

衔接在边际之间
——亚洲艺术家群展
主策展人
Curator
冯博一 Feng Boyi
策展人
Curator
陆向怡 Fiona Lu,米开拉·塞纳 Michela Sena
艺术家 Artist
罗比·迪·安东诺Roby Dwi Antono(印尼)
全光荣Chun Kwang-Young(韩国)
赫利·多诺Heri Dono(印尼)
江上越Etsu Egami(日本)
贡坎Gongkan(泰国)
古巴塔Shatrudhan K. Gupta(印度)
黄永砅Huang Yongping
皆藤斋Kaito Itsuki(日本)
张可儿Jang Koal(韩国)
萨卡琳·克鲁昂Sakarin Krue-On(泰国)
冷广敏Leng Guangmin
刘悠然Liu Youran
刘雨佳Liu Yujia
奇蒂·纳罗德Kitti Narod(泰国)
吴晶玉Jade Ching-yuk Ng(中国香港)
冈本信治郎Shinjiro Okamoto(日本)
秦琦Qin Qi
汉迪威曼·苏普塔拉Handiwirman Saputra(印尼)
尚扬Shang Yang
沈远Shen Yuan
孙原&彭禹Sun Yuan & Peng Yu
罗德尔·塔帕雅Rodel Tapaya (菲律宾)
里克力·提拉瓦尼Rirkrit Tiravanija(泰国)
罗纳德·文图拉Ronald Ventura(菲律宾)
王茜瑶 Xiyao Wang
恩唐·维哈尔索Entang Wiharso(印尼)
禹国元Woo Kukwon(韩国)
伍伟Wu Wei
杨伯都Yang Bodu
尤尼扎尔Yunizar(印尼)
章燕紫Zhang Yanzi
赵赵Zhao Zhao
展期
Duration
2024 6.6 - 8.31
地址
Address
北京市朝阳区骏豪中央公园广场A2座三层
3/F, Block A2, Junhao Central Park Plaza, Chaoyang District,Beijing, China
元美术馆当前展览,“衔接在边际之间——亚洲艺术家群展”,由冯博一担纲主策展人,由陆向怡 、米开拉·塞纳担任策展人。呈现七个国家、32位艺术家具有代表性的作品,希望促使观众在展览中去思考和体验多维的形式和场域,感受当代艺术在亚洲不断衍生的边界,以及丰富而多样的亚洲当代艺术风貌。
策展人语
冯博一、陆向怡 、米开拉·塞纳 (Michela Sena)
亚洲不仅是地理区域的概念,也是一个地缘政治的实体。尤其在当今世界版图和时代秩序不断变动的过程中,亚洲面临着许多共同的问题和诉求。而在文化艺术领域内,亚洲又是一个复杂多元的文化空间,具有不同的文化传统和特殊的现代性处境,蕴含着各自截然不同的途径共域。事实上,一种大众文化为先导的新的亚洲意识业已形成。这种共域和意识既是在全球化的结构中适应本土性的要求,也是“全球本土化”的多维显现。因此,加强亚洲艺术家的相互交流,摆脱欧洲中心主义以及变异的艺术话语霸权,确立亚洲文化认同,不仅具有紧迫的现实意义,而且还是一种可实施的有效策略。

元美术馆展览现场
这次以“衔接在边际之间——亚洲艺术家群展”的方式,并在北京元美术馆展开直接的对话与交融,尽管是一次聚合地呈现和片段的链接,却从一个个切片的侧面,转向审视亚洲自身的历史与现实的叙事,发现和挖掘亚洲当代艺术潜能,凝聚亚洲艺术的活力,形成亚洲艺术生态多元和差异的艺术特征。在这种背景下,当代艺术的前提是对同时发展的亚洲地域艺术场景的把握,也试图在西方和世界其他地区之外创造新的地缘政治体系和关联。作为“衔接在边际之间”的不断变迁、生成的交流话语,意味着在亚洲边界、边际之间,甚至之外,衔接亚洲艺术网络,打破以西方艺术系统为主的支配模式和逻辑,在符合亚洲的精神和风土前提下,保持内部多样性的前提下,消弭固有的边界,重新建构亚洲文化地域概念,寻求突破与合作可能性,从而想象和建构亚洲未来的文化共同体。

元美术馆展览现场
因此,这个展览项目既强调个体叙事及其交集的重要性,同时也将亚洲不同地方的线索编织成各种不同的普遍性模式,甚至是在没有对立面的情况下建构亚洲的独立存在,并通过多元叙事将“亚洲”和“亚洲性”成为多重现代性的场所。其目的不仅是求同存异,而是在尊重各自文化差异性与独特性前提下,各自以自己的方式获得充分的发展,也就成为“寻找亚洲”,抑或跨越亚洲地理和文化藩篱的一次有益尝试与实践。
我们希望通过这次展览,进一步探讨亚洲作为一个概念和时空所具有的更广泛意义,促使观众在展览中去思考和体验多维的形式和场域,感受当代艺术在亚洲不断衍生的边界,以及丰富而多样的亚洲当代艺术风貌。
黄永砅,《龙舟》,2022,综合材料,H500x1800x350cm
Asia extends beyond mere geographical boundaries, emerging as a distinct geopolitical entity. Amidst the ever-shifting global landscape and evolving world order, Asia confronts a multitude of shared challenges and aspirations. Within the realm of culture and art, Asia unveils a captivating tapestry. Diverse cultural traditions and unique contemporary realities coexist, each charting its own path towards a sense of pan-Asian identity. Popular culture has ushered in the rise of a new Asian consciousness. This shared awareness adapts to local contexts within the framework of globalization, exemplifying the multifaceted phenomenon of "glocalization." Consequently, fostering exchange among Asian artists is not just a practical necessity but a powerful strategy. By breaking free from Eurocentrism and the dominance of Western artistic discourse, Asia can solidify its unique cultural identity.

