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策展文章｜三重奏：具象．表象．抽象的現代戲法Hat-Trick

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三重奏：具象．表象．抽象的現代戲法

Hat-Trick

藝術家 Artists｜Leonhard Hurzlmeier, Jordan Kasey, Veronika Pausova

策展人 Curators｜Tamar Arnon & Eli Zagury

展期 Dates｜2024.05.18 – 06.29

開幕 Reception｜2024.05.18 (Sat) 4:00 p.m.

地點 Venue｜大未來林舍畫廊 Lin & Lin Gallery

歐美當代藝術家：李昂哈德．霍茲邁爾（Leonhard Hurzlmeier）、喬丹．凱西（Jordan Kasey）、薇若妮卡．保索娃（Veronika Pausova）全新創作展

An exhibition of recent paintings by

Leonhard Hurzlmeier, Jordan Kasey and Veronika Pausova

策展文章

Curatorial Statement

展覽《三重奏：具象．表象．抽象的現代戲法》為三位國際當代藝術家：李昂哈德．霍茲邁爾（Leonhard Hurzlmeier）、喬丹．凱西（Jordan Kasey）和薇若妮卡．保索娃（Veronika Pausova）首度於臺灣的展覽。每位藝術家皆探究了具象、表象以及抽象繪畫之間關係的本質。

The Hat-Trick exhibition brings together three contemporary international artists: Leonhard Hurzlmeier, Jordan Kasey and Veronika Pausova and marks the first time they show their paintings in Taiwan. Each artist in this show investigates the very essence of the relationship between figurative, representational and abstract painting.

策展文章｜三重奏：具象．表象．抽象的現代戲法Hat-Trick 崇真艺客

展覽現場，大未來林舍畫廊，台北

Installation views, Lin & Lin Gallery, Taipei

此次展出的作品帶有敘事色彩，展現複雜而充滿活力的構圖。霍茲邁爾、凱西和保索娃創作鮮明的象徵性繪畫，他們的美學共性來自對抽象和具象的呈現，在受到現代主義和超現實主義等種種歷史上重要藝術運動影響的同時，他們也努力拓展自己的繪畫實踐。藝術家以個人敘事為基礎，描繪出大膽而生動的作品，試圖探究新的體驗方式，以及想像人像、身體部位、動物、靜物元素和建築。

The paintings in this show reveal complex and dynamic compositions with narrative undertones. Making vibrant symbolic paintings, Hurzlmeier, Kasey and Pausova’s aesthetic affinities draw from both abstraction and figuration, and from various significant historical art movements like Modernism and Surrealism, as they strive to expand their painting practice. Rooted in personal narrative, they create bold and graphic paintings in which they seek to explore new ways of experiencing and imagining figures, body parts, animals, still life elements and architecture.

策展文章｜三重奏：具象．表象．抽象的現代戲法Hat-Trick 崇真艺客

Leonhard Hurzlmeier

有煙斗及愛心的男士 Man with Pipe and Hearts, 2023-2024

油彩．畫布 Oil on canvas, 40x30cm

霍茲邁爾和凱西廣泛研究人體形態及結構，而後對人像進行解構和重建，並使用自身的一套創作規則和工具來實現各自的想像與概念。三位藝術家都以更加抽象的方式，或使用幾何線條、或使用流動的風格來再現身體、身體部位和物件。霍茲邁爾和保索娃的畫作通常是中小型且為平面和二維空間的呈現，而凱西則以大尺幅、豐富的圖案和厚實的質感聞名。

Hurzlmeier and Kasey have researched the human form and its structure extensively. They then deconstruct the figure and rebuild it, each using their individual set of creative rules and tools to realize their vision and concept. All three artists recreate bodies, body parts and objects in a more abstract way, using either geometric lines or a more fluid style. Hurzlmeier and Pausova’s paintings are characterised by their flat and two-dimensional appearance and are often small or medium sized unlike Kasey who is known for her rich, patterned and thick textured larger than life canvasses.

