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#CYE
梦境，是悄悄播放在平静夜晚里的戏剧，你的梦境是什么样子呢？是空灵？飘渺？还是诡谲、神性？在邝芳蕾的梦境里，朦胧模糊的氛围永远透漏着无常多端。她说她很爱画画，想长寿，害怕画不完想画的。在她的画里，你可以看到创作者的自我在画面中的反馈，捉摸不清的色调和朴素稚拙的笔触和创造者本人有种微妙的关联，有种说不清道不明却又说了什么的怪力感。她说“画”，也是“话”；“画画”，也是“修为”。
What do your dreams look like, the drama that plays quietly in the calm of the night?Is it ethereal? Ethereal? Or is it treacherous and divine? In KuangFangLei's dream world, the hazy and blurred atmosphere is always permeated with impermanence and multiplicity. She says she loves painting, wants to live a long life, and is afraid of not finishing what she wants to paint. In her paintings, you can see the feedback of the creator's ego in the picture, and there is a subtle correlation between the elusive colour tones and simple, childish brushstrokes and the creator herself, with a strange sense of being unable to tell what is going on and yet saying something. She says that "painting" is also "words"; "painting" is also "cultivation".
Kuang Fanglei "Cunning" 33.7×24.7cm Acrylic on paper
Kuang Fanglei"Lovers" 20×16cm Acrylic on paperKuang Fanglei"God of Compassion" 53.5×48.5cm Acrylic on paper
最近的一个梦：“梦见我和几个同学在一个没灯的巨大教室里做雕塑，虽然环境很暗，不过教室有两扇巨大的窗户，蓝色的微光从外头照进来。我在教室靠左侧的角落，周围摆了很多大型杂物，好像大部分都是古希腊神像的脑袋，非常巨大！看着其实挺恐怖的。也有长胡长眉的东方老者头像，隐约还有一个双耳部分是一对羽翼的年轻女神头像。神像的头由大到小排列，我正好在捏最小体积的神像头，在我顺序之后的角落空间是一个更黑暗的空间，我不知道里面还有什么。”?
A recent dream: "I dreamt that I was making a sculpture with a few of my classmates in a huge unlit classroom, it was a very dark environment but the classroom had two huge windows and a blue shimmering light shone in from outside. I was in the corner of the classroom against the left side, and there was a lot of large miscellaneous objects around me, like most of them were heads of ancient Greek gods and goddesses, and they were very huge! It was actually quite scary to look at. There were also heads of old oriental men with long beards and long eyebrows, and vaguely a head of a young goddess with a pair of feathered wings partially in both ears. The heads of the idols are arranged from largest to smallest, and I happen to be pinching the smallest sized head of the idol, and the space in the corner after my order is a much darker space, and I don't know what else is in there."Kuang Fanglei”Bridge “ 17×18cm Colour Pencil on Paper
Kuang Fanglei“Mother's mother” 30×20cm Acrylic on paper《老子》第十四章：“视之不见，名曰夷；听之不闻，名曰希；搏之不得，名曰微。此三者，不可致诘，故混而为一。”夷希微代表着极其微小、难以察觉却无处不在的存在，如同大道无形，却又无所不在，无所不包。
Laozi, Chapter 14: "To see without seeing is called Yi; to hear without hearing is called Xi; to wrestle without being able to do so is called Wei. These three are not to be interrogated, so they are mixed together as one." Yi Xi Wei represents the existence of extremely tiny, imperceptible but omnipresent, just as the Avenue is invisible, but omnipresent and omnipresent.Kuang Fanglei"Window" series 30×20cm Acrylic on paper“在浩渺的宇宙之中，隐藏着我们未曾触及的心灵角落。我在绘画创作过程里总是有意无意追求一种诡谲缥缈又神性空灵的氛围，同时也迷恋梦境感的无常多端。那些无可言说的体悟用言语和文字无法勾勒祂们的形状，总是道不明。”"In the vastness of the universe, there are hidden corners of the mind that we have never touched. In the process of creating paintings, I have always intentionally or unintentionally pursued a kind of treacherous and ethereal atmosphere, and at the same time, I am also fascinated by the impermanence of the sense of dream. Those unspeakable realisations cannot be outlined in words or phrases, they are always unknown."
