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萃舍云集 | “蝶影—纪念瑞贝卡·霍恩”展览11月10日开幕

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#瑞贝卡·霍恩 #CloudCollection #当前展览

蝶影—纪念瑞贝卡·霍恩

Shadow of a Butterfly

—in Memory of Rebecca Horn

策展人Curator：

朱朱 Zhu Zhu

艺术家Artist：

瑞贝卡·霍恩 Rebecca Horn

展期Dates：

2024年11月10日 - 2025年1月10日

10th Nov 2024 - 10th Jan 2025.

开幕Opening:

2024.11.10 | 16:00–18:00

地点Location：

萃舍云集The Cloud Collection

江苏省南京市建邺区云龙山路66号

No.66 Yunlongshan Road, Jianye District, Nanjing

特别提示Special Notice：

本次展览为预约开放，时间为展期内的每周二至周五的下午13：00 - 16：00

The exhibition is open by appointment from 1:00pm - 4:00pm, Tuesday - Friday.

前言

瑞贝卡·霍恩于2024年9月6日辞世，她漫长的创作生涯由此成为当代艺术史中的一段珍贵记忆；这记忆携带着诸多的启示，如同她具有变革性的“身体雕塑”在空间中延伸，也将一直延伸向不同的文化时空。

2022年的首届北京艺术双年展，我邀请她参加了我策展的单元“无尽的交谈”，并将她的作品作为整个单元的序曲：两只挨近的小提琴不时地自动奏响。在萃舍云集关于她的收藏之中，有一件机械雕塑题为《一个中国人的梦》，其灵感得之于庄周梦蝶的寓言，也许她不知道，在中国，有一支旋律极其优美的小提琴协奏曲《梁祝》，所依据的那出爱情戏剧也经常让我们回想起这则寓言。

每个人其实都是向死而生。道家的“等生死，齐万物”为我们提供了一条超越有限生命的精神通道，现在，我们宁愿相信这位颇具传奇色彩的异域艺术家，已然化为一只蝴蝶，飘飞在欧洲大地的上空，而她留在世间的作品，则成为了我们试图再次凝望她时所能捕捉到的投影。在这一次纪念展上，将放映多部记录她艺术行为的录像，以及由她本人执导的电影，同时，出于文学构成了她艺术灵感的主要源泉之一，她自己也写作诗歌及其它文本，我们也将举办以她的诗歌为主题的朗诵会。

朱朱

2024年11月

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《表演 2》，1973，记录了九个表演：《独角兽》、《头部延伸》、《白色身体扇》、《手指手套》、《羽毛手指》、《加文（Gavin）》、《公鸡羽毛面具》、《铅笔面具》、《凤头鹦鹉面具》；16mm 摄影胶片，彩色，有声， 38分钟；制作：海尔穆特·维茨；表演者：D. 费因克，加文，卡琳·哈尔丁，E. 米茨卡

Performances 2, 1973, documentation of nine performances: Unicorn, Head Extension, White Body Fan, Finger Gloves, Feather Finger, Gavin, Cockfeather Mask, Pencil Mask, Cockatoo Mask; 16mm, color, sound, 38 minutes; Production: Helmut Wietz; with D. Finke, Gavin, Karin Halding, E. Mitzka ?Rebecca Horn

Preface

Rebecca Horn passed away on September 6, 2024, and her long creative career has marked a precious memory in the history of contemporary art. Her legacy, imbued with profound insights, reverberates across time, much like her transformative “body sculptures”, which extend into space and will continue to resonate within diverse cultural dimensions.

For the inaugural Beijing Art Biennale in 2022, I had the honor of inviting her to participate in the “Endless Conversations”, where her work served as the prologue to the entire unit: two violins positioned close together that occasionally play on their own. Among the notable pieces in The Cloud Collection is her mechanical sculpture Der Traum des Chinesen, drawn from the allegory of Zhuang Zhou dreaming of a butterfly. Perhaps she was unaware that in China, there is a beautifully melodic violin concerto, Liang Zhu, inspired by a love story that often brings to mind this very allegory.

In essence, human existence is inseparable from mortality. The Taoist philosophy of “equanimity in life and death, unity among all beings” offers us a pathway to transcend the limitations of our finite lives. Now, we would rather believe that this legendary artist has become a butterfly, drifting above the European landscape, while the body of work she leaves behind serves as a tangible projection through which we can still encounter her presence. This commemorative exhibition will present a selection of video recordings capturing her performances, along with films she directed. Simultaneously, literature constitutes a fundamental source of her artistic inspiration, and she also engages in writing poetry and other texts. Consequently, we will host a poetry reading dedicated to her poetic works.

Zhu Zhu

November 2024

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《独舞者》，1978，16mm 摄影胶片，彩色，有声，47分钟，英文长片；编剧和导演：瑞贝卡·霍恩

Der Eint?nzer, 1978, 16mm, color, sound, 47 minutes, English language, full-length feature film; Written and directed by: Rebecca Horn ?Rebecca Horn

关于艺术家About the Artist

瑞贝卡·霍恩

Rebecca Horn

(1944-2024)

