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埃莱娜·西苏在《美杜莎的笑声》说：“女性必须书写自己，她必须书写女性，也必须引导女性书写。女性已经被粗暴地驱赶出了书写，就像被驱赶远离了身体一样——出于同样的原因，依据同样的律法，怀着同样的目的。女性一定要通过自己的活动把女性写进文本，写进世界与历史。”对于黄伊婷来说，对于女性的关注和女性相关话题的探讨，是她创作作品时重要的考量。女性视角与思考同样也是她艺术创作时的重要主题，她通过物体去传递着信息与自我意识。在这个对女性无论是身体还是思想都相对局限的社会，她试图将自己作为女性细腻、敏感且自信的情绪灌注进作品中，打破以往的审视态度，将‘传统’的女性概念重新定义。
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Elena Sisu, in Medusa's Laughter, says: ‘Women must write themselves: she must write women, and she must lead women to write. Woman has been as rudely driven out of writing as she has been driven away from the body - for the same reasons, according to the same laws, and with the same purposes. Women must write women into texts, into the world and history through their own activities." For Huang Etting, the concern for women and the exploration of women-related topics are important considerations when she creates her works. Women's perspectives and thoughts are also important themes in her artwork, and she conveys messages and self-awareness through objects. In a society where women are relatively limited in both body and mind, she tries to infuse her delicate, sensitive and confident emotions as a woman into her works, breaking the previous attitude of scrutiny and redefining the ‘traditional’ concept of women.黄伊婷《苹果》200x200cm布面油画
Huang Yiting ‘Apple’ 200x200cm Oil on canvas
黄伊婷《苹果-细节》200x200cm布面油画
Huang Yiting ‘Apple-Detail’ 200x200cm Oil on canvas她说：“我的创作灵感源于对家庭内女性角色的深刻洞察，特别是受到我母亲亲身经历的影响。身为三个孩子的母亲，她自从我们出生后便全身心投入家庭，扮演了传统意义上的家庭主妇角色。在我的视角看来，母亲似乎被家庭、婚姻和育儿这三重无形的枷锁紧紧束缚，个人意识和自我价值在很大程度上被埋没。在我的画作中，头纱象征着婚姻这一仪式，同时也寓示着它如何像一道束缚住女性自由的边界，从而联想到社会文化对女性设定的各种规范与局限。女性的身体及其行为，在广泛的社会与文化语境下，时常遭受压制与制约，这种压力往往导致女性承受痛苦和焦虑。这一系列社会问题的存在并非孤立现象，而是长期历史积淀下的普遍议题。尽管如此，它们绝不是女性应当默默忍受或妥协的对象。通过我的艺术作品，我力求传达出一种力量感，激发观者对女性境遇的关注、尊重与支持，从而促进社会对女性身体自主权与性别平等等议题进行深度反思和积极改变。”?
She says, ‘I was inspired by a deep insight into the role of women within the family, and in particular by my mother's personal experience. As a mother of three, she has devoted herself to the family since we were born, playing the role of a housewife in the traditional sense. From my point of view, mothers seem to be bound by the triple invisible chains of family, marriage and childcare, and their personal consciousness and self-worth are largely buried. In my paintings, the veil symbolises the rite of passage of marriage, but it also signifies how it acts as a boundary that restricts women's freedom, thus evoking the norms and limitations that society and culture place on women. Women's bodies and their behaviours are often subjected to repression and constraints in a wide range of social and cultural contexts, and this pressure often leads to pain and anxiety for women. These social problems are not isolated phenomena, but rather universal issues that have been built up over time. Nevertheless, they are by no means objects that women should tolerate or compromise in silence. Through my artworks, I seek to convey a sense of power that inspires the viewer to pay attention to, respect and support women's situation, thereby promoting deep reflection and positive change in society on issues such as women's bodily autonomy and gender equality."
黄伊婷《苹果》90x120cm布面油画
Huang Yiting ‘Apple’ 90x120cm Oil on canvas《苹果》系列创作中，苹果的表皮纹理被赋予了象征意义，它映射出女性在生育后肌肤上留下的妊娠纹，这些印记无声诉说着母性的付出与坚韧。我特意选取了一部分“剖开”的苹果内部结构来比拟女性的生殖系统，通过这种具象化的手法，让观者对女性内在生命力产生共鸣。作品采用更为丰富且饱含深情的色彩去细腻描绘和歌颂女性身体的变化，旨在正面肯定女性在繁衍后代过程中所做出的巨大贡献与牺牲。画面中的苹果并非完美无瑕，而是以“熟透甚至腐烂”（寓意岁月流逝与衰老）的部分作为焦点，其内部呈现出如同宇宙星辰般的微观世界，不断地孕育着新的生命力量。
In the series ‘Apple’, the texture of the skin of the apple is given a symbolic meaning, which maps the stretch marks left on a woman's skin after giving birth, which silently speak of motherhood's dedication and resilience. I have chosen to use a portion of the internal structure of the ‘cut open’ apple as an analogy for the female reproductive system, and through this figurative approach, the viewer will be able to empathise with the inner life force of women. The work uses richer and more emotive colours to depict and celebrate the changes in the female body, aiming to positively acknowledge the great contributions and sacrifices made by women in the process of reproducing their offspring. The apple in the image is not perfect, but rather focuses on the ‘ripe or even rotten’ part (suggesting the passage of time and aging), which reveals a microcosmic world like the universe of stars, constantly nurturing the power of new life.
