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展覽預告｜三重奏：具象．表象．抽象的現代戲法Hat-Trick

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三重奏：具象．表象．抽象的現代戲法

Hat-Trick

藝術家 Artists｜Leonhard Hurzlmeier, Jordan Kasey, Veronika Pausova

策展人 Curators｜Tamar Arnon & Eli Zagury

展期 Dates｜2024.05.18 – 06.29

開幕 Reception｜2024.05.18 (Sat) 4:00 p.m.

地點 Venue｜大未來林舍畫廊 Lin & Lin Gallery

大未來林舍畫廊很榮幸宣布於五月邀請英國獨立策展人Tamar Arnon & Eli Zagury 策劃，推出三位國際當代藝術家李昂哈德．霍茲邁爾（Leonhard Hurzlmeier）、喬丹．凱西（Jordan Kasey）、薇若妮卡．保索娃（Veronika Pausova）首次於台灣的全新創作展《三重奏：具象．表象．抽象的現代戲法 Hat-Trick》。此次展覽的作品，呈現三位藝術家以肖像、身體部位、靜物等元素，透過大膽、抽象而又充滿活力的構圖，表達對當代生活的關注，進一步探討具象、表象以及抽象繪畫之間關係的本質。

Lin & Lin Gallery is pleased to present the group exhibition Hat-Trick by three international contemporary artists Leonhard Hurzlmeier, Jordan Kasey and Veronika Pausova in May, curated by British independent curator Tamar Arnon & Eli Zagury. This is the first exhibition of the three artists in Taiwan, presenting their new ways of experiencing and imagining figures, body parts, animals, still life elements and architecture to express their concern for contemporary life through bold, abstract, and dynamic compositions. , The three artists investigate the very essence of the relationship between figurative, representational and abstract painting.

展覽預告｜三重奏：具象．表象．抽象的現代戲法Hat-Trick 崇真艺客

戴草帽的女士 Woman with Straw Hat, 2024

油彩．畫布 Oil on canvas, 90x80 cm

李昂哈德．霍茲邁爾是來自於德國的圖像幽默家，以其極簡抽象和明亮色彩的創作為人所知。藝術家打破文藝復興以來傳統人物肖像的表現方式，以更加抽象的手法詮釋具體事物。在畫面的構圖上，他以少見的數學構圖規則，遵循著一種近乎形式化的規律，進一步運用現代海報的繪畫語言，有意識地規避物象輪廓線的繪製，強調鮮豔明亮色彩的組構。在色彩與色彩對立下，凸顯幾何線條、圓弧精確地組成帽子、耳飾與煙斗等物件，而抽象簡約的色塊則形成人物的各種形象，構成獨特又詼諧幽默的畫面美感。

Leonhard Hurzlmeier is a German pictorial humorist known for his abstract, minimalist and brightly colored paintings. Hurzlmeier breaks away from the traditional way of presenting portraits since the Renaissance, using a more abstract way to interpret concrete objects. In his paintings, he carries out a rare mathematical compositional discipline, a further play on the pictorial language of modern posters, consciously avoids drawing the outline of objects and emphasizes the composition of vivid colors. In color contrast, the geometric line and arc are highlighted to form objects such as a hat, an earring, and a pipe. Both abstract and minimalist color blocks form the various images of character, creating a unique and humorous aesthetic.

展覽預告｜三重奏：具象．表象．抽象的現代戲法Hat-Trick 崇真艺客

遙望太陽 Looking at the Sun from Very Far Away, 2024

油彩．畫布 Oil on canvas, 178x239 cm

同樣對人體形態與結構有著深入研究的美國當代藝術家喬丹．凱西，透過巨石般人物形象的描繪，在寧靜而神秘氣氛的烘托下，展現一系列當代人類的處境與深沉抑鬱的情感。藝術家透過自身藝術與個人的成長與發展來塑造形象，運用流暢的線條在充滿建築元素的場景中勾勒出誇張比例的人物與巨大的身體部位、乾擦的筆觸刻劃紋理多變的肌理，在光影的安排，紅、綠、藍等濃厚沉靜的色調，與層次分明的肌理疊加出豐富的立體感，將繪畫主題具體化。作品中超現實的物象，在色彩與空間的建構下，引領觀者沉浸在畫面靜謐沉思的情境中。

