户尔北京 | 莱亚·冯·温琴格罗德「我们的眼睛有如峡谷 Our Eyes Felt Like Canyons」| 9月20日开幕

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#北京#莱亚·冯·温琴格罗德#当代艺术

我们的眼睛有如峡谷

Our Eyes Felt Like Canyons

莱亚·冯·温琴格罗德

开幕 Opening

2024.9.20

17:00

地址 Location

户尔空间

北京市朝阳区酒仙桥路2号798艺术区东街D08-3

Hua International D08-3, 798 East Street, 798 Art District, No.2 Jiuxianqiao Road, Chaoyang District, Beijing

“我想创造一种感知，在观看者和作品之间逐渐且持续地展开，建立起一种对话，基于时间、空间以及周围环境及其社会条件的影响，经由双方不断的协商与再协商。”

—— 莱亚·冯·温琴格罗德

"Iwant to create a kind of awareness between the viewer and the work that slowlyand continuously unfolds and establishes a dialogue that can seem like aconstant (re-)negotiation between both, due to time, location/space and surrounding-and its social) conditions. "

—— Leavon Wintzingerode

户尔空间荣幸呈现德国艺术家莱亚·冯·温琴格罗德（Lea von Wintzingerode, b.1990）在中国的首次个展，“我们的眼睛有如峡谷”。展览将展出她最新的绘画和声音装置，视觉与听觉的感知（awareness），将在此相互联通；在觉知的通感中，人的内在和社会与自然的外在将互相交织，平衡相视，影响彼此。

Hua International is honored topresent the first solo exhibition of German artist Lea von Wintzingerode (b.1990) in China, titled "Our Eyes Felt Like Canyons". The exhibition willfeature her latest paintings and sound installations, where visual and auditoryawareness will connect; in this synesthetic experience, the internal world ofhumans and the external social and natural environments will intertwine, reflectingand influencing each other.

莱亚·冯·温琴格罗德 Lea von Wintzingerode

piero della francesca at my age(sinte / floor of the forest / carla), 2024

布面油画 Oil on canvas

“我们的眼睛有如峡谷”围绕着空间中心的展览同名声音装置展开，并由四周的绘画环绕而成，这宣示着艺术家冯·温琴格罗德最为重要的两个身份：声音艺术家与画家。场域特定的声音装置融合了合成音与采集音，有电子声与自然声，互相碰撞，弥漫周遭。四周的绘画，不乏音乐现场的描绘（尤其《my deep listening fantasy I, red》），画中人与观众一道，共为展览的亲历者——在这里，我们的耳朵是他们的耳朵，我们的眼睛成为了他们的眼睛，媒介的跨越性实现了声音与视觉感知的互通。

"Our Eyes Felt Like Canyons" centers around a sound installation bearing the same name as the exhibition,surrounded by paintings, declaring two of von Wintzingerode's most important identities: soundartist and painter. The site-specific sound installation blends synthesized andfield-recorded sounds, juxtaposing electronic and natural sounds that permeatethe surrounding space. The paintings, some depicting live music scenes(especially "my deep listening fantasy I, red"), place the viewers alongsidethe figures in the artworks as participants of the exhibition. Here, our earsbecome their ears, and our eyes become their eyes. The crossing of mediumsbridges auditory and visual awareness.

莱亚·冯·温琴格罗德 Lea von Wintzingerode

my deep listening fantasy I(red), 2024

布面油画 Oil on canvas

事实上，“画家”与“声音艺术家”的单一标签，绝无法代表“艺术家”冯·温琴格罗德。冯·温琴格罗德在磨炼其媒介技艺之时，以独特的个人特质和思想关怀，将它们囊括为整体的创作路径。之于绘画，她有着自己独特的语言，如快涂的笔触，流动的颜料，剥离的痕迹；之于声音，她从爵士乐到电子乐，从作曲到即兴，均有广泛涉猎与借鉴；整体而言作为艺术家，她以个体的感知与思考，统领着这些媒介，而非落脚于任何技术性的沉迷。展览“我们的眼睛有如峡谷”是一次视听的体验，在此，艺术家企图将视觉与听觉的知觉，提升为一种社会觉知与社会意识，并试图唤起跨越文化的共通经验。

