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林月创的作品是将社会责任感转化为视觉语言的一种方式。人生就像一件陶瓷的装置作品，既永恒又易碎，同时又是温润如玉的存在。面对中西文化的碰撞以及全球化信息时代的到来，《瓷·语》这个系列呈现在地青年艺术家阶段性对自己创作理念逻辑的梳理与思考，作品更多的是在做一些实验性创作的研究。艺术表现有很多可能性，他跳出现实主义，做了一些艺术新的可能性。
Lin Yuechuang's work is a way of translating social responsibility into visual language. Life is like a ceramic installation, both timeless and fragile, and at the same time a warm, jade-like existence. Facing the collision of Chinese and Western cultures as well as the arrival of the globalized information age, the series "Porcelain & Language" presents the young local artist's stage-by-stage sorting out and thinking about the logic of his own creative concepts, and the works are more experimental creations of research. There are many possibilities for artistic expression, and he has jumped out of realism to make some new artistic possibilities.
林月创《瓷·语-中国白NO.2》 5×25×30cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language-Chinese white NO.2" 5×25×30cm Porcelain & LED
林月创《瓷·语-中国白NO.1》 25×25×25cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language-Chinese white NO.1" 25×25×25cm Porcelain & LED
作为兼具强烈文化属性及物质特性的材料，陶瓷一面指涉的是已于东方历史中形塑的审美偏向和日常功能，一面则囿其本身所赋予的既坚硬又脆弱的特质，为这一媒介的表现力创造出形而上的象征和隐喻空间。
As a material with strong cultural and material properties, ceramics refer to the aesthetic preferences and everyday functions that have been shaped by the history of the Orient, while at the same time creating a metaphysical, symbolic and metaphorical space for the medium's expressive power, due to its inherent qualities of both hardness and fragility.
林月创《瓷·语-中国白NO.6》 25×25×25cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language-Chinese white NO.6" 25×25×25cm Porcelain & LED
林月创《瓷·语 NO.8》 36×66cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language NO.8" 36×66cm Porcelain & LED
陶瓷艺术探索的内核，是创作者如何寻找到当代艺术与传统文化之间的激活点，令材料脱离被框定的语境，延伸至更为广泛的视觉文化和物质文化领域，由此引入有关“技术性、物质性、视觉性”的多维度思考（巫鸿释当代陶瓷语）。以此进入林月创的陶瓷系列作品，亦有启示。
The core of ceramic art exploration is how creators can find a point of activation between contemporary art and traditional culture, so that the material can be removed from its framed context and extended to a wider field of visual and material culture, thus introducing multi-dimensional thinking about "technical, material, and visual" (Wu Hong's interpretation of contemporary ceramics). It is also instructive to enter into Lin Yuechuang's ceramics series in this way.林月创《瓷·语 NO.67》《瓷·语 NO.68》 33×66cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language NO.67”“Porcelain & Language NO.68” 33×66cm Porcelain & LED
对于林月创而言，重要的是如何利用材料本身所赋予的特质，融入个人观念，寻得自我语言。温润雅致，剔透如玉的白瓷不仅凝结着创作者置于故土的记忆与东方文化的浓厚情节，亦是他以此为主题展开的实验艺术探索。以“瓷”作“语”，褶皱的肌理在轻薄或厚重的物性下生成具有随机性与偶然性的纹理和脉络，远观近赏，趣味迥异，更引人浮想联翩。
For Lin Yuechuang, it is important to utilize the qualities of the material itself to incorporate his personal concepts and find his own language. The warm, elegant and transparent white porcelain not only condenses the creator's memories of his homeland and the strong plot of oriental culture, but also his experimental art exploration on this theme. Using "porcelain" as a "language", the folded texture generates random and accidental textures and veins under the light or heavy materiality, which is very interesting from afar and even more evocative.
林月创《瓷·语 NO.1》 38×108cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language NO.1" 38×108cm Porcelain & LED
林月创《瓷·语 NO.2》 58.5×72.5cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language NO.2" 58.5×72.5cm Porcelain & LED
“自明代以后，‘德化白’名声鹊起并赢得了‘中国白’的命名。但以往高岭土更多的被当作日用器皿、瓷塑的材料，被一成不变地对待，固化了很多的审美和可能性”。"Since the Ming Dynasty, 'Dehua White' has gained fame and earned the name 'China White'. But in the past, kaolin was more often used as a material for daily utensils and porcelain figurines, and was treated in the same way, solidifying a lot of aesthetics and possibilities".