Contemporary American artist Jordan Kasey has also researched the human form and its structure extensively. By depicting giant stone-like characters in a quiet and mysterious atmosphere, Kasey projects a range of human situations and deep melancholic feelings. The artist comes to figuration through her own artistic and personal evolution, using smooth lines to sketch the exaggerated proportions of figures and larger body parts in architectural scenes, and dry brushstrokes build up the variable textures. Under the light and shadow, the depth and calm colors of red, green and blue overlap with the layered texture to create a lush dimensionality, specifying the theme of the painting. The surreal objects in the work that are created with color and space, lead the viewer to immerse in the silence.

展覽預告｜三重奏：具象．表象．抽象的現代戲法Hat-Trick 崇真艺客

白靴 In White Boots, 2023

油彩．畫布 Oil on canvas, 91.5x76 cm

來自捷克的藝術家薇若妮卡．保索娃的創作彙集了豐富的日常元素，在人物和主題意義的轉換間，試圖捕捉不同的情感和情境。花朵、身體部位、蝴蝶、器皿、衣物以及渲染的圖案與紋理，成為藝術家筆下刻畫的素材。每一件物品的詳細製作，都與藝術家對表面工藝實驗性的處理形成鮮明對比，這些處理過程有時具有指向性，但往往令人難以捉摸。在畫面表現上，各種形式作為圖案、符號或文字的反覆出現，其含義都將隨著每一個新的脈絡和語境而發生變化。

Canada based, Czech artist Veronika Pausova’s works bring together a rich tapestry of everyday elements, trying to capture different emotions and situations between shifts in the meanings of the characters and motifs. Flowers, body parts, butterflies, utensils, clothing items and individually rendered patterns and textures become the materials of her paintings. Each object is rendered with a precise attention to detail, contrasting with the artist’s experimental treatment of surfaces, processes that are sometimes referential but often enigmatic. In the painting, forms operate as signs, patterns, symbols or words, and their meaning changes with each new context and position.

此展覽藝術家們以個人敘事為基礎，試圖用大膽的線條、流暢的筆觸和獨特的色調來探討各種永恆和詩意的視覺語言，探究並實驗形狀、形式和色彩以及對抽象和具象的呈現，其目的不是直接的反映現實，而是創造藝術性的詮釋、形塑新的美學與視覺語言。

Based on their personal narratives, the artists in this exhibition attempt to explore a variety of timeless and poetic visual languages with bold lines, fluid brushstrokes and unique color palettes All three artists explore and experiment with shapes, forms and colors, as well as abstract and figurative representations, with the aim of not directly reflecting reality, but rather of creating artistic interpretations and forming new aesthetics and visual languages.

李昂哈德．霍茲邁爾（Leonhard Hurzlmeier）1983年生於德國施塔恩貝格，2004至2011年就讀於慕尼黑美術學院，目前生活和工作在德國慕尼黑。藝術家重要個展包括：【Kissing Shores】，Vigo Gallery，倫敦，2023；【Settenale】，Martina Tauber Fine Art，慕尼黑，2022；【It’s the Analogy, Baby】，Kunz Galerie，慕尼黑，2021；【Told Tales】，Rachel Uffner Gallery，紐約，2019；【All New Women】，Rachel Uffner Gallery，紐約，2017；【13 Portraits】，Galerie Andreas Grimm，慕尼黑，2012。其重要聯展包括：【Cool Mist】，Galerie Knust Kunz，克諾克，2022；【Lost in Paradise】，Martina Tauber Fine Art，慕尼黑，2021；【The Last Unicorn】，Prediger Museum，施瓦本格明德，2020；【Arbeiten auf Papier】，Galerie Britta von Rettberg，慕尼黑，2019；【Revenue de Vacances】，Martina Tauber Fine Art，慕尼黑，2019；【10 Years】，Rachel Uffner Gallery，紐約，2018；【Locus Lapis】，Martina Tauber Fine Arts，慕尼黑／Odeeh，柏林，2018。出版有藝術家作品專集《Neue Frauen》，Hatje Cantz ，2018。

