艺术家动态｜娜布其参展巴黎蓬皮杜艺术中心群展“目China”

娜布其 Nabuqi 

持疑的场所 (包围和放射的形状) 

The doubtful site (engulfing and radiating shapes)，2018

铝 树脂 沙子 aluminum resin sand

350 x 350 x 40 cm

目 China. A new generation of artist

目：中国新一代的艺术家们

艺术家娜布其作品参展巴黎蓬皮杜艺术中心（Centre Pompidou）群展“目China: A new generation of artists（目：中国新一代的艺术家们）”，其中娜布其作品《持疑的场所 (包围和放射的形状)》加入蓬皮杜中心永久收藏。

展览以汉字“目”为主题，中法联合策展团队精选作品，展出包括影像、绘画、雕塑、装置、摄影和新媒体在内的一系列近期创作，呈现多样性的同时，也聚焦于艺术家创作实践中的一些核心主题，深入探讨中国与他国的互动关系、对全球化的反思、全球性挑战的应对例如环境危机。

艺术家们同样关注中国社会最新的发展动态，尤其是在日益扩张的城市化进程中，人们生活方式的逐渐转变和活动监管模式的转变。丰富的传统文化和美学遗产为艺术家的创作提供了框架，并致力于将其安置在当代的语境下再度审视与更新。展览中，新媒体艺术占据了较大篇幅，在中国这样经济与社会高速发展、大规模且密集数字化进程的环境中，新媒体艺术的发展尤为活跃。

持疑的场所 (包围和放射的形状) 局部

The doubtful site (engulfing and radiating shapes) section，2018

铝 树脂 沙子 aluminum resin sand

350 x 350 x 40 cm

Continuing from the “rhizomatous” forms of free-standing objects such as A View Beyond Space (2015) and the notion of seeing the unseen in Memories, But not from the past (2015) presented in the artist’s first solo exhibition ‘Parallel’, through which the artist explores the dichotomous notions of center/periphery, accessible/inaccessible, fragmentary/unabridged for Two-way Entry by means of assemblage. Confronted with the reality of living in an ever-expanding urban environment, where the notion of this architecture and public space are constantly evolving and transforming. The series The doubtful site (2018) is presented as a constellation of typical public spaces, that brings together a variety of public spaces such as the stadium, the monument, the park and passages from our urban environment. While each piece corresponds to a location where people frequent and gather, yet the variety of textures, materials, forms, and constructs of these pieces invite theviewer to make up one’s own perception of these sites.