胶囊上海｜2024 Liste 艺术博览会展位30｜展览现场

蔡泽滨（出生于1988年，广东省汕头市）现生活工作于汕头，2012年毕业于广州美术学院油画系。他的绘画中天马行空的场景常常来源于他对艺术家和?学的知识，他重新解读已有的主题和意象，进?审视绘画和艺术创作的过程本身。

主要个展包括："从佩雷尔街到南方哥特"，香港中文大学（深圳）TC101 SPACE，中国深圳（2022）；"Hello, Self-portrait"，L21，西班牙巴利阿里群岛（2021）；"旧地重游佩雷尔街2号"，胶囊上海，中国上海（2020）；"拉瓦尔"，巴黎国际展，法国巴黎（2019）；"防守"，胶囊上海，中国上海 (2018)；"橄榄"，NUOART画廊，中国北京 (2015)。曾参与群展：“贮藏”，麦勒画廊，中国北京（2022）；"Universes 5", The Hole, 美国纽约 (2022)"；春日解药"， 由胶囊上海策划，北京博乐德艺术中心，中国北京（2022）；"Salon de Peinture"，阿尔敏·莱希，美国纽约（2021）；"F#%k U & ur DisNey"，Super Dakota，比利时布鲁塞尔（2021）；12 Artists, Harper's 画廊, 美国纽约 (2020); "隐喻现实"，阿尔敏·莱希，中国上海（2020）；"青年力量"，广东美术馆，中国广州（2020）；"珠江夜游"，广东美术馆，中国广州（2019）；"城市无界"，静安雕塑公园，中国上海（2018）；"门闩：肖像画的隐晦目的"，C龙口空间，中国北京（2017）；"□"，A+亚洲艺术中心，中国台湾台北 （2016）；"腹地计划"，时代美术馆，中国广州 （2015）等。

蔡泽滨的作品也曾多次受到国内外艺术杂志的报道，包括《ArtMaze Magazine》 《Artforum》《艺术界》《艺术碎片》《艺术汇》《亞太藝術雜誌》和Contemporary Art Daily线上平台期刊等。

Cai Zebin (b. 1988) is a visual artist based in Shantou, Guangdong province in Southern China. He graduated from Guangzhou Academy of Fine Arts in 2012. The often whimsical and fantastic scenes in Cai Zebin's paintings draw inspiration from his extensive knowledge of art history and literature, reinterpreting existing motifs and devices to evaluate the process of painting and, ultimately, making art. 

Selected solo includes: Hello, Self-portrait, L21, Islas Baleares, Spain (2021); A Revisit at 2 bis rue Perrel, Capsule Shanghai, Shanghai, China (2020); Laval, Paris Internationale, Paris, France (2019); The Defense, Capsule Shanghai, Shanghai, China (2018); Olive, NUOART Gallery, Beijing, China (2015). He has participated in the following group shows: One and All, National Art Museum of China, Beijing, China (2024); When We Become Us2, curated by Manuela Lietti, Capsule Venice, Venice, Italy (2024); Nomads in the South: Rivers, Tunnels, Dampness and Constellations, Pingshan Art Museum, Shenzhen, China (2023); Universes 5, curated by Sa?a Bogojev, The Hole, New York, USA (2022); A Place for Concealment, curated by Yang Zi, Galerie Urs Meile, Beijing, China (2022); Spring Antidote, curated by Capsule Shanghai, Blanc Art Space, Beijing, China (2022); Salon de Peinture, Almine Rech, New York, USA (2021); F#%k U & ur DisNey, Super Dakota, Brussels, Belgium (2021); 12 Artists, Harper's Gallery, New York, USA (2020); Metaphorical Reality, Almine Rech, Shanghai, China (2020); Exhibition of Young Power, Guangdong Museum of Art, Guangzhou, China (2020); Night Tour of the Pearl River, Guangdong Museum of Art, Guangzhou, China (2019) among others. 

Cai Zebin's work was featured on Artmag, Artforum, Leap, Artshard, Art Frontier, ArtAsiaPacific and Contemporary Art Daily.

陈丽同（1984年出生于香港）的雕塑结合城市残片、历史文物、自然材料、工业制品和日常物件来营造耐人寻味的视觉冲突，令这些物品自由穿行于过去、现在和未来之间，反映她周身环境中香港城市变迁的纤毫。通过对于材料的亲密触碰和对工艺的不断试验，陈丽同对其创作的原材料作出精心的改造，尝试突破它们的物理极限，探寻抽象语言的边界。她的作品映照出人造环境的诗意。艺术家本能的对未知的探索充盈着她对于城市化、建筑、物质文化、手工艺和古董的兴趣。作品中抽象的形式、精巧的细节和出其不意的材料运用召唤观者亲身的体验，并鼓励一种新的观看和感受的方式。