瑞贝卡·霍恩肖像

?Ute Perrey, Courtesy of Rebecca Horn

瑞贝卡·霍恩1944年出生于德国米歇尔施塔特。她先后在汉堡和伦敦学习，自1989年起，于柏林艺术大学任教近二十年。1972年，受策展人哈洛德·泽曼邀请，在第五届卡塞尔文献展上展出她的作品，成为当时受邀的最年轻的艺术家。之后，她的作品多次入选了第六届（1977）、第七届（1982）和第九届（1992）卡塞尔文献展，以及威尼斯双年展（1980，1986，1997，2022）、悉尼双年展（1982，1988）和明斯特雕塑展（1987，1997）。在她的职业生涯中，她曾获得众多奖项，包括贝特夏街艺术奖（1979）、阿诺德·博德奖（1986）、卡内基奖（1988）、戈斯拉尔凯撒林奖项（1992）、卡尔斯鲁厄艺术与媒体中心奖（1992）、日本皇室世界文化奖（2010）、科学与艺术功绩勋章（2016），以及最近获得的威廉·莱姆布鲁克雕塑奖（2017）。1993年，纽约古根海姆博物馆举办了她职业生涯中期的首次作品回顾展，该展览随后在阿姆斯特丹市立美术馆、柏林国家美术馆、维也纳美术馆、伦敦泰特美术馆和蛇形画廊，以及格勒诺布尔美术馆巡回展出。之后，陆续在伦敦海沃德画廊（2005）、马丁-格罗皮乌斯博物馆（2006）、梅斯蓬皮杜中心和巴塞尔丁格利博物馆（2019）也分别举办了她的回顾展。2024年，正值她80岁生日之际，慕尼黑美术馆为她举办了最后一场回顾展。瑞贝卡·霍恩被誉为战后一代中最重要的跨媒介艺术家之一，她融合了表演、电影、雕塑、大型装置、绘画、文字和摄影等媒介，同时也使人类、机械与自然之间的界限变得模糊。

Rebecca Horn was born in Michelestadt, Germany in 1944. Having studied in Hamburg and London, from 1989, she taught at the University of the Arts in Berlin for almost two decades. In 1972, she was the youngest artist to be invited by curator Harald Szeemann to present her work in documenta 5. Her work was later also included in documenta 6 (1977), 7 (1982) and 9 (1992) as well as in the Venice Biennale (1980; 1986; 1997; 2022), the Sydney Biennale (1982; 1988) and as part of Skulptur Projekte Münster (1987; 1997). Throughout her career she has received numerous awards including Kunstpreis der B?ttcherstra?e (1979), Arnold-Bode-Preis (1986), Carnegie Prize (1988), Kaiserring der Stadt Goslar (1992), ZKM Karlsruhe Medienkunstpreis (1992), Praemium Imperiale Tokyo (2010), Pour le Mérite for Sciences and the Arts (2016) and, most recently, the Wilhelm Lehmbruck Prize (2017). A first mid-career retrospective of her work was organized in 1993 by the Guggenheim Museum, New York, traveling to the Stedelijk Van Abbemuseum, Nationalgalerie Berlin, Kunsthalle Wien, Tate Gallery and Serpentine Gallery, London, and the Musée de Grenoble. Further retrospectives were presented at the Hayward Gallery in London in 2005, at Martin-Gropius-Bau in Berlin in 2006, at Centre Pompidou Metz and simoultaneously at Museum Tinguely in Basel in 2019. On the occasion of her 80th birthday, a retrospective was presented at Haus der Kunst München in 2024. Rebecca Horn was one of the most important cross-media artists of the post-war generation. Her works blurs the boundaries between performance, film, sculpture, large-scale installations, drawing, text and photography, as well as between man, machine and nature.

关于策展人About the Curator

朱朱

Zhu Zhu

朱朱，1969年出生。诗人、策展人、艺术评论家。曾获安高诗歌奖，中国当代艺术奖评论奖、《山花》双年奖等。著有诗集、散文集、艺术评论集多种，包括中文诗集《我身上的海：朱朱诗选》《皮箱》《五大道的冬天》，法文版诗集《青烟》，英文版诗集《野长城》，艺术评论集《灰色的狂欢节：2000年以来的中国当代艺术》等。

Zhu Zhu, born in 1969, is a poet, curator, and art critic. He has received the Ango Poetry Prize, the Chinese Contemporary Art Critic Award, the "Mountain Flower" Biennial Award, among others. He has authored a variety of poetry collections, essays, and art criticism, including the Chinese poetry collections The Sea Inside My Body: Selected Poems of Zhu Zhu, The Trunk, Winter in the Five Avenues, the French poetry collection Blue Smoke, the English poetry collection The Wild Great Wall, and the collection of art criticism Gray Carnival: Chinese Contemporary Art Since 2000, as well as other works.

关于萃舍云集

About The Cloud Collection

萃舍云集The Cloud Collection-当代艺术收藏中心创立于2017年，聚焦于当代艺术的收藏、展览、研究与教育。

萃舍云集关注不同媒介领域的艺术家在艺术本体层面的自觉追求，以及当代艺术对社会情境的互动性反思，支持年轻艺术家的创新思维及多样性的创作面貌，呈现东、西方各种观念在历史整体背景及变化中的对话关系。致力于构建具有学术性、系统性、前瞻性的当代艺术作品的收藏和研究体系。

萃舍云集2023年在南京开放实体文献中心与展示空间，将通过一系列展览、艺术研究、文化沙龙等活动，以厚“集”薄发的工作方式，为当代艺术的发展提供持久助力和生长环境。

The Cloud Collection - Contemporary Art Center, founded in 2017, focuses on the collection, exhibition, research, and education of contemporary art.

The Cloud Collection pays attention to the intrinsic pursuit of artists who work in different media and contemporary art's interactive reflections on the social context. It supports the innovative thinking of emerging artists and the diversity of their creative expressions, presenting dialogues between various Eastern and Western concepts within the context of historical background and changes. It is committed to building an academic, systematic, and forward-looking collection and research system for contemporary art.

In 2023, The Cloud Collection opened its archive center and exhibition space in Nanjing. It will provide a long-lasting support and growth environment for the development of contemporary art through a series of exhibitions, art research, cultural salons, and other activities, using an approach that values quality over quantity.