策展文章｜三重奏：具象．表象．抽象的現代戲法Hat-Trick 崇真艺客

展覽現場，大未來林舍畫廊，台北

Installation views, Lin & Lin Gallery, Taipei

現代主義的形式語彙及其背後的哲學思想往往探討了主題、色彩和形式之間相互矛盾的關係。當時，現代主義藝術家們開始研究他們所觀察到的身體和結構元素，如物體、人像、風景或任何其他主題，而這樣的討論至今依然重要。藝術家探究並試驗形狀、形式和色彩以及它們之間的關係，其目的不是直接的反映現實，而是創造藝術性的詮釋、形塑新的美學和視覺語言。一世紀後，霍茲邁爾、凱西和保索娃持續探究他們現代主義先行者研究的哲學與視覺主題。

The formal vocabulary of Modernism and the philosophy behind it explored an often-contradictory relationship between subject, colour and form. During that period, artists started investigating the elements of bodies and structures they observed such as objects, figures, landscape or any other subject. The issues that Modernism addressed are still just as important and relevant today. Modernists explored and experimented with shapes, forms and colours and the relationship between them. The aim was not to directly reflect reality but to create artistic interpretations, forming new aesthetics and a visual language. One hundred years on, Hurzlmeier, Kasey and Pausova continue to explore the philosophical and visual themes their Modernist predecessors investigated.

策展文章｜三重奏：具象．表象．抽象的現代戲法Hat-Trick 崇真艺客

Jordan Kasey

雨中騎行 Biking in the Rain, 2023

油彩．畫布 Oil on canvas, 152x183 cm

李昂哈德．霍茲邁爾以基本色創作其明亮的極簡主義作品，其構圖具有挑釁性、曖昧性和幽默感。藝術家的創作特點是其近幾年發展出的獨特繪畫處理，他將此手法命名為「幾何抽象具象繪畫」（Geometric Abstract Figurative Painting）。霍茲邁爾是一位圖像幽默家，以其抽象肖像畫和明亮的創作為人所知，這些畫作如同光鮮亮麗的廣告圖像，並以少見的數學構圖規則構成。在他看似輕盈多彩的作品背後，遵循著一種近乎形式化的規律，依照對於畫面層次和進展的回應，作品展現階段性的演變，然而這樣的創作手法偶爾也會使其精疲力竭，因為有時藝術家幾乎無法忍受那股在表述情感作畫時，還要恪守嚴謹流程所產生的緊張感。在最新的幾個系列作品中，霍茲邁爾這位畫家和製圖師確保其筆下每一個人物都以完全獨特與精心策劃的構圖呈現。

Leonhard Hurzlmeier’s bright minimalist paintings feature provocative, ambiguous and humorous compositions in predominantly primary colours. His studio practice is characterised by the artist’s unique process that he has named ‘Geometric Abstract Figurative Painting’, which he developed over recent years using an innovative process. A pictorial humourist, Hurzlmeier is known for his abstract portraits and bright paintings that bear a resemblance to glossy advertising imagery and are executed with rare mathematical compositional discipline. Behind his seemingly light colourful paintings, he follows an altogether formal discipline in which his canvasses evolve in stages, based on his responses to the picture’s layers and progress. His creative process can sometimes drain him of all his strength as on occasion its almost unbearable for the artist to deal with the tension generated by his efforts to follow a strict process whilst deeply expressing his emotions on canvas. Across several recent series this painter and draughtsman has ensured that each individual figure is presented in a thoroughly distinctive and meticulously planned composition.

策展文章｜三重奏：具象．表象．抽象的現代戲法Hat-Trick 崇真艺客

展覽現場，大未來林舍畫廊，台北

Installation views, Lin & Lin Gallery, Taipei

喬丹．凱西的創作探尋寧靜而神秘的時刻，涉及廣泛性深沉抑鬱的情感。。她筆下巨石般的人物形象獨具特色，在豐富的背景和紋理的襯托下，展現一系列人類的處境和情感，如孤獨、依戀、疏離和妥協。凱西透過自身藝術與個人的成長與發展來塑造形象，她喜歡用紅色、藍色和綠色來將她的人物繪製得比真人還要大，，與星空、水果、海洋等室內或室外強調建築學元素的場景相映襯，畫作呈現和諧的構圖、充滿詩意的色調與肌理，藝術家透過對色彩、構圖和比例的處理，喚起人們對另一個世界的感知。凱西將繪畫視為一種媒介，其創作藉由巨幅畫布上對色彩、光線和空間的嘗試，延伸自己的視覺語言，藝術家將神秘的巨大人物置於紋理千變的建築平面中來體現這種實驗性的表達。儘管凱西的創作尺幅龐大且色彩豐富，她溫柔內斂的個性卻完好地投射在其作品構圖中，讓觀者可以體驗到靜謐沉思的低調親切感。