Leonhard Hurzlmeier was born in 1983 in Starnberg, Germany. He lives and works in Munich, Germany. He studied at the Akademie der Bildenden Künste, Munich, from 2004 – 2011. Selected solo exhibitions include: Kissing Shores, Vigo Gallery (2023), London; Settenale, Martina Tauber Fine Art, Munich (2022); It’s the Analogy, Baby, Kunz Galerie, Munich (2021); Told Tales, Rachel Uffner Gallery, New York City (2019); All New Women, Rachel Uffner Gallery, New York City (2017); 13 Portraits, Galerie Andreas Grimm, Munich (2012). Recent group exhibitions include Cool Mist, Galerie Knust Kunz, Knokke (2022); Lost in Paradise, Martina Tauber Fine Art, Munich (2021); The Last Unicorn, Prediger Museum, Schw?bisch Gmünd (2020); Arbeiten auf Papier, Galerie Britta von Rettberg, Munich (2019); Revenue de Vacances, Martina Tauber Fine Arts, Munich (2019); 10 Years, Rachel Uffner Gallery, New York City (2018); Locus Lapis, Martina Tauber Fine Arts; and Odeeh, Berlin (2018). In 2018, Hatje Cantz published Neue Frauen, a monograph of the artists’ work.

喬丹．凱西（Jordan Kasey）1985年生於美國芝加哥，畢業於馬里蘭藝術學院，目前生活和工作在美國紐約布魯克林。其Nicelle Beauchene Gallery個展，紐約，2023／2021／2019／2017；Kaufmann Repetto，米蘭，2021；Loyal Gallery，斯德哥爾摩，2020／2016；膠囊上海，上海，2019；Carl Kostyál，馬爾默，2019；Signal Gallery，布魯克林，2018／2016；Kate MacGarry，倫敦，2018；【Past Skin】，策展人Jocelyn Miller，紐約現代藝術博物館PS1，紐約，2017；White Cube，倫敦，2017；Greenpoint Terminal Gallery，布魯克林，2016；【Human Condition】，策展人John Wolf，Los Angeles Metropolitan Medical Center，洛杉磯，2016；【What’s Up】，策展人Lawrence van Hagen，Revue Gallery，倫敦，2016；【Closer】，Thierry Goldberg Gallery，紐約，2016；【Sun Stroke】，Michael Jon Gallery，邁阿密，2015。藝術家有多項獲獎紀錄與駐村創作邀約，如Cuevas Tilleard 藝術駐村，拉穆島，肯亞，2017；Rema Hort Mann基金會新銳藝術家提名獎，2013；Sondheim Award入圍，2015；繪畫類獨立藝術家獎，馬里蘭州藝術委員會，2010。凱西的作品典藏於義大利Collezione Maramotti藝術館、英國倫敦The Deighton Collection、英國倫敦Zabludowicz Collection。

Jordan Kasey was born in 1985 in Chicago, Illinois, USA. She currently lives and works in Brooklyn, New York. She received her BFA from the Maryland Institute College of Art. Selected exhibitions include: Nicelle Beauchene Gallery solo shows (2023, 2021, 2019, 2017); Kaufmann Repetto, Milan (2021); Loyal Gallery, Stockholm (2020, 2018); Capsule, Shanghai (2019); Carl Kostyál, Malm? (2019); Signal Gallery, Brooklyn (2018, 2016); Kate MacGarry, London (2018); Past Skin, curated by Jocelyn Miller, MoMA PS1, Queens, NY (2017); White Cube, London (2017); and Greenpoint Terminal Gallery, Brooklyn (2016), Human Condition, curated by John Wolf, Los Angeles Metropolitan Medical Center, LA (2016); What’s Up, curated by Lawrence van Hagen, Revue Gallery, London (2016); Closer, Thierry Goldberg Gallery, New York, NY (2016); Sun Stroke, Michael Jon Gallery, Miami, FL (2015) among others. Awards and Residencies: Cuevas Tilleard Artist Residency, Lamu Island, Kenya (2017); Rema Hort Mann Foundation Emerging Artist Grant nominee (2013); Sondheim Award Semi-Finalist (2015); Individual Artist Award in Painting, Maryland State Arts Council (2010) Jordan Kasey’s work can be found in the Collezione Maramotti, Italy, The Deighton Collection, London and the Zabludowicz Collection, London.

