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户尔北京 | 詹金·范·齐尔电影「投降 Surrender」介绍 | 北京个展5月24日开幕

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#柏林 #詹金·范·齐尔

户尔北京 | 詹金·范·齐尔电影「投降 Surrender」介绍 | 北京个展5月24日开幕崇真艺客

詹金·范·齐尔

Jenkin van Zyl

开幕 Opening

2024.5.24

16:00

展期 Duration

2024.5.24

—

2024.8.10

地址 Location

户尔空间
北京市朝阳区酒仙桥路2号798艺术区东街D08-3
Hua International D08-3, 798 East Street, 798 Art District, No.2 Jiuxianqiao Road, Chaoyang District, Beijing

户尔空间将在2024年北京画廊周之际，呈现詹金·范·齐尔的首次中国个展「无限生长」。这也将是詹金·范·齐尔的电影作品“Surrender”系列展览项目的最后一站。

At the Beijing Gallery Weekend 2024, Hua International will present Jenkin Van Zyl's first solo exhibition in China, "Limitless Growth". This exhibition will also be the final project from Jenkin Van Zyl's film "Surrender".

投降

Surrender

2023

4K 单通道电影 | 片长 48分46秒

「投降」一片将 20 世纪的 “舞蹈马拉松”与“鼠王” 的隐世传说融为一体，前者是一种艰苦的耐力比赛，参赛者要连续数百小时不停地跳舞，后者则通过奇异的自然现象展示了一种迷幻的风格。影片以一种关注角色扮演和幻想力量加之离经叛道的不敬态度，对被遗弃但又宏大的新自由主义景观进行了狂欢式的探索。二元对立被不稳定、叛逆与多重自我所取代。在银幕之外，主人公与他们的世界作为 “逃亡者”，以雕塑和物品的形式留下了物质遗产，这也是范·齐尔的典型创作风格。

Characteristic of the artist's psychotropic style, the film Surrender melds the 20th-century phenomenon of dance marathons – grueling endurance competitions wherein couples participated in non-stop dancing for hundreds of hours – with the cryptid lore of the “rat king”. Conjured with a queer irreverence attentive to the power of role-play and fantasy, the film undertakes a carnivalesque exploration of abandoned yet grandiose neoliberal landscapes. Binaries are displaced by instability, deviance, and multiple selves. Beyond the screen, the protagonists and their worlds have a material legacy as “escapees”, in the form of sculptures and objects that pervade van Zyl’s oeuvre.

户尔北京 | 詹金·范·齐尔电影「投降 Surrender」介绍 | 北京个展5月24日开幕崇真艺客

在宴会厅内，一部无休止循环播放的影片讲述了天堂工程耐力合作酒店（P.E.E.P.）的访客 GRACE 的经历。GRACE 入住酒店后，开始与其他伴侣一起参加一系列越来越奇怪的比赛，这些比赛探索着身体的局限与极限。在源源不断的 “无限生长 Limitless “牌能量饮料的刺激下， GRACE 已经难以辨别究竟参加比赛的动力是来自永不满足的渴望，还是来自对归属感、遗忘苦闷或单纯对胜利的追求。

Inspired by the transient nature of Japanese love hotels - short-stay fantastical spaces that can be booked by the hour for “rest” - GRACE checks in and begins to compete, along with other paired couples, in a series of increasingly strange tournaments that play with the limitations and expansiveness of the body. Fuelled by an endless stream of ‘Limitless’ branded energy drinks, it’s unclear whether GRACE’s drive to participate emerges from an insatiable yearning, or from a desire for community, oblivion, or victory in the marathon.

户尔北京 | 詹金·范·齐尔电影「投降 Surrender」介绍 | 北京个展5月24日开幕崇真艺客

通过这些作品，艺术家对所谓个体和集体性的观念关系提出了质疑：社群的建设促进了归属感、盟友关系的发展，但新自由主义的框架往往让我们为了基本生存而相互对立。「投降」唤起了一种威胁和焦虑，反映了我们当下的需求与恐惧——我们对生产力和成功的需求与对归属感的渴望相互竞争，代价却是精疲力竭，最终投降。

Through these works, Jenkin questions ideas of individuality and collectivity: community-building fosters belonging, allyship and resistance, but often neoliberal frameworks pit us against each other for basic survival. Surrender evokes a sense of menace and anxiety that reflects the needs and fears of our current moment - our need for productivity and success competes with our desire for community, at the cost of exhaustion and, ultimately, surrender.

「投降 “Surrender” 」

系列展览回顾

2024

逝步之宫

Palace of Wasted Footsteps

户尔空间柏林, 德国

户尔北京 | 詹金·范·齐尔电影「投降 Surrender」介绍 | 北京个展5月24日开幕崇真艺客

2023

投降

Surrender

FACT

利物浦, 英国

户尔北京 | 詹金·范·齐尔电影「投降 Surrender」介绍 | 北京个展5月24日开幕崇真艺客

2023

投降

Surrender

Edel Assanti

伦敦, 英国

户尔北京 | 詹金·范·齐尔电影「投降 Surrender」介绍 | 北京个展5月24日开幕崇真艺客

ABOUT

the Artist

关于艺术家

户尔北京 | 詹金·范·齐尔电影「投降 Surrender」介绍 | 北京个展5月24日开幕崇真艺客

詹金·范·齐尔

Jenkin van Zyl

1993 年出生在英国｜现工作生活于英国伦敦

(b. 1993, UK) lives and works in London

詹金·范·齐尔是一位多领域艺术家，通常以电影为核心，创作引人入胜的叙事性装置。范·齐尔最初的项目是在好莱坞片场废墟上进行游击拍摄制作，围绕着奇幻的反文化社群展开：食尸鬼在飞机上培育蛋糕、乳胶充气娃娃在沙漠要塞中陷入迷雾，以及老鼠在舞蹈马拉松中竞争。

