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“傩”文化在马瑞泽的作品里，常常以线描图腾的方式展现，从《周易》，《山海经》取材，用特有的手法和现代的绘画方式描绘了中国古典神话故事，山海经里神兽的形象，为他的作品带来了一丝神秘鬼魅的色彩。
‘Nuo’ culture in Ma Ruize's works, often in the form of line drawing totems show, from the ‘Zhouyi’, ‘Classic of Mountains and Seas’ from the material, with a unique approach and modern painting depicts the Chinese classical mythology, the Classic of Mountains and Seas in the image of the beasts, for his works brought a touch of mysterious ghostly colours.
Ma Ruize “Fusang Illustration" 30×57cm Watercolour on paperMa Ruize “Nuo Ritual: Gate of Life" 42×59cm Watercolour on paper
“傩”是古时中国人们进行的一种祭祀活动，是远古人类为了消除灾难和危难而“发明”的一种巫术形式。它以祭祀仪式为载体，涵盖了人类学、原始宗教、原始科学、艺术、文学等诸多方面的内容，是许多艺术形式的源头。
‘Nuo’ is an ancient Chinese people carry out a sacrificial activity, is the ancient mankind in order to eliminate disasters and distress and ‘invented’ a form of sorcery. It is a sacrificial ceremony as a carrier, covering anthropology, primitive religion, primitive science, art, literature and many other aspects of the content, is the source of many art forms.
马瑞泽《山海经的传说》 70×100cm 纸本水彩Ma Ruize “The Legend of Shanhaijing" 70×100cm Watercolour on paperMa Ruize “Offer sacrifice to heaven" 30×21cm Watercolour on paper在巫傩文化中，通常以五行为传统色彩，他们分别为黑（水）、赤（火）、青（木）、白（金）、黄（土）。其中青色象征生命、红色象征吉祥。在《山海经的传说》中，他以青色为主、赤色点缀，以流畅灵动的曲线，描绘了一幅百兽争鸣的图腾，让人不禁沉醉于那古老而神秘的神话世界。在五行中，南方属火，寓意着光明、活力、积极。画中的灵兽与祥瑞自北向南，是争逐着什么又或是去南方朝拜。
In Wu Nuo culture, usually five elements as the traditional colours, they are black (water), red (fire), green (wood), white (gold), yellow (earth). Among them, green symbolises life, red symbolises good luck. In ‘The Legend of Shanhaijing’, he uses cyan as the main colour and red as embellishment, with smooth and dynamic curves, depicting a totem of a hundred beasts competing with each other, so that people can't help but be intoxicated by that ancient and mysterious mythological world. Among the five elements, the south is fire, signifying brightness, vigour and positivity. The beasts and auspicious creatures in the painting are travelling from north to south, whether they are competing for something or making a pilgrimage to the south.Ma Ruize “Spirit Totem" 30×21cm Watercolour on paper
Ma Ruize “Tianlu Auspicious Beast Pattern" 50×60cm Digital painting
《神主时代》整体对称构图，六部落徽标环绕中心主神图腾纹暗示“抱一守中”明示“太极”相生相克，相生相随。四周绘有朱雀，天虎，凤凰祥瑞之兽助原始先民扶摇直上。底部众霸下与螭吻结合五行属“水”双兽对卧以水纹衬鱼尾狮托起主神图腾。画面四角以六道图腾形象镇中心瑞气。
The overall symmetrical composition of ‘The Age of the Lord God’, the six tribal logos surround the centre of the main god totem pattern suggesting ‘holding one to keep the middle’ indicating ‘Tai Chi’ and ‘Tai Chi’ are mutually exclusive, and they are born with each other. Surrounding the painting of the Vermilion Bird, Tianhu, Phoenix auspicious beasts to help the primitive ancestors to rise. At the bottom of the picture, there are two beasts lying on their backs with water motifs against a fish-tailed lion to support the totem of the main god, which is a combination of the five elements of water. In the corners of the picture, six totem images are used to suppress the auspicious energy in the centre of the picture.
Ma Ruize “The Age of Divine Rule" 48×35cm Watercolour on paper
Ma Ruize “Ritual Sacrifice Illustration" 30×42cm Watercolour on paper马瑞泽对传统文化的热爱使他不仅仅局限于在纸张上创作，同样他也使用数码手绘方式，衍生了许多传统艺术的周边，用全新的方式演绎着中国古老的巫傩文化。
Ma Ruize's love of traditional culture so that he is not only limited to the creation of paper, he also used digital hand-drawn way, derived from a number of traditional art periphery, with a new way of interpretation of the ancient Chinese culture of Nuo Wu.
Ma Ruize “Earth Mother Totem" 51×34cm Digital paintingMa Ruize “Xiuji Pattern" 40×53cm Digital painting
Q：你觉得自己是怎样的一个人？
A：我不爱说话即便在亲人面前有的时候我觉得说话或者阐述观点都让我觉得很变扭，我喜欢在人群中独处观察芸芸众生，这样我才不会感到因为独处太久而感到与社会脱节。画画能让我内心平静，完全沉溺其中这种感觉就像跳出时间的束缚只要纸够长我可以一直画下去。
Q：创作里，问题重要吗？
A：创作是我的习惯它不解决问题也不会提出问题。
Q：创作对你而言意味着什么？
A：创作是我存活于世的证明。
Q：你认为当下的艺术，或者艺术创作，最重要的是什么？?A：?我觉得最重要的是有没有“抽离”的能力，因为这是进入“创作状态”的关键。天人合一不过如此。A：可能是最近看小猫小狗的短视频太多了一睡着脑海里都是小猫小狗在奔跑...哈哈哈哈哈奇奇怪怪可可爱爱。
A：《易经》，《大学》，《翦商》，古斯塔夫·勒庞《乌合之众》，纪伯伦《泪与笑》。
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2024 年 参加中意国际艺术双年展 / 2024 年参加“愈·无界”线上艺术疗愈展 / 2024年 江西上饶共里艺术中心“龙途大展”艺术家群展 / 2023年 STRAWBERRY ART SEASON @YUZISHAN 鱼子山草莓艺术季 / 2021年 参加“异.域-一首届国际青年艺术展”及“中意青年艺术双年展” / 2020年 与TRART艺间画廊合作举办“傩祖华夏图腾延续”个人线上画展 / 2019年 罗马艺间画廊举办FUORI DALL'ACCADEMIA 美院艺术家群展 / 2018年 罗马与佛罗伦萨市联合组织应邀画廊邀请参加中意青年艺术家群展
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