黄伊婷《苹果-细节》90x120cm布面油画
Huang Yiting ‘Apple-Detail’ 90x120cm Oil on canvas尽管生育过程和岁月流转会在女性身体上留下不可逆转的痕迹，但这并不是衰败或缺陷的体现，相反，它是另一种形态的美，是对生命的崇敬与新生循环的永恒赞歌。通过这样的艺术化呈现，我希望打破社会对女性身体及年龄偏见的认知，倡导更加尊重并欣赏女性因生育而展现出的独特魅力与价值。Although the process of childbearing and the passage of time will leave irreversible traces on women's bodies, it is not a reflection of decay or defects; on the contrary, it is another form of beauty, an eternal hymn of reverence for life and the cycle of renewal. Through this artistic presentation, I hope to break down society's prejudice against women's bodies and age, and advocate greater respect and appreciation for the unique charm and value of women's fertility.
黄伊婷《飞地乐园》 90x150cm布面油画
Huang Yiting ‘Enclave Paradise’ 90x150cm Oil on canvas
黄伊婷在近期的作品中，通过融合亲自养育及关注的动植物，创造了一系列虚幻生物形象，以此构建一个乌托邦幻想世界。这些作品深刻体现了平等和尊重的原则，利用超现实手法将现实中的动植物转化为梦境般的角色，搭建起现实与超现实的沟通桥梁。她的艺术愿景旨在探索与传达对现实世界中不平等现象的反思，以及对生命和谐共存价值观的推崇，鼓励观者在沉浸于理想化场景的同时，思考和重视生态保护与生命尊严的重要性。
In her recent works, Eva Wong has created a series of imaginary creature images by incorporating plants and animals that she has personally raised and cared for, in order to construct a utopian fantasy world. These works profoundly embody the principles of equality and respect, utilising surreal techniques to transform real flora and fauna into dream-like characters, building a bridge between the real and the surreal. Her artistic vision aims to explore and convey a reflection on the inequality in the real world and the value of harmonious coexistence of life, encouraging the viewer to contemplate and value the importance of ecological protection and the dignity of life while immersing themselves in an idealised scenario.
黄伊婷《霉菌》100x100cm 布面油画
Huang Yiting ‘Mould’ 100x100cm Oil on canvas黄伊婷《霉菌》细节 100x100cm 布面油画
Huang Yiting ‘Mould’ detail 100x100cm Oil on canvas
她说：“随着创作历程的推进，我决定重新审视并提炼之前作品中的某些潜在概念。我选取了那些蕴含着深远意义且具有进一步探索价值的场景与虚化生物元素，并对它们进行了放大与精炼处理。”
She says, ‘As the creative journey progressed, I decided to revisit and refine certain underlying concepts from previous works. I have selected scenes and vignetted creature elements that hold deep meaning and are worthy of further exploration, and have amplified and refined them."
黄伊婷《盒子》150x135cm 布面油画????
Huang Yiting ‘Box’ 150x135cm Oil on canvas最终，这些元素演变为了以场景为视觉主导的一系列全新创作。这一系列作品不仅延续了艺术家本人对自然和谐理念的坚持，而且更加鲜明地表达了对所有生命形态应给予平等尊重的社会诉求，从而引发观者对于现实社会中生态伦理与生命尊严问题的关注与思考。????????
In the end, these elements evolved into a series of new creations that are visually dominated by scenes. This series of works not only continues the artist's insistence on the concept of harmony with nature, but also expresses more clearly the social demand that all forms of life should be treated with equal respect, thus triggering the viewer's attention to and reflection on the issues of ecological ethics and the dignity of life in the real society.
黄伊婷《蝴蝶兰》100x100cm 布面油画
Huang Yiting ‘Butterfly Orchid’ 100x100cm Oil on canvas
黄伊婷《蝴蝶兰》细节 100x100cm 布面油画
Huang Yiting ‘Untitled’ 28×20cm Colour Pencil Acrylic on Paper
她说：“对于我的作品，我很希望观众完全可以自由解读，在之前的毕业创作展览时我也经常假装自己是观众，在其他观众讨论与解读时在旁边偷偷的听，每个人都有自己解读的角度，非常有意思，这反而可以为我的创作提供灵感与新的角度。所以我非常赞同观众自由解读我的作品。”
She said, ‘For my works, I very much hope that the audience can interpret them freely. During my previous graduation exhibitions, I often pretended to be an audience member and secretly listened to the discussions and interpretations of the other audience members, and it was very interesting to see that everyone had their own interpretations, which, on the contrary, could provide me with inspirations and new perspectives for my creation. So I am very much in favour of free interpretation of my works by the audience."
