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“蓝”是廖一枫画面的主色调，是她以画笔营造的梦境空间。她沉迷在这深浅交错的蓝色里，于梦游般的无意识时刻捕捉记忆深处那些隐匿于日常之下的情绪与触感，生成画中细腻绵密的永恒瞬间。那些画面，像一幕幕尚有余温里的跳跃的蓝色光谱，映射一个真实与虚构之间转圜的造梦的人。"Blue" is the main color of Liao Yifeng's paintings, and it is the dream space she creates with her brush. She indulges herself in this blue color with its interlacing shades, capturing the emotions and sensations hidden underneath the daily routine in the depths of her memory in the unconscious moments of sleepwalking, and generating timeless moments in her paintings that are delicate and dense. Those images, like the jumping blue spectra in the warmth of a scene, reflect a dream maker who turns between reality and fiction.
廖一枫《我们将去往何处》 17×18cm 纸本彩铅Liao Yifeng “Where are we going” 17×18cm Colour Pencil on Paper
廖一枫《我们将去往何处》 17×18cm 纸本彩铅Liao Yifeng “Where are we going” 17×18cm Colour Pencil on Paper
老实说，那些画面极其常见，一处向外延伸的楼梯口、透过行驶汽车后视镜快速闪过的世界、列车上倚靠栏杆休憩的陌生人......这些普通的物事场景构成她画面的主角，她将目光静静放置其间，以真切的感受、毫不矫饰的技法去描绘自己眼里的世界。Frankly speaking, those images are extremely common: a stairway that extends outward, a world that flashes quickly through the rearview mirror of a moving car, a stranger resting on the railing of a train... ...... These ordinary objects and scenes constitute the main characters of her pictures, and she places her eyes quietly in them, depicting the world in her eyes with true feelings and unadorned techniques.
廖一枫《我们将去往何处》 17×18cm 纸本彩铅Liao Yifeng “Where are we going” 17×18cm Colour Pencil on Paper廖一枫《我们将去往何处》 17×18cm 纸本彩铅Liao Yifeng “Where are we going” 17×18cm Colour Pencil on Paper
关于记忆，她总觉得熟悉又陌生，好像很近，实际却愈遥远，梦境一样，总会醒来最终消逝。童年与青春的怅惘与成长中持续堆积的对存在的困惑在一个想象中的蓝色梦境里自我生长。
Regarding memories, she always felt familiar and strange, as if they were close, but in reality they were more and more distant, dream-like, always waking up and eventually fading away. The frustrations of childhood and youth and the confusion about existence that continued to pile up as she grew up grew on their own in an imaginary blue dream.
Liao Yifeng “Third class” 17×18cm Colour Pencil on Paper
Liao Yifeng "Falling Leaves" 17×18cm Color Pencil on Paper
我们以观者的角度进入她的童年，也能从中拾起我们失去的童年和青春。不仅在物理空间向前行驶，也穿梭于在时空隧道里。We enter her childhood from the viewer's point of view, and we can also pick up our lost childhood and youth. Not only do we travel forward in physical space, but we also travel through a time tunnel.
Liao Yifeng “Under the sun” 17×18cm Colour Pencil on PaperLiao Yifeng “The two of us” 17×18cm Colour Pencil on Paper
除了表达失去的童年的青春，她也探讨关于未来和存在的哲学问题。“我们在哪？”“我们将驶向何处？”这是她在画里留下的提问。
In addition to expressing the youth of a lost childhood, she also explores philosophical questions about the future and existence. "Where are we?" "Where will we sail to?" These are the questions she leaves behind in her paintings.
廖一枫《我们还有几个夏天5》 17×18cm 纸本彩铅
Liao Yifeng "How Many More Summers Do We Have5" 17×18cm Color Pencil on Paper
“画的好不好是一回事，真不真又是另一回事，好源于形式，而真实源于感知。我既要好又要真”。这是关于绘画中最重要的是什么这一问题她给出的答案。读到这句话时，莫名的，我似乎看到一个拿着画本，在行走中席地而坐、即刻浸入自我世界开始绘画的女孩。她的目光必定是专注而着迷的。就像我们被这场轻盈梦幻的蓝色梦境所吸引一般。"I think it's feeling. It's one thing to paint well, it's another to be real; good comes from form, and real comes from perception. I want both good and true." This is the answer she gave to the question of what is most important in painting. Inexplicably, when I read these words, I seem to see a girl with a sketchbook, who sits on the ground at any time while walking, and immediately immerses herself into her own world and begins to draw. Her gaze must have been focused and mesmerized. Just as we are attracted to this light and dreamy blue dream.
廖一枫《我们还有几个夏天1》 17×18cm 纸本彩铅
Liao Yifeng "How Many More Summers Do We Have16" 17×18cm Color Pencil on Paper
廖一枫《我们还有几个夏天6》 17×18cm 纸本彩铅
Liao Yifeng "How Many More Summers Do We Have 6" 17×18cm Color Pencil on Paper
A：创作对我来说是探索、寻找、表达、反思自我的最好方式，也是我与世界连接的方式。我将作品发在网上，收到了许多陌生人的共鸣与善意的鼓励。最多的评论是“治愈的良药”。我很开心我的画能够带给你们感动与力量，这让我觉得我的创作很有意义。
A：爱。我从小到大都在充满爱的环境里长大，让我很幸福。但我发现我的作品还没有认真探讨过这个主题，而爱对于人类来说是多么的重要。这个世界每天都发生着太多太多令人难过、遗憾、无力的事情，爱在其中显得无比的珍贵。
A：我认为是感受。画的好不好是一回事，真不真又是另一回事，好源于形式，而真实源于感知。我既要好又要真。
A：我最近在读安妮·埃尔诺的《一个女人的故事》。这本书里她回忆了与妈妈之间的经历和关系。但很启发我的一个点是作者不仅仅是从个人、私密的角度去讲述，同时将这段关系放在了社会背景里。这让我思考艺术创作的性质，或者应该说艺术创作不仅仅是艺术家个人、自我的探索，也是向外的，与社会生活有着紧密联系。
A：刚创作完不久会，但是随着时间流逝这种强烈的感觉会慢慢变淡，然后成为我的过去。我每个系列的作品都是我在那个时间段对于世界的感知的表达，因此它们都对我来说很重要，是我成长的一部分。
A：三毛《温柔的夜》、北岛《蓝房子》、安妮?埃尔诺《一个女人的故事》、杜拉斯《情人》、余华《第七天》。
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Anne Erta“The Long Years"
廖一枫
2003年出生于福建沙县
2024年第九届全国插画双年展，入围奖 / 2023年第十届Hiii Illustration 国际插画大赛，入围奖；暗夜公园·精灵篇，厦门山上艺术空间；艺术之桥：从安特卫普到北京，再回来，安特卫普皇家美术学院；灰域歌集——ADHD情绪谱节录；“八闽丹青奖” 第四届福建省美术双年展；“一带一路”中俄美术家写生作品展；第十二届央美“青春·足迹”主题创作展 / 2022年获中央美术学院罗工柳青年创作奖；“行走京华大地，感悟思想伟力”主题创作展，央美美术馆；中俄高校青年艺术交流展；第十一届央美“青春·足迹”主题创作展
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