荒野之声Sounds Wild |2024届自由艺术工作室本硕毕业展单元

1 Jun. 2024 – 10 Jun. 2024（Open daliy）

accessible between 9:00 - 17:00

Zhejiang Library (ZhijiangBranch), 

B1 Wenlan Exhibition Hall

欢迎来到荒野，“倾听”告诉我们，声?从未如此丰富。 

《荒野之声》的作者戴维·哈斯凯尔（David Haskell) 提醒我们，我们所?临的不仅是周遭的“环境”危机， 也是我们的感官危机。技术的迅速发展塑造了着我们的日常举止和规范，同时在此影响下的?类?为也正在使未来成为?个感官贫瘠的世界。

我们以此为框架，通过展览呈现不同的讨论与非同质化的实践，不仅有个体经验，也有对于感官知觉的考量，例如：叶御风去到了广西的坠机现场，从当地桉树的视角出发，以跨物种的叙事，重构了?种平行于坠落俯冲式的现代环境灾难；孔媛深?苏州的园林，通过声音作为媒介重新反思人文语境中自然；朱屹?通过藤条与输液管的缠绕，以材料的隐喻和具身的经验， 反思传统父权制下的规训与新?由主义所提倡的个性之间的张力等。

尽管我们时常受到语言和感官的束缚，倾听，让我们开放思维去体会异类的生存之道。

Welcome to the wilderness, where "listening" tells us that sound has never been so rich. 

David Haskell, the author of "Sounds Wild and Broken" reminds us that we are facing not only an environmental crisis but also a sensory crisis. The rapid development of technology has shaped our daily behaviors and norms, and human actions influenced by this are leading the future into a sensory-deprived world. 

Using this as a framework, our exhibition presents various discussions and diverse practices, encompassing individual experiences and considerations of sensory perception. For instance, Ye Yufeng went to the airplane crash site in Guangxi, reconstructing a narrative from the perspective of local eucalyptus trees, creating a cross-species story parallel to the modern environmental disaster of the crash. Kong Yuan delved into the gardens of Suzhou, using sound as a medium to rethink nature in a humanistic context. Zhu Yili explored the tension between the discipline under traditional patriarchy and the individuality advocated by neoliberalism through the intertwining of rattan and intravenous (IV) tubes, using the metaphor of materials and embodied experiences. 

Although we are often constrained by language and senses, listening opens our minds to understanding the ways of life of other species.

网址：http://liquid.dome.me/

剪    辑 | 尉  浩

配    乐 | 刘怡彤 曾筱悦

混    音 | 就这样

海    报｜周   敏

编    辑｜李育婵 

审    核｜蒋竹韵  张辽源