冈本信治郎,《滚动的樱花》,1993,丙烯、塑料球,197 x 333.3 cm
The exhibition "Bridging the Boundaries - Asian Artists Group Exhibition," held at Beijing Yuan Art Museum, serves as a platform for direct dialogue and exchange among Asian artists. While presented as an assemblage of fragments, it invites a deeper examination of Asia's own historical and contemporary narratives, revealing the untapped potential of Asian contemporary art, energizing its vitality, and showcasing the diverse and distinctive artistic characteristics of Asia's art ecosystem. In this context, contemporary art hinges on understanding the simultaneously evolving artistic landscape of Asia, seeking to establish new geopolitical frameworks and connections beyond the West and other regions of the world. As a dynamic and evolving discourse of exchange to "Bridge the Boundaries," the exhibition aims to connect Asian art networks across and even beyond its borders, breaking free from the dominant patterns and logic of Western-centric art systems. By adhering to the spirit and ethos of Asia while preserving its internal diversity, it seeks to dissolve entrenched boundaries, reconstruct the concept of Asian cultural regions, and explore possibilities for breakthrough and collaboration, ultimately envisioning and constructing a future cultural community for Asia.

元美术馆展览现场
This exhibition project masterfully navigates the relationship between individual narratives and their interconnectedness. It weaves a rich tapestry, drawing threads from diverse corners of Asia to reveal shared experiences and underlying patterns. This approach transcends simple comparisons and constructs a distinct sense of "Asianness" – not as a singular identity, but as a vibrant space for multiple modernities to coexist. The goal isn't merely to find common ground while accepting differences. It's about fostering profound respect for the cultural diversity and unique voices that define Asia. Each region is empowered to flourish on its own terms, contributing to a collective exploration that seeks to "find Asia" – or rather, to redefine it by transcending the limitations of geography and established cultural boundaries. This exhibition becomes a valuable experiment in this ongoing pursuit.Through this exhibition, we embark on a journey to delve into the broader significance of Asia as a concept and a spatiotemporal realm.
We invite our audience to engage in a thought-provoking exploration, immersing themselves in the diverse forms and spaces that unfold within the exhibition's walls. This immersive experience allows visitors to grasp the ever-evolving boundaries of contemporary art in Asia, while simultaneously appreciating the rich and multifaceted landscape of Asian artistic expression.
关于
策展人
About
Curator

冯博一
Feng Boyi
冯博一,男性,生于60年代北京。汉族;群众面目;历史本科;已婚;B血;鼠相;天秤座,上升为处女。从80年代末至今,擅长策展、评论、编辑工作。

陆向怡
Lu Xiangyi
陆向怡,策展人,当代唐人艺术中心展览部总监。策展工作围绕艺术家群体代际研究、艺术行业机制研究等方向,尤其关注于全球新兴艺术现象。近几年策划众多艺术家个展及群展项目,曾入围上海当代艺术博物馆“青策计划”。

米开拉·塞纳
Michela Sena
米开拉?塞纳(Michela Sena)是罗马及曼谷的策展人和艺术评论人。她的研究方向涉及全球语境下当代前沿实验性艺术以及不同地域艺术家之间的对话。曾任北京普里莫马雷拉展览和曼谷当代唐人艺术中心展览总监。近年她策划了大量的展览,提出了艺术研究的有效参照,并专注于对中国和东南亚当代艺术的探索与研究。
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元美术馆是由北京建龙集团及骏豪集团发起的非营利性美术馆,位于北京市朝阳区骏豪中央公园广场。
“一元复始,万象更新”,元美术馆从“元”开始,在混凝土构筑的山水建筑内开辟出独特的艺术场域,意在引领耽于都市生活的观众回归心灵本源,提供审美、沉思与交流的空间。
元美术馆坚持以具有国际视野的价值判断来审视当下的种种艺术现象,在研究梳理工作的基础上为公众呈现多元化的当代艺术展览,以此推动中国当代艺术的话语生产。同时,元美术馆也将深度连结本土艺术家,关注年轻一代艺术家的创作与发声,支持新兴的艺术思潮与前卫实践,与艺术家及公众一起探索当代艺术的边界。
周二 Tue. - 周日 Sun.
10am - 6pm
| 周一闭馆 |
北京市朝阳区骏豪中央公园广场A2座三层 3/F, Block A2, Junhao Central Park Plaza, Chaoyang District, Beijing, China
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