Jordan Kasey explores quiet and mysterious moments that engage with a broad spectrum of deep melancholic feelings. Her characteristically stone-like, colossal figures are painted in solitary scenes against rich backgrounds and textures that project a range of human situations and emotions like isolation, attachment, detachment and compromise. Kasey comes to figuration through her own artistic and personal evolution and development as she uses her favoured palette of red, blue and green to paint her larger than life figures set against interiors or exteriors like starry skies, fruits, oceans with an emphasis on architectural elements. Kasey’s paintings present harmonious compositions filled with poetic palettes and textures as she plays with colour, composition and scale to evoke a sense of otherworldliness. Kasey’s practice is deeply invested in playing with painting as a medium to broaden her visual language through experimentation with colour, light and space painted on oversized canvasses. Kasey articulates this experimentation through positioning her mysterious monumental characters in building planes of highly varied texture. Even though Kasey’s canvasses are very large and colourful, her gentle introvert personality is beautifully projected in her work through compositions that viewers can experience with quiet contemplative understated intimacy.

策展文章｜三重奏：具象．表象．抽象的現代戲法Hat-Trick 崇真艺客

Veronika Pausova

懷舊星期四 TBT, 2024

油彩．畫布 Oil on canvas, 91.5×76 cm

薇若妮卡．保索娃的小尺寸作品具有精確的視覺語彙，並經常處理存在於現實與感知間的繪畫空間。保索娃將自己的創作方法描述為「數學超現實主義」（mathematical surrealism），在一幅幅的作畫中轉換人物和主題的意義，試圖捕捉不同的情感和情境。保索娃的繪畫彙集了豐富的日常元素，將花朵、身體部位、蝴蝶、器皿、衣物和渲染的水滴融入抽象領域中，每一件物品都經過細節處理，與藝術家對表面的實驗性處理形成鮮明對比，這些處理過程有時具有指示性，但往往令人難以捉摸。在保索娃的畫作中，各種形式作為標誌、符號或文字反復出現，其含義隨著每一個新的脈絡和處境而改變。

Veronika Pausova’s small scale paintings feature a precise visual vocabulary and often engage in a pictorial space that exists between reality and its perception. Pausova describes her approach as “mathematical surrealism” in which she shifts the meaning of her characters and motifs from one painting to the next seeking to capture feelings and situations. Pausova’s paintings bring together a rich tapestry of everyday elements as she carefully positions flowers, body parts, butterflies, utensils, clothing items and individually rendered water drops within fields of abstraction. Each object is rendered with a precise attention to detail contrasting with the artist’s experimental treatment of surfaces, processes that are sometimes referential but often enigmatic. Forms recur across Pausova’s paintings but operate as signs, symbols or words, their meaning altered with each new context and position.

策展文章｜三重奏：具象．表象．抽象的現代戲法Hat-Trick 崇真艺客

展覽現場，大未來林舍畫廊，台北

Installation views, Lin & Lin Gallery, Taipei

霍茲邁爾、凱西和保索娃的繪畫風格極具多樣性，每位藝術家都探索了不同風格的繪畫手法，拓展自己的創作領域。三位藝術家的最新創作以相互對話的方式呈現，他們試圖用大膽的線條、流暢的筆觸和獨特的色調來探討各種永恆和詩意的視覺語言，作品無論是自由揮灑或是具結構性規則，精心計算還是直觀，此次展覽將呈現藝術家創作實踐的相互性。

Hurzlmeier, Kasey and Pausova’s painting styles are clearly diverse as each artist explores a range of stylistic approaches that expand the boundaries of their practice. Recent works by these artists are presented in dialogue with each other as they seek to explore their varied timeless and poetic visual language with bold lines, fluid brushstrokes and a distinctive palette. Whether gestural or structured, meticulously calculated or organic and intuitive, the show aims to draw parallels between their practices.