黄伊婷《漩涡》120x107cm 木板油画
Huang Yiting ‘Vortex ’ 120x107cm Oil on board黄伊婷《漩涡》细节 120x107cm 木板油画
Huang Yiting ‘Vortex - Details’ 120x107cm Oil on board
黄伊婷《乐乐》30x42cm 木板油画
Huang Yiting ‘Lele’ 30x42cm Oil on board作为一位女性创作者，她时刻在作品中扮演着观察者、探索者和变革者的角色，专注于女性议题，用画笔挑战社会性别枷锁，颂扬女性强韧。她力图革新观念，使观众重新评价女性的社会角色，奋力促进性别平等。身为跨界沟通者，她利用艺术跨越界限，促进全球理解和共鸣，弘扬生命尊重、环保意识及个人独特性，推动社会的多元化认知。她的艺术实践是一场与现实的深度对话，在提升对女性身份的认识同时，希望也能激发人们勇于表达，积极参与社会公正的追求。As a female creator, she has always played the role of an observer, explorer and change agent in her works, focusing on women's issues, challenging the gender shackles of society with her paintbrushes, and celebrating women's resilience. She seeks to revolutionise perceptions and make viewers re-evaluate the role of women in society, working to promote gender equality. As a cross-border communicator, she uses art to cross boundaries, promote global understanding and empathy, and promote respect for life, environmental awareness and individual uniqueness, as well as the recognition of diversity in society. Her art practice is an in-depth dialogue with reality, and while raising awareness of women's identity, she hopes to inspire people to express themselves and actively participate in the pursuit of social justice.
黄伊婷《生命的诞生》120x120cm 布面油画
Huang Yiting ‘Birth of Life’ 120x120cm Oil on canvas
Q：能分享一下你在《飞地乐园》（作品）创作过程中的思考吗？A：体制化及学术性的正来源于学院教育，对于构建扎实艺术根基是非常重要的。它为我提供了系统性学习绘画技艺与理论知识的平台。学院课程严谨，涵盖了从基础技能到高级美学理念的教学，这种体制化与学术性的特质，既是其教育模式的本质特征，也是确保学生获得全面艺术素养的必要手段。在艺术史上，无论是古典大师们通过学院传承下来的透视法、人体解剖学等基础知识，还是现代艺术教育中对形式语言、色彩理论、艺术思潮的深入探讨，都表明体制化及学术性的创作训练对于艺术家成长的深远影响。对我个人的艺术实践而言，学院教育不仅是掌握绘画技巧的关键途径，更是让我不断磨砺手头功夫以及锤炼视觉表达力。通过大量基础练习，我会更加细致入微地观察自然与生活，将这些观察转化描绘在画布上。这种训练过程让我不仅能以我的视角去再现客观世界，更能借此传达个人的情感体验与哲学思考，也是为现在和未来的艺术创作奠定基础。
A：我的灵感来源于我的亲人、宠物、植物，就是我爱的以及我感兴趣的自然风景或生物，我会通过想象把他们转化成自己的语言画在画布上。Q：你的创作是否有一个明确的演变过程？或者，是否有始终如一的主题？
A：是的，我的主题一直围绕着女性及自然生物展开，最大的“主题”就是：自由。
Q：你如何确定自己的绘画对象？
A：我无法确定我的绘画对象，我只是在当下发现我最喜欢的人或生物，谁让我最有描述“冲动”我就会以此为主体物。
A：《梦的解析》西格蒙德?弗洛伊德、《现代艺术150年》威尔?贡培兹、《美的沉思》蒋勋、《重屏》巫鸿、《梵高手稿》H?安娜?苏。
在露营地。
在机场摆渡车拍的登机。?
Boarding shot at the airport ferry.
跟家人爬山遇到的小寺庙，抓拍到的他们养的鸽子。
A small temple I came across while hiking with my family and captured the pigeons they keep.Sunset taken from the balcony.
2001年出生
2019年毕业于深圳大学附属中学
2023年本科毕业于中央美术学院油画系第三工作室
展览
2024 年“三重奏·生命之力” AWAKE画廊 深圳/2023年 中央美术学院毕业展 中央美术学院美术馆 北京；“央美潮蔚然生长” 信尚美术馆 山东；“引力派对 -游城油记” 克拉玛依市美术馆 新疆；她的路: 流动的山脉” 韩涛美术馆 山东；“视角与对话” 上方美术馆 北京；“点食成津” 梯艺术THEIART 武汉；广州当代艺术博览会 广州天河未来社 广州
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9:00 - 17:00（周一闭馆）
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