薇若妮卡．保索娃（Veronika Pausova）1987年生於捷克布拉格，目前生活和工作在加拿大魁北克蒙特婁。藝術家重要個展及雙人展包括：

Simone Subal Gallery，紐約，2023／2022／2019／2017；Esker Foundation，卡加利，2022；Bradley Ertaskiran，蒙特婁，2021；The Sunday Painter，倫敦，2021；Parisian Laundry，蒙特婁，2018；Hunt Kastner，布拉格，2018；Franz Kaka，多倫多。其重要聯展包括：Bradley Ertaskiran，蒙特婁，2023；Hunt Gallery，多倫多，2022；瀟當代美術館，山東，2022；貝浩登畫廊，巴黎，2022；Public Gallery，倫敦，2022；Santander Art Gallery，馬德里，2020；加拿大國立美術館，渥太華，2017；Flat File at Deli Gallery，紐約，2017。藝術家有多項獲獎紀錄，如Canada Council for the Arts Explore and Create Grant，2018；RBC Painting Prize入圍及榮譽獎，2017。保索娃的作品典藏於加拿大國民銀行、加拿大蒙特婁Claridge、加拿大多倫多Equitable Bank、蒙特婁美術館、美國達拉斯Rachofsky House、加拿大皇家銀行、加拿大豐業銀行、中國瀟當代美術館、英國倫敦Zabludowicz Collection。2023 年，Esker 基金會出版了保索娃的畫冊《Fast Moving Sun》。

Veronika Pausova was born in 1987 in Prague, Czech Republic. She currently lives and works in Montréal, Quebec, Canada. Selected solo and two-person exhibitions include Simone Subal Gallery, New York (2023, 2022, 2019, 2017); Esker Foundation, Calgary, Canada (2022); Bradley Ertaskiran, Montréal, Canada (2021); The Sunday Painter, London, UK (2021); Parisian Laundry, Montréal (2018); Hunt Kastner, Prague (2018); Franz Kaka, Toronto (2018); Tatjana Pieters, Ghent, Belgium (2017); Paramo Galeria, Guadalajara, Mexico (2016); Motel, Brooklyn, New York (2016); and SARDINE, Brooklyn, New York (2015). Selected group shows include Bradley Ertaskiran, Montréal, Canada (2023); Hunt Gallery, Toronto, Canada (2022); Xiao Museum of Contemporary Art, Rizhao, China (2022); Perrotin, Paris, France (2022); Public Gallery, London, UK (2022); Santander Art Gallery, Madrid, Spain (2020); Remai Modern, Saskatoon, Saskatchewan (2019); Oakville Galleries, Oakville, Ontario (2018); Andrehn-Schiptjenko, Stockholm (2018); Peana Projects, Monterrey, Mexico (2017); National Gallery of Canada, Ottawa, Ontario (2017); Flat File at Deli Gallery, New York, NY (2017); University of Georgia, Dodd School of Art, Athens, GA (2017); Motel at Roberta Pelan, Toronto, Canada (2017); White Columns, New York, NY (2017). Pausova has been awarded numerous awards including the Canada Council for the Arts Explore and Create Grant (2018) and the RBC Painting Prize Finalist and Honorable Mention (2017). Veronika Pausova’s work is part of the following public and private collections: Banque Nationale, Canada; Claridge, Montréal, Canada; Equitable Bank, Toronto, Canada; Montréal Museum of Fine Arts, Montréal, Canada; Rachofsky House, Dallas, US; Royal Bank of Canada, Canada; Scotiabank, Canada; Xiao Museum of Contemporary Art, Rizhao, CN; Zabludowicz Collection, London, UK. In 2023, the Esker Foundation published a catalog of Veronika Pausova’s work titled Fast Moving Sun.