白红卫 | 《富春山居图》

▎富春山居图 Dwelling in the Fuchun Mountains 布面油画 Oil painting on canvas 200x600cm,2022 

白红卫的作品主要以油画及彩色铅笔为媒介，创作致敬经典花鸟山水等系列，是一个审慎追求经典主义和视觉快感的保守派。他精心地控制和调整画面的构图、色彩、笔触、明暗关系、空间层次，追求视觉整体的和谐和完美。

Using mainly oil paint and coloured pencils as his medium, Bai Hongwei creates series that pay homage to classic flowers, birds, landscapes, etc. He is a conservative who prudently pursues classicism and visual pleasure. He carefully controls and adjusts the composition, colours, brushstrokes, light and dark relationships, and spatial levels of the picture, pursuing harmony and perfection of the visual whole.

此次展出的作品《富春山居图》是艺术家少有的大尺幅作品，是对元代画家黄公望的纸本水墨画《富春山居图》的当代视觉呈现。1350年，黄公望为师弟郑樗（无用师）绘制《富春山居图》，画作以横幅长卷的形式描绘了富春江两岸秀丽的山光水色。峰峦坡石随势起伏，山涧深处清泉飞泻。在群山环抱中，茅屋村舍参差其间，渔舟小桥错落有致，真可谓人随景迁、景随人移。此画集中体现了作者勾勒、皴擦、点染的高超技法，达到了炉火纯青的境界，清初吴其贞推崇为“亘古第一画”，也被称作“画中之兰亭”。创作完成后，《富春山居图》几经易手，身首两段。前半卷为《剩山图》，现收藏于浙江省博物馆；后半卷为《无用师卷》，现藏台北故宫博物院。

The work on display, Dwelling in the Fuchun Mountains, is one of the artist's rare large-scale works and is a contemporary visual representation of the ink on paper painting of the same name by Yuan dynasty painter Huang Gongwang. In 1350, Huang Gongwang painted the painting Dwelling in the Fuchun Mountains for his junior fellow apprentice Zheng Chu. The painting depicts the beautiful scenery of the mountains and waters on both sides of the Fuchun River in the form of a long scroll. Peaks and rocks rise and fall with the trend, and clear springs cascade from the depths of mountain streams. Surrounded by mountains, thatched cottages and village houses are interspersed with fishing boats and small bridges, which can be described as people moving with the scenery and scenery moving with the people. This painting reflects the author's skillful technique of outlining, chafing, dabbing and dyeing, reaching the realm of pure fire, Wu Qizhen in the early Qing Dynasty respected as "the first painting of all time", also known as "the painting of the Lanting". After the completion of its creation, Dwelling in the Fuchun Mountains changed owners several times, with its body and head in two parts. The first half of the scroll is "The Remaining Mountains", which is now collected in the Zhejiang Provincial Museum; the second half of the scroll is "The Wuyong Shi's Scroll", which is now collected in the National Palace Museum in Taipei.

在这件作品中，艺术家白红卫以点染法重新审视、创作这幅流传千古的国宝级作品，显示出他之于黄公望的致敬和当代社会的视觉和审美习惯。

In this work, artist Bai Hongwei revisits and creates this national treasure, which has been passed down through the ages, using the stippling method, showing his homage to Huang Gongwang and the visual and aesthetic habits of contemporary society.

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