In fact, the labels"painter" and "sound artist" alone cannot encapsulate Leavon Wintzingerode as an artist. While honing her technical skills acrossmediums, she incorporates them into a unified creative path through herpersonal qualities and intellectual concerns. As a painter, she has developed aunique language, using swift brushstrokes, flowing paint, and peeled-awaytextures. As a sound artist, she draws from jazz to electronic music, fromcomposition to improvisation. Overall, as an artist, she guides these mediumswith her individual perception and thought, rather than being consumed by anyparticular technique. The exhibition "Our Eyes Felt Like Canyons" offersa sensory experience, where the artist seeks to elevate visual and auditoryperception into a form of social awareness, attempting to evoke a sharedexperience that transcends cultural boundaries.

莱亚·冯·温琴格罗德 Lea von Wintzingerode

my deep listening fantasy II(blue), 2024

布面油画 Oil on canvas

关于艺术家

Born in Bayreuth in 1990 | Lives and works in Berlin

奖项：2020 年巴伐利亚美术奖（Bayerischer Kunstf?rderpreis fu?r Bildende Ku?nste），2014 年至2015 年Marianne-Defet-Malerei-Stipendium，Marianne und HansfriedrichDefet Stiftung。

展览（精选）：

“notes on radical love”，奥登伯格艺术协会，德国（个展）（2022 年）；“Bavarian Award for the Advancement of the Arts 2020”，BBK，慕尼黑，德国（群展）（2021 年）；“Laetitia”，Jacky Strenz 画廊，法兰克福/ 梅因，德国（个展）（2020 年）；“City Prince/sses”（与Hugo Vitrani 和Chris Sharp 合作），东京宫，巴黎，法国（群展）（2019 年）；“The Contract”，Lulu Annex（与Chris Sharp 合作），墨西哥城，墨西哥（个展）（2019年）；“The Shelter Hidden in the Eyes”，行为表演，Deichtorhallen，摄影之家，汉堡，德国（2018 年）；“Exhibition Paintings”，Kunst Meran，意大利（群展）（2017 年）；“Independence Day II”，（与Oriane Durand 和 Line Ebert 合作），SII，Sommer Gallery，特拉维夫，以色列（群展）（2017年）；“Marianne Defet Malerei Stipendium”，Kunsthalle Nu?rnberg，纽伦堡，德国（群展）（2016 年）；“Young Team”，Kunstverein Nu?rnberg – Albrecht Du?rer Gesellschaft，纽伦堡，德国（个展）（2015 年）。

Lea von Wintzingerode studied at the Academy of Fine Arts, Vienna and the University of Fine Arts, Hamburg. In 2016 she graduated with a Master of Fine Arts degree under Prof. Jutta Koether.

Exhibitions (selection):

notes on radical love, Oldenburger Kunstverein, DE (Solo) (2022); Bavarian Award for the Advancement of the Arts 2020, BBK, Munich, DE (Group) (2021); Laetitia, Jacky Strenz, Frankfurt/Main, DE (Solo) (2020); City Prince/sses (c: Hugo Vitrani and Chris Sharp), Palais de Tokyo, Paris, FR (Group) (2019); The Contract, Lulu Annex (c: Chris Sharp), Mexico City, MX (Solo (2019); 

The Shelter Hidden in the Eyes, Performance, Deichtorhallen, Haus der Photographie, Hamburg, DE (2018); Exhibition Paintings, Kunst Meran, IT (Group) (2017); Independence Day II, (c: Oriane Durand and Line Ebert), SII, Sommer Gallery, Tel Aviv, IL (Group) (2017); Marianne Defet Malerei Stipendium, Kunsthalle Nu?rnberg, Nu?rnberg, DE (Group) (2016); Young Team, Kunstverein Nu?rnberg – Albrecht Du?rer Gesellschaft, Nu?rnberg, DE (Solo) (2015).