陈丽同2006年从芝加哥艺术学院获艺术学士学位，于2009年从美国罗德岛设计学院获油画系艺术硕士学位。2020年，她荣获第九届宝马艺术之旅奖项。陈丽同的个人项目包括：“斯璃鉲草原”，胶囊上海，上海（2023）；"Antinomies"，Klemm's，柏林（2022）；"凝伫之盘（重现）"，香港巴塞尔艺术展艺术探新板块，由胶囊上海呈现（2021）；"核心样本"，胶囊上海，上海（2019）。曾参与双人展：“Chrysalis Spectre”， Matthew Brown Gallery，美国洛杉矶（2023）； “嬑形陌客”，Para Site，香港（2023）。陈丽同参与的群展项目包括：“悬停”， 胶囊威尼斯，意大利威尼斯（2024，由玛瑙策展）；“山鸣水应”， M+ 博物馆，香港（2024）；“When We Become Us2”， 胶囊威尼斯，意大利威尼斯（2024，由玛瑙策展）；“险境集”，美凯龙艺术中心，中国北京（2024）；“Breathing with the World”， Trieste International Biennale of Contemporary Art, 意大利（2024）；“米罗的诗想日常”，香港艺术馆，香港（2023）；"诗意遗产"，大馆当代美术馆，香港（2021）；"溢流地"，Para Site，香港（2021）；"K?lnSkulptur #10"，Skulpturen Park K?ln，科隆（2020）；"终端 >_How Do We Begin?"， X 美术馆，北京（2020）；"圣青苔"，刺点画廊，香港（2019）；"真新镇日志"，UCCA沙丘美术馆，北戴河（2019）；"Hysteresis"，Downs & Ross，纽约（2019）；"懒音"，Mine Project，香港（2019）；"排演"，大馆当代美术馆，香港（2018）等。陈丽同的作品由龙美术馆（上海）、UBS Art Collection（香港）、M+ 美术馆（香港）、Skulpturen Park K?ln（德国）、摩根大通艺术收藏（香港）和Kadist 艺术基金会（巴黎/旧金山）收入永久馆藏，并受到《Frieze》《艺术论坛》《Mousse Magazine》《亚太艺术杂志》《金融时报》和《Ocula线上平台期刊》等媒体的报道。

Leelee Chan (b. 1984, Hong Kong) makes enigmatic sculptures that incorporate urban debris, ancient artifacts, natural materials, industrial and mundane products, generating visual paradoxes in which these objects move seamlessly between past, present and future. Reflecting the shifting urban fabric in her immediate surroundings in Hong Kong, Chan's sculptures undergo an elaborate transformation through tactile experimentation with materials and processes. The artist pushes the limits of her objects' physicality and expands the possibilities of the language of abstraction. Her sculptures provoke a particular atmosphere and feeling that conjure ambient poetry of the built environment. Chan's visceral exploration of the unknown encapsulates her interest in urbanism, architecture, material culture, craft, and antiquities. Her interplay of abstract forms, intricate details, and unexpected materials calls for a physical experience and encourages a new way of seeing and perceiving.

Chan received her MFA in painting from the Rhode Island School of Design, in 2009, and her BFA from the School of Art Institute of Chicago, in 2006. In 2020, Chan was the recipient of the ninth BMW Art Journey. Her solo exhibitions include: Silica Meadows, Capsule Shanghai, Shanghai (2023), Antinomies, Klemm's, Berlin (2022), Pallet in Repose (Resurfacer), Discoveries, Art Basel Hong Kong (presented by Capsule Shanghai) (2021); and Core Sample, Capsule Shanghai, Shanghai (2019). Her duo exhibitions include Chrysalis Spectre, Matthew Brown Gallery, LA (2024); Strange Strangers, Para Site, Hong Kong (2023). Her selected group exhibitions include Hovering, Capsule Venice, Venice, Italy (2024, curated by Manuela Lietti); Shanshui: Echoes and Signals, M+ Museum, Hong Kong (2024); When We Become Us2, Capsule Venice, Venice, Italy (2024, curated by Manuela Lietti); An Atlas of the Difficult World, Macalline Center of Art, Beijing (2024); Joan Miró – The Poetry of Everyday life, Hong Kong Museum of Art, Hong Kong (2023); Poetic Heritage in Tai Kwun Contemporary, Hong Kong (2021); Liquid Ground in Para Site, Hong Kong (2021); K?lnSkulptur #10 in Skulpturen Park K?ln, Cologne (2020); How Do We Begin: X Museum Triennial 1st Edition in X Museum, Beijing (2020); Holy Mosses in Blindspot Gallery, Hong Kong (2019); Notes from Pallet Town in Ullens Center for Contemporary Arts Dunes, Beidaihe (2019); Hysteresis in Downs & Ross, New York (2019); Scaffolds of Meaning in Mine Project, Hong Kong (2019); Rehearsal in Tai Kwun Contemporary, Hong Kong (2018). Chan's work can be found in the permanent collections of Long Museum, Shanghai; UBS Art Collection, Hong Kong; M+, Hong Kong; Skulpturen Park K?ln, Cologne; J. P. Morgan Chase Art Collection, Hong Kong and Kadist Art Foundation, Paris/San Francisco. Her work has been featured in Frieze, Artforum, Mousse Magazine, Art Asia Pacific, the Financial Times, and Ocula, among others.