Kuang Fanglei"Protagonist" series 60×40cm Acrylic on paper
“于是我试图通过绘画将我生活细微处的某一帧与梦、结合道不明的感想汇聚成一场奇观。这些或远或近、忽真忽幻的画面并非完全的现实的直接反映，更是内心世界的投影，是与自我对话的载体。希望我的作品能引导观众走进一个充满诗意、哲理与想象的艺术世界，引发人们对存在与感知的思考。”
"So I try to bring together a certain frame from the minutest part of my life with a dream, combined with unspoken feelings into a spectacle through painting. These far or near, sudden and illusory images are not a direct reflection of complete reality, but a projection of the inner world, a vehicle for dialogue with the self.I hope that my work will lead the viewer into a world of art that is poetic, philosophical and imaginative, provoking thoughts about existence and perception."
邝芳蕾《魅》 13×8cm 综合材料?????
Kuang Fanglei "Charm" 12×8cm Composite material
邝芳蕾《小小的墓》 30×30cm 纸本丙烯
Kuang Fanglei"Tiny Tomb" 30×30cm Acrylic on Paper
A：我感觉本人其实是一个鬼点子比较多、但兴趣单一的无聊的人，会认为自己的作品会比本人更有意思一点点。O(╥﹏╥)o
Q：你的创作过程一般是什么样的，有什么特别的体验吗？A：我的创作速度其实很快，习惯性一气呵成，不喜欢在画面上磨太久，感觉会磨灭掉一种冲动和激情。不过前期会花比较长的时间来构思画面如何布局和表达，没有完全构思好之前不会动笔。特别的体验方面，我会很欢迎创作过程中出现的不确定性的效果和（非恶性）偶发事件。^_^
A：我的灵感大多来自于生活的细微处、无厘头的梦境以及自己的想象。时常被生活中琐碎之处所打动，比如发呆时看见尺子在灯光下透出的花纹、对面楼层的邻居好几家同时在看新闻联播等这些生命里细微的一帧情景，被我捕捉到后会让自己异常兴奋。而且我这人特别喜欢做梦，也喜欢想象，会觉得梦是灵感一大来源，有时在梦里得到了好的构思时会庆幸自己爱画画，醒来马上就开始想草稿和动笔。
平日里我也迷恋神秘感、诡谲氛围、宗教和神祇，画面呈现的感觉也有意无意会透露一种诡谲的气息。总之会结合很多想法代入创作中，我觉得创作需要巧思。
自己做得还不够成熟，正在不断学习和探索中。
A：创作对我来说非常重要，实不相瞒，其实自己非常悲观……时常会觉得活着无趣，创作能重新唤起我的生机，在这个过程中虽然也会感到痛苦，但我能获得一种至上的欢愉。可能有点夸张，我平日里总是和朋友说：如果不画画我就会死。那些缥缈的思绪和想法我无法用语言勾勒其形状，道不明，所以选择用创作的方式去传达，以得到表达的实体。我将创作完成了，感觉心里闷着的一口气也呼出来了，于是我将自己的作品都称作“如鲠在喉”的《鲠》。创作相当于是我的一种发泄出口。
A：会，每个作品都像我的亲人或者朋友，有时也会有人想买我的作品，我都没舍得卖掉……每每回望自己作品也是一种自省内观。
A：弗洛伊德《梦的解析》；尼古拉斯·博瑞奥德《关系美学》；玛丽塔·史特肯、莉莎·卡莱特《观看的实践》;李泽厚《美的历程》;史蒂夫·奥尔森《人类基因的历史地图》
我长刺了
I have a thorn.
她把520元的人民币纸钞安插在一颗菜里，假装一个花束，好酷。????
She planted 520 RMB notes in a vegetable and pretended to be a bouquet, so cool.?
司机的车里贴满了他儿子的贴纸，好像是他的护身符，比“出入平安”的福袋管用。
The driver's car was covered with his son's stickers, which seemed to be his talisman, more useful than the "safe in and out" lucky bags.?
邝芳蕾?????
笔名邝狡猾，艺术创作者
1999年7月出生于江西省
西安美术学院公共艺术专业研究生在读
2023 年参加奇点艺术节，广州；参加波动青年艺术生活节，上海；参加奇点艺术节，成都；参加西安美术学院学科建设资助项目跨媒体艺术系综合材料绘画名师工作坊项目展/ 2022年参加柳州甫阅美术馆《她艺术·第三回展》，获优秀作品奖/2021年西美毕业季X 王者荣耀长安风物志高校共创 IP 艺术展“优秀作者”
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