以一种酷儿的不敬之态，关注幻想的权利与政治，范·齐尔的作品进行了对新自由主义景观的狂欢式探索。通过独特的创世界，范·齐尔启动了一场流动空间的地下叛乱：酒店、机场、沙漠、赌场、舞台、片场。台前和幕后、自我和他者、欲望与厌恶的二元对立被不稳定性、熵和多重性所替代，在这里，角色们在创造和破坏间循环往复，试图摆脱个体身份的暴政，走向对崩溃的共同庆祝。除了屏幕之外，这些世界还有一种物质遗产，作为雕塑化的逃避者，通常在重新配置的材料如气动管系统、无限镜和机身中展示。

詹金·范·齐尔于2021年毕业于伦敦皇家美术学院研究生院，并获得金奖。他的作品曾在《Frieze》、《ArtForum》、《卫报》、《Spike》、《Vogue》、《白色评论》、《i-D》、《艺术月刊》等媒体上受到关注，并最近被《Time Out》评为伦敦最优秀的年轻艺术家之一。

范·齐尔最新的个展包括：“逝步之宫”，柏林户尔空间；“投降”，利物浦 FACT 和伦敦 Edel Assanti 画廊；“爱之机器”，格拉斯哥 Tramway；“吞噬”，伦敦 Rose Easton；“舱内压力”，伦敦 Amanda Wilkinson；“遗忘工业”，伦敦 The Horse Hospital。部分群展包括：“Barbe à Papa”、波尔多 CAPC；“Transmediale”，柏林 Kunstraum Kreuzberg；“Kiss my Genders”，伦敦 Hayward 画廊；“The Horror Show!”，伦敦 Somerset House。

Jenkin van Zyl is a multi-disciplinary artist based in London who makes hallucinatory, narrative installations, typically centred on film. With initial projects ignited by guerilla filmmaking on the ruins of Hollywood movie sets, van Zyl’s projects orbit around fantastical countercultural communities: ghouls breeding cakes in aircrafts, latex inflatables hazed in a desert fortress, and rats competing in dance marathons.

Conjured with a queer irreverence, one that is attentive to the power and politics of fantasy, his films perform carnivalesque explorations of abandoned yet grandiose neoliberal landscapes. Through this world-making van Zyl initiate an underworld revolt of transient spaces: the hotel, the airport, the desert, the casino, the stage, the set. Binaries of front and back-stage, self and other, desire and revulsion are displaced by instability, entropy and multiplicity, and here characters cycle through patterns of creative and destructive phenomena, in attempts to move away from the tyranny of individual identity towards a communal celebration of collapse. Beyond the screen these worlds have a material legacy as sculptural escapees, and are often shown within cinemas built from reconfigured materials such as pneumatic tube systems, infinity mirrors and fuselage.

Jenkin van Zyl received a postgraduate diploma from the Royal Academy, London in 2021 and was the recipient of the Gold Medal Prize. His work has been profiled in Frieze, ArtForum, The Guardian, Spike art, Vogue, The White Review, i-D magazine, Art Monthly and was recently named as one of London’s best young artists by Time Out.

Van Zyl’s recent presentations include solo presentations Surrender, FACT, Liverpool, and Edel Assanti, London; Machines of Love, Tramway, Glasgow; Vore, Rose Easton, London; Cabin Pressure, Amanda Wilkinson Gallery, London; Oblivion Industry, The Horse Hospital, London and selected group presentations at Barbe à Papa, CAPC, Bordeaux; Transmediale, Kunstraum Kreuzberg, Berlin; Kiss my Genders, Hayward Gallery, London and The Horror Show!, Somerset House, London.

关于户尔空间

About Hua International

户尔空间（Hua International）是一家位于柏林与北京两地的当代艺术画廊，展览、出版和公共项目致力于跨学科及行为表演的艺术实践。画廊专注于发展与艺术家长期动态的合作关系，以其地理上的两地性为依托，扩展艺术家及其作品在迥异文化背景下的展览和接受。

以 XC.Hua 为名，经历了两年实验艺术策展项目运营积累后，花笑婵于2020年8月正式更名成立了户尔空间（Hua International），并在北京798艺术区、柏林历史悠久的当代艺术中心之一麦卡托庭院分别设立空间。在常驻两地空间之外，户尔空间也在国际知名的艺术博览会展示其艺术家作品。

Hua International is a contemporary art gallery located in Berlin and Beijing whose exhibitions, publications, and public programming supports cross-disciplinary and performative artistic practices. The gallery focuses on developing long-term relationships with its represented artists and leverages its geographic bilocation as a means to critically expand how their work can be presented and received in radically diverse cultural contexts.

After two years curating the experimental art and performance project XC.Hua, Xioachan Hua founded Hua International in August 2020 and inaugurated the new gallery with spaces in Berlin’s historic Mercator H?fe and Beijing’s acclaimed 798 Arts District.