合肥，2023）；参与的群展包括：“驿驿其达”，龙美术馆，（重庆，2023）；“在动物园散步才是正经事”，可以画廊（合肥，2023）；“动态刷新”，罗中立美术馆（重庆，2023）；“罗中立奖学金作品展”，芒果美术馆（长沙，2023）；“向前的前一步”，赛麟空间（上海，2022）；“折叠·覆盖”，鸿坤美术馆（北京，2022）；“固体与偏差”，重庆星汇当代美术馆（重庆，2022）；“信息捕捉器、超未来、启示、友爱共生”，北京妙有艺术（北京，2022）；“无论盛开还是不盛开，花都是花” ，可以画廊（合肥，2022）；" 礼物提名奖 " 作品展，并获得提名奖，罗中立美术馆（重庆，2022）；明日视线奖，（杭州，2021）；作品《我为什么在这里》，中国美术馆（北京，2018）等。

Li Guanshuai born in 1997 in Dongying, Shandong Province, graduated from the Printmaking Department of the Sichuan Fine Arts Institute in 2019, and graduated from the School of Plastic Arts of the Sichuan Fine Arts Institute as a postgraduate student in 2022. He has been in residence at the Sichuan Fine Arts Institute, and now lives and works in Chongqing. His works are collected in the White Rabbit Art Museum, Sydney, Australia, Guangzhou Contemporary Art Centre, Luo Zhongli Art Museum, etc.

His solo exhibitions include:"Paean", KeYi Gallery, (Hefei, 2023);and group exhibitions he participated:"Sprouting",Dragon Art Museum,(Chongqing,2023);“Walking in the Zoo is the most Serious Thing”, KeYi Gallery,( Hefei, 2023);“Dynamic refresh” ,Luo Zhongli Art Museum, (Chongqing, 2023);“Luo Zhongli Scholarship”, Mango Art Museum, (Changsha, 2022);“Look Before You Leap”, Sailing Space, (Shanghai, 2022);“Fold and cover”，HK Fine Art Museum,( Beijing, 2022);“Solids and Deviation”, Galaxy Museum of Contemporary Art, (Chongqing, 2022);“MOUart X Meta MOUart Group Exhibition 2022: Information catcher, super future, revelation, fraternal symbiosis”, MOUart, (Beijing, 2022);“Whether in Full Bloom or not, All Flowers are Flowers”, KeYi Gallery, (Hefei, 2022);“The 4th Gift Nomination Award” and won the nominated award, Luo Zhongli Art Museum,( Chongqing, 2022);“Hyper Youth Award”, (Hanghou,2021);The Work: “Why I am Here”, NAMOG, (Beijing, 2018),etc.

关于可以画廊 / About KeYi Gallery

可以画廊 KeYi Gallery 是一间成立于2019年的当代新星空间，旨在为艺术家打造一个开放性的具有学术实验性的平台，致力推广多元独特的展览项目和艺术家作品，挖掘和培育年轻艺术家。可以画廊前身以私人收藏为主，20年间不断收藏那些具有一定学术价值的当代作品，并始终关注艺术当下及未来的发展趋势。

KeYi Gallery is a young contemporary art space established in 2019. It aims to create an open and experimental platform for artists and dedicates to promoting diverse unique art programs and works of art, exploring and developing young artists. KeYi Gallery gave priority to private collections previously and has been insisting on collecting contemporary artworks with high academic value while concentrating on art trends in the art world.