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户尔空间展位 D02｜2024 ART021 上海廿一当代艺术博览会

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户尔空间展位 D02｜2024 ART021 上海廿一当代艺术博览会崇真艺客

2024

ART021

上海廿一当代艺术博览会

展位 D02

展期

Duration

贵宾预览VIP Preview

11.07 周四 13:00 - 20:00

11.08 周五 13:00 - 20:00

公众日Public Hours

11.09 周六 11:00 - 18:00

11.10 周日 11:00 - 18:00

地址

Address

上海展览中心

参展艺术家

Artist?

CFGNY

户尔空间展位 D02｜2024 ART021 上海廿一当代艺术博览会崇真艺客

户尔空间很荣幸于2024年上海廿一当代艺术博览会之际为您呈现艺术家组合 CFGNY 的特别项目，此次项目是对他们在纽约日本协会（Japan Society）个展的部分重组与再现，并融入了上海空间的独特性。

Hua International is honored to present a special project by the artist collective CFGNY on the occasion of the 2024 ART021 Shanghai Contemporary Art Fair. This project is a partial reconfiguration and reenactment of their solo exhibition at the Japan Society in New York, incorporating the unique characteristics of the Shanghai space.

户尔空间展位 D02｜2024 ART021 上海廿一当代艺术博览会崇真艺客

CFGNY

Refashioning: CFGNY & Wataru Tominaga, 2024

展览现场, 哈默美术馆，洛杉矶，美国

日本协会现址“日本之家”位于曼哈顿中城东区的第四十七街和第一大道，由建筑师吉村顺三设计，旨在提炼一种本质而永恒的日本风格。在 1971 年“日本之家”开放之前，日本协会曾在曼哈顿中城区的多栋办公楼内办公。本次装置中展示的纸板碎片，直接引用了这些纽约建筑的建筑元素——半个世纪以来，关于日本的叙事在这些建筑中逐步形成。日本协会的发展历程突显了塑造我们对亚洲认知中所蕴含的一种根深蒂固的“美国性”。

The Japan Society’s current home, Japan House, located on Forty-Seventh Street and First Avenue in Midtown East, was designed by architect Junzo Yoshimura with the aim of distilling an essential and timeless Japaneseness. Before the opening of Japan House in 1971, Japan Society occupied various office buildings in Midtown Manhattan. The cardboard fragments displayed throughout this installation directly allude to the architectural elements of these New York buildings, where narratives of Japan were shaped over the span of half a century. This developmental period of the Japan Society highlights a fundamental Americanness that still structures our perceptions of Asia.

户尔空间展位 D02｜2024 ART021 上海廿一当代艺术博览会崇真艺客

CFGNY

公园大道 250号 250 Park Ave, 2022

硬纸板 Cardboard

91.4 x 22.2 x 63.5 cm

纸板最初出现在 CFGNY 的作品中，是对往返东南亚航班乘客托运行李中纸箱的引用。作为一种普遍且廉价的材料，纸板已成为全球贸易中常见的运输介质，在其包装之中也承载着各种关联、政策和资源的传递。与纸板相似，服装与瓷器也成为一种“外壳”，表面映射出周围环境赋予的意义。因此，装置中餐桌上的瓷器是通过对现成品的倒模制成，有着这些物件最初形态的隐约印记。

Cardboard initially appeared in CFGNY’s work as a reference to the cardboard boxes comprising passengers’ check-in luggage on flights to and from Southeast Asia. A ubiquitous and inexpensive material, cardboard is a universal transport element for global trade items, traveling alongside the spillage of associations, policy, and materials housed within its packaging. Like cardboard, both garments and porcelain become a skin onto which meaning is projected from their surroundings. Mirroring this relationality, the porcelain works displayed on dining room tables are created by casting the negative space between found objects that have been abutted, carrying the ghostly imprints of the conditions that initially formed these objects.