林月创《瓷·语 NO.25》 36×66cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language NO.25" 36×66cm Porcelain & LED
林月创《瓷·语 NO.26》 36×66cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language NO.26" 36×66cm Porcelain & LED在当下传统与现代碰撞的大语境下，《瓷·语》这个系列采用德化白瓷结合光、电为主要材料创作，开辟多维的视域并赋予作品新的可能性。“中国白”神秘、自然、朴拙的美，堪称极致，这也是缘于哲学思想境界的东方美学。
In the current context of the collision between tradition and modernity, the series "Porcelain - Language" uses Dehua white porcelain combined with light and electricity as the main materials to create, opening up a multi-dimensional perspective and giving the works new possibilities. The mysterious, natural and simple beauty of "China White" is the ultimate, which is also the oriental aesthetics originated from the philosophical realm.
林月创《瓷·语 NO.18》《瓷·语 NO.19》 33×66cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language NO.18”“Porcelain & Language NO.19” 33×66cm Porcelain & LED林月创《瓷·语 NO.30》 36×66cm 陶瓷&LED灯Lin Yuechuang “Porcelain & Language NO.30" 36×66cm Porcelain & LED
A：喜欢挑战自己的盲区，通过努力希望遇见明天更优秀的自己。A：对我创作影响比较大的人是在上海华东师大求学时遇见的恩师。Q：你的创作过程一般是什么样的，有什么特别的体验吗？A：我在创作前会先到各式各样的陶瓷工厂寻找需要用的材料，然后用自己构思好的创作思维逻辑进行重构，喜欢在工厂沉浸式的创作。Q：你觉得十年后自己的生活状态会是什么样，会继续做艺术吗？A：十年后应该是归隐在厦门的工作室创作与生活，争取让理性与感性达到平衡，会继续做艺术。Q：能分享一下你在创作《瓷·语》作品过程中的思考吗？A：《瓷·语》系列作品以陶瓷为主要材料并结合声、光、电来创作。由于出生在世界瓷都德化，陶瓷比其他任何材料都更为熟悉，用它为主要创作材料来探索艺术的语言方式，也可以更好地在寻找自己过程中进行情感表达。A：《Tàpies》；《读画记》；《现代艺术150年》；《当代艺术的主题》；《综合绘画·材料与媒介》
《重置—林月创艺术展》，保安在认真观赏我的作品
“Reset - Lin Yuechuang Art Exhibition”, the security guards were watching my works carefully.
《重置—林月创艺术展》，以素人的方式参与个展落幕地即兴舞蹈中
“Reset - Lin Yuechuang Art Exhibition”, Participating as a ordinary people in the impromptu dance at the closing of the solo exhibition.
The City of Birth and Creation - the Porcelain Capital of the World，Dehua
林月创
2018年结业于意大利硬石修复学院丹尼埃拉?塞拉诺博士(Doctor Danniel Serrano)维米尔技法高研班2019年结业于日本武藏野美术大学小尾修（Osamu Obi）伦勃朗技法高研班
展览
2024 年“中国白·德化瓷”国际巡展，纽约·联合国大厦 / 2023年 美妙的灵感，哲悟空间·知艺术馆 / 2023 福缘两岸 文创共融 民盟文创支部·瞐艺术 / 2023 艺术厦门艺术与设计博览会群展 哲悟空间·厦门国际会展中心 / 2023 当·厦 哲悟空间·厦门秋地艺术中心 / 2023 中华情·中国梦·厦门美术馆 / 2023 艺术大眼睛—嘉年华 瞐艺术 / 2023 福建首个大型地域性公共艺术季 泉州晋江 / 2023 春和景明 哲悟空间/山屿二分之一·建发湾悦城 / 2022 重置-林月创艺术展 收藏家画轩·海丝艺术中心 / 2022 当.厦 漫步 哲悟空间·TCCA 红顶当代艺术中心 / 2022 “移动”2022 中国青年艺术家第七回上海展 上海久事艺术沙龙 / 2022 当·厦 厦门青年艺术群展，哲悟空间·海丝艺术中心 / 2022 第三届《青年时代》当代新锐艺术家提名展，高剑父纪念馆 / 2021 艺术厦门艺术与设计博览会群展，哲悟空间·厦门国际会展中心 / 2021 当.厦，厦门青年艺术群展，哲悟空间 / 2020 融绘/“春的集结号”群展·上海华山艺术馆 / 2019 《彼岸》福州画院·中华儿女美术馆
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