CYE × 孙梦珂：春风吹又生 · 下篇
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野草，作为孙梦珂画中一直的主角，它可以来自丛林、花园、山脉、海滩、都市、公园。草的形象取自于世界各个角落，来自于日常生活里很多野外空间的碎片。“草”这一单一的形象，却收纳了多样化的自然环境和人文环境，经过艺术家本人的创作之后，巧夺天工地囊括了当代存在发生的场所和非场所。她将草各种各样的形态展现出来，却又把它从日常机器容易被忽略的角色中解救出来。
Grass, like the world, refuses to be seen in its entirety; as an ‘object’ itself, it has its own subjective state and various emotions, and this subjectivity reflects on the artist himself as well as on the viewer.Grass, as the main character of Sun Mengke's paintings all the time, can come from jungles, gardens, mountains, beaches, cities and parks. The image of grass is taken from all corners of the world, from many fragments of wild space in daily life. She brings out the grass in all its various forms, yet rescues it from the easily overlooked role of the everyday machine.
每个观者，都可以在她苍草茫茫的画面里发现自己世界。但，画中意无穷，又能让人怔怔出神，因为黑白世界所带来的幻想和隐喻，就像现实世界一样永远无法看到全貌，永远都在变化。
Every viewer can find his or her own world in her pictures of the grassy landscape. However, the meaning of the paintings is infinite and can leave one spellbound, because the black and white world brings fantasies and metaphors, just like the real world, which can never be seen in its entirety and is always changing.
草，如世界一样拒绝被人总览，观看的边界无限。而它作为“物”本身也有自己的主观状态和各种情感，而这份主观映照艺术家本人，也映照观者。
Grass, like the world, refuses to be seen in its entirety, and the boundaries of viewing are infinite. As an ‘object’ itself, it also has its own subjective state and various emotions, and this subjectivity reflects the artist himself as well as the viewer.
草，作为画面中唯一的物象表征，游走于具象的概念定义名称的能指和抽象无序的线条的所指之间。它被观看时，会跟观者的视觉和情感之间发生一系列的连锁反应。艺术家很享受艺术生产的过程，享受通过艺术创作实现自我观照和表达的过程，享受对于寻常事物的拆解和重建过程。
Grass, as the only physical representation in the picture, wanders between the energy of the figurative conceptual definition of name and the reference of the abstract and disorderly lines. When it is viewed, a series of chain reactions occur between the viewer's vision and emotion. The artist enjoys the process of artistic production, the process of self-examination and expression through artistic creation, and the process of dismantling and reconstructing ordinary things.
她对于画面中对“草”的探索，就像是一场独自的旅行，这场旅途并不会有刻意明确化的目标，无头无尾。旅途中，使草，这一旅途中平庸的物像，不断催化出新的作用，推动这场艺术活动情节的发展。
Her exploration of ‘grass’ in her paintings is like a solo journey, which does not have a deliberately defined goal and has no beginning or end. During the journey, the grass, a banal object in the journey, continues to catalyse a new role and drive the plot of this artistic activity.
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朋友问我好的艺术作品是什么？我想说是种下种子，在被层层压迫下，无论是身体还是精神，敢于面对自己的种子。
布展现场
生长的形态
Growth patterns
你见过紫色的草吗
Have you ever seen purple grass?
孙梦珂
1997 年生人
工作生活在杭州
浙江省版画家协会会员
2013-2017 年 毕业于中央美术学院附中
2018-2021 年 毕业于中国美术学院版画系
2019 年 结业于 TIAC 具象学院研修班，追随丹尼埃拉·塞拉诺博士学习材料技法
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