户尔空间展位 D02｜2024 ART021 上海廿一当代艺术博览会崇真艺客

CFGNY

关系整合：石板(1罐、1背心、2碗、5花瓶)

Consolidated in Relation, Slate (l Jar, l Tank Top, 2 Bowls, 5 Vases), 2022

釉面瓷 Glazed Porcelain

28 x 25 x 53 cm

长久以来，通过贸易流通的出口瓷器曾象征着直接进入中国市场的渴望。美国对中国的设想一直是一个若即若离、几乎触手可及的市场，可以从中获取珍奇的商品，这种构想长期推动着美国式幻想的发展，甚至成为其身份认同的基石。日本协会的档案中提到中国的频率几乎与日本本身相当：日本被视为中国经济的竞争者和可能的切入点。早期的文档表明，在美国的想象中，日本和中国是两种平行的存在：一个是可以塑造的入口，另一个是可开拓的目标。整体装置展示了国族观念、知识结构、异域感和外交关系的相互构建；在对比之下，一个形象在另一个的映衬下逐渐成型。

Long sought after through trade, exported porcelain at one point symbolized the desire for direct market access to China. The conceptualization of China as an elusive yet nearly graspable market to exploit, from which marvelous commodities could be obtained, has fueled a protracted American fantasy to the extent of becoming a cornerstone of American identity. The mentions of China in Japan Society’s archive almost rival those of Japan itself: Japan is positioned as both a competitor of and a potential entry point into the Chinese economy. Early documents suggest that Japan and China have existed as parallel entities in the US imagination: a gateway to be sculpted and a goal to be exploited. With the installation as a whole, the relational construction of the ideas of nation, states of knowledge, foreignness, and diplomacy materializes; a shape takes its form when contrasted with another.

ABOUT

the Artist

关于艺术家

户尔空间展位 D02｜2024 ART021 上海廿一当代艺术博览会崇真艺客

CFGNY

CFGNY 成立于2016年，作为一个关于艺术、时尚与身份交叉点的持续对话，他们不断回归“模糊的亚洲”（vaguely Asian）这一术语：这是对种族身份的一种理解，它结合了特定的文化体验与被视为“他者”的经历。除了将时尚作为现成品使用外，CFGNY 的实践涵盖了影像、行为、建筑装置和雕塑等多种媒介，研究材料组合和再生产如何在“模糊的亚洲”身份的形成和种族化过程中发挥作用。CFGNY 并不希望代表“亚洲”的单一意义；相反，它鼓励呈现出一个人能够以多元方式存在的无数可能性。CFGNY由Daniel Chew、Ten Izu、Kirsten Kilponen和Tin Nguyen组成。

Founded in 2016 as an ongoing dialogue on the intersection of art, fashion, and identity, artist collective CFGNY continually returns to the term "vaguely Asian": an understanding of racial identity as a specific cultural experience combined with the experience of being perceived as other. In addition to using fashion as a readymade, CFGNY’s practice spans mediums such as video, performance, architectural installation, and sculpture, researching the ways in which material assemblage and reproduction play a part in the formation and racialization of such “vaguely Asian” identities. CFGNY does not wish to represent what it means to be “Asian” in the singular; instead, it encourages the visualization of the countless ways one is able to be in the plural. CFGNY is composed of Daniel Chew, Ten Izu, Kirsten Kilponen, and Tin Nguyen.

关于户尔空间

About Hua International

户尔空间（Hua International）是一家位于柏林与北京两地的当代艺术画廊，展览、出版和公共项目致力于跨学科及行为表演的艺术实践。画廊专注于发展与艺术家长期动态的合作关系，以其地理上的两地性为依托，扩展艺术家及其作品在迥异文化背景下的展览和接受。

以 XC.Hua 为名，经历了两年实验艺术策展项目运营积累后，花笑婵于2020年8月正式更名成立了户尔空间（Hua International），并在北京798艺术区、柏林历史悠久的当代艺术中心之一麦卡托庭院分别设立空间。在常驻两地空间之外，户尔空间也在国际知名的艺术博览会展示其艺术家作品。

Hua International is a contemporary art gallery located in Berlin and Beijing whose exhibitions, publications, and public programming supports cross-disciplinary and performative artistic practices. The gallery focuses on developing long-term relationships with its represented artists and leverages its geographic bilocation as a means to critically expand how their work can be presented and received in radically diverse cultural contexts.

After two years curating the experimental art and performance project XC.Hua, Xioachan Hua founded Hua International in August 2020 and inaugurated the new gallery with spaces in Berlin’s historic Mercator H?fe and Beijing’s acclaimed 798 Arts District.