更多展覽資訊 More information

展覽預告｜三重奏：具象．表象．抽象的現代戲法Hat-Trick

李昂哈德．霍茲邁爾（Leonhard Hurzlmeier）1983年生於德國施塔恩貝格，2004至2011年就讀於慕尼黑美術學院，目前生活和工作在德國慕尼黑。藝術家重要個展包括：【Kissing Shores】，Vigo Gallery，倫敦，2023；【Settenale】，Martina Tauber Fine Art，慕尼黑，2022；【It’s the Analogy, Baby】，Kunz Galerie，慕尼黑，2021；【Told Tales】，Rachel Uffner Gallery，紐約，2019；【All New Women】，Rachel Uffner Gallery，紐約，2017；【13 Portraits】，Galerie Andreas Grimm，慕尼黑，2012。其重要聯展包括：【Cool Mist】，Galerie Knust Kunz，克諾克，2022；【Lost in Paradise】，Martina Tauber Fine Art，慕尼黑，2021；【The Last Unicorn】，Prediger Museum，施瓦本格明德，2020；【Arbeiten auf Papier】，Galerie Britta von Rettberg，慕尼黑，2019；【Revenue de Vacances】，Martina Tauber Fine Art，慕尼黑，2019；【10 Years】，Rachel Uffner Gallery，紐約，2018；【Locus Lapis】，Martina Tauber Fine Arts，慕尼黑／Odeeh，柏林，2018。出版有藝術家作品專集《Neue Frauen》，Hatje Cantz ，2018。

Leonhard Hurzlmeier was born in 1983 in Starnberg, Germany. He lives and works in Munich, Germany. He studied at the Akademie der Bildenden Künste, Munich, from 2004 – 2011. Selected solo exhibitions include: Kissing Shores, Vigo Gallery (2023), London; Settenale, Martina Tauber Fine Art, Munich (2022); It’s the Analogy, Baby, Kunz Galerie, Munich (2021); Told Tales, Rachel Uffner Gallery, New York City (2019); All New Women, Rachel Uffner Gallery, New York City (2017); 13 Portraits, Galerie Andreas Grimm, Munich (2012). Recent group exhibitions include Cool Mist, Galerie Knust Kunz, Knokke (2022); Lost in Paradise, Martina Tauber Fine Art, Munich (2021); The Last Unicorn, Prediger Museum, Schw?bisch Gmünd (2020); Arbeiten auf Papier, Galerie Britta von Rettberg, Munich (2019); Revenue de Vacances, Martina Tauber Fine Arts, Munich (2019); 10 Years, Rachel Uffner Gallery, New York City (2018); Locus Lapis, Martina Tauber Fine Arts; and Odeeh, Berlin (2018). In 2018, Hatje Cantz published Neue Frauen, a monograph of the artists’ work.

喬丹．凱西（Jordan Kasey）1985年生於美國芝加哥，畢業於馬里蘭藝術學院，目前生活和工作在美國紐約布魯克林。其Nicelle Beauchene Gallery個展，紐約，2023／2021／2019／2017；Kaufmann Repetto，米蘭，2021；Loyal Gallery，斯德哥爾摩，2020／2016；膠囊上海，上海，2019；Carl Kostyál，馬爾默，2019；Signal Gallery，布魯克林，2018／2016；Kate MacGarry，倫敦，2018；【Past Skin】，策展人Jocelyn Miller，紐約現代藝術博物館PS1，紐約，2017；White Cube，倫敦，2017；Greenpoint Terminal Gallery，布魯克林，2016；【Human Condition】，策展人John Wolf，Los Angeles Metropolitan Medical Center，洛杉磯，2016；【What’s Up】，策展人Lawrence van Hagen，Revue Gallery，倫敦，2016；【Closer】，Thierry Goldberg Gallery，紐約，2016；【Sun Stroke】，Michael Jon Gallery，邁阿密，2015。藝術家有多項獲獎紀錄與駐村創作邀約，如Cuevas Tilleard 藝術駐村，拉穆島，肯亞，2017；Rema Hort Mann基金會新銳藝術家提名獎，2013；Sondheim Award入圍，2015；繪畫類獨立藝術家獎，馬里蘭州藝術委員會，2010。凱西的作品典藏於義大利Collezione Maramotti藝術館、英國倫敦The Deighton Collection、英國倫敦Zabludowicz Collection。

Jordan Kasey was born in 1985 in Chicago, Illinois, USA. She currently lives and works in Brooklyn, New York. She received her BFA from the Maryland Institute College of Art. Selected exhibitions include: Nicelle Beauchene Gallery solo shows (2023, 2021, 2019, 2017); Kaufmann Repetto, Milan (2021); Loyal Gallery, Stockholm (2020, 2018); Capsule, Shanghai (2019); Carl Kostyál, Malm? (2019); Signal Gallery, Brooklyn (2018, 2016); Kate MacGarry, London (2018); Past Skin, curated by Jocelyn Miller, MoMA PS1, Queens, NY (2017); White Cube, London (2017); and Greenpoint Terminal Gallery, Brooklyn (2016), Human Condition, curated by John Wolf, Los Angeles Metropolitan Medical Center, LA (2016); What’s Up, curated by Lawrence van Hagen, Revue Gallery, London (2016); Closer, Thierry Goldberg Gallery, New York, NY (2016); Sun Stroke, Michael Jon Gallery, Miami, FL (2015) among others. Awards and Residencies: Cuevas Tilleard Artist Residency, Lamu Island, Kenya (2017); Rema Hort Mann Foundation Emerging Artist Grant nominee (2013); Sondheim Award Semi-Finalist (2015); Individual Artist Award in Painting, Maryland State Arts Council (2010) Jordan Kasey’s work can be found in the Collezione Maramotti, Italy, The Deighton Collection, London and the Zabludowicz Collection, London.

薇若妮卡．保索娃（Veronika Pausova）1987年生於捷克布拉格，目前生活和工作在加拿大魁北克蒙特婁。藝術家重要個展及雙人展包括：

Simone Subal Gallery，紐約，2023／2022／2019／2017；Esker Foundation，卡加利，2022；Bradley Ertaskiran，蒙特婁，2021；The Sunday Painter，倫敦，2021；Parisian Laundry，蒙特婁，2018；Hunt Kastner，布拉格，2018；Franz Kaka，多倫多。其重要聯展包括：Bradley Ertaskiran，蒙特婁，2023；Hunt Gallery，多倫多，2022；瀟當代美術館，山東，2022；貝浩登畫廊，巴黎，2022；Public Gallery，倫敦，2022；Santander Art Gallery，馬德里，2020；加拿大國立美術館，渥太華，2017；Flat File at Deli Gallery，紐約，2017。藝術家有多項獲獎紀錄，如Canada Council for the Arts Explore and Create Grant，2018；RBC Painting Prize入圍及榮譽獎，2017。保索娃的作品典藏於加拿大國民銀行、加拿大蒙特婁Claridge、加拿大多倫多Equitable Bank、蒙特婁美術館、美國達拉斯Rachofsky House、加拿大皇家銀行、加拿大豐業銀行、中國瀟當代美術館、英國倫敦Zabludowicz Collection。2023 年，Esker 基金會出版了保索娃的畫冊《Fast Moving Sun》。

Veronika Pausova was born in 1987 in Prague, Czech Republic. She currently lives and works in Montréal, Quebec, Canada. Selected solo and two-person exhibitions include Simone Subal Gallery, New York (2023, 2022, 2019, 2017); Esker Foundation, Calgary, Canada (2022); Bradley Ertaskiran, Montréal, Canada (2021); The Sunday Painter, London, UK (2021); Parisian Laundry, Montréal (2018); Hunt Kastner, Prague (2018); Franz Kaka, Toronto (2018); Tatjana Pieters, Ghent, Belgium (2017); Paramo Galeria, Guadalajara, Mexico (2016); Motel, Brooklyn, New York (2016); and SARDINE, Brooklyn, New York (2015). Selected group shows include Bradley Ertaskiran, Montréal, Canada (2023); Hunt Gallery, Toronto, Canada (2022); Xiao Museum of Contemporary Art, Rizhao, China (2022); Perrotin, Paris, France (2022); Public Gallery, London, UK (2022); Santander Art Gallery, Madrid, Spain (2020); Remai Modern, Saskatoon, Saskatchewan (2019); Oakville Galleries, Oakville, Ontario (2018); Andrehn-Schiptjenko, Stockholm (2018); Peana Projects, Monterrey, Mexico (2017); National Gallery of Canada, Ottawa, Ontario (2017); Flat File at Deli Gallery, New York, NY (2017); University of Georgia, Dodd School of Art, Athens, GA (2017); Motel at Roberta Pelan, Toronto, Canada (2017); White Columns, New York, NY (2017). Pausova has been awarded numerous awards including the Canada Council for the Arts Explore and Create Grant (2018) and the RBC Painting Prize Finalist and Honorable Mention (2017). Veronika Pausova’s work is part of the following public and private collections: Banque Nationale, Canada; Claridge, Montréal, Canada; Equitable Bank, Toronto, Canada; Montréal Museum of Fine Arts, Montréal, Canada; Rachofsky House, Dallas, US; Royal Bank of Canada, Canada; Scotiabank, Canada; Xiao Museum of Contemporary Art, Rizhao, CN; Zabludowicz Collection, London, UK. In 2023, the Esker Foundation published a catalog of Veronika Pausova’s work titled Fast Moving Sun.