藝博會｜ART021上海廿一當代藝術博覽會｜Booth W26

大未來林舍畫廊將於2024年ART021上海廿一當代藝術博覽會，推出現當代藝術家吳大羽、陳道明、趙趙、申亮、徐華翎、楊伯都、賴九岑、劉時棟與作田優希的創作，探索藝術家如何以當代的手法與視角展開對東方美學主題的挑選與詮釋，表現對傳統承繼的同時，勾勒出獨樹一幟的風格樣貌，並進一步延伸出全新的視覺語境。

無題 Untitled, 1970s

油性蠟筆．紙 Oil crayon on canvas, 14x10 cm

吳大羽（1903-1988），生於江蘇宜興，為華人第一代抽象繪畫代表，創建體大思精的「勢象」理論，啟迪無數華人前輩藝術家，包括吳冠中、趙無極、朱德群等人均受其指導。其作品多描繪日常生活所見的浮光掠影，他巧妙的將理性的形象轉換取捨，帶進中國筆墨勢的運動中，融合抽象形式與華人文化韻致，作品始終予人「似而非像，不落形象」的畫面，筆法瀟灑奔放，色彩鮮明抒情的空間韻調，以及其傳達出的精神與自然和調的精神氣質。

Wu Da-Yu (1903-1988) was born in Jiangsu Yixing in 1903, Wu was the first generation of Chinese abstract painting representative. He went to France in 1922 to study art at Paris High Art Institution and Bourdelle’s studio. Then Wu founded Hangzhou's National Academy of Art along with Lin Fengmian, inspired an entire generation of Chinese artists. His students include Wu Guanzhong, Zao Wou-Ki, Chu Teh-Chun and others. Many of his paintings depict casual subject matter seen in everyday life. He cleverly transforms concrete images with the momentum of Chinese brushwork, blending abstraction with the exquisite charm of Chinese culture. Wu creates impressions that resemble something without being literal. His wild brushstrokes and vivid colors form rhythmic spaces while delivering a spirit of natural harmony.

Untitled, 2016

壓克力顏料．畫布 Acrylic on canvas, 91x65 cm

陳道明（1930-2017）生於山東濟南，為「東方畫會」成員，被譽為「八大響馬」之一。藝術家熱衷於媒材、造形、和色彩的探索，其畫作運用壓克力、水彩等水性顏料的流動性，渲染出具有音響律動、有如大氣雲圖般的畫面，透過快意大筆或細緻推移，使具象物質和抽象氣韻在畫布上交鋒，營造出視覺上自由瀏覽的時間性空間，呼應著藝術家內在氣韻生動的生命意象及對「時間」瞬間的捕捉。

Chen Tao-Ming (1931-2017) was born in Shangdong. He co-founded Ton Fon Art Group and was dubbed "The Eight Highwaymen of the East." Chen has been eager to explore the variations of materials, formations, and colors. He made use of the fluidity of water-based paints such as acrylics and watercolors to generate atlas-like tableaus vibrating with musical rhythms. The concrete matters and abstract momentum come to clash on the canvas to allow the mind to freely wander in time, reflecting his inner vibrancy of life and the capture of time.

Zhao Zhao (1982- ) was born in Xinjiang, China and currently lives and works in Beijing and Los Angeles. Zhoa’s paintings, which combine traditional and contemporary elements, explore his philosophical thinking between East and West, and reveal his connection to his own culture. His new series “Seeds” goes beyond the traditional depiction of floral scenes. Colorful flowers with dots explore the continuity and cycle of life. And the title “Seeds” refers to the Zen thoughts of the life circle.

申亮 Shen Liang

Shen Liang (1976- ) was born in Liaoning, China and currently lives and works in Beijing. The artist has been thinking about the issues of tradition and daily life and giving diversified contemporary perspective to traditional Eastern literati painting. He creates from his personal observation of daily life, combining the spirit of Chinese ink with the medium and technology of Western art. By layering objects, his work reconstructs a world of imagination through Eastern defacement and constitutes a certain kind of reality beyond the objects and constant practices to realize the aesthetic tradition that runs in his veins.

徐華翎 Xu Hualing

Xu Hualing (1975- ) was born in Heilongjiang, China, currently teaches in the Department of Chinese Painting, Chinese Painting at Central Academy of Fine Arts (CAFA). Xu's works are inspired by the youthful images of contemporary women and her daily surroundings. All the time, intricate line and pale colors have always been the distinctive features of Xu's works. She consciously avoids delineating the outlines in traditional Gongbi painting. Instead, she uses light and shade and purposefully weakens the contrast. The pale colors render the blurring of a faint and misty figure. Xu also places the realism of traditional brushwork and the reality of photographic printing on the same surface enriches the hierarchy of the picture, showing the world like a daydream in her eyes.

楊伯都 Yang Bodu

Yang Bodu (1986- ) was born in Tianjin, China and currently lives and works in Beijing. Yang’s works are explored an "art scene" that departs from the spiritual dimension, depicting the architectural scenes of museums, galleries, and other art institutions. She mixes the private view with the public art space. She has looked at these evenly lit, dramatically constructed architectural moments as ways of seeing as well as the eventual foundations for individual material paintings. Her practice takes place in this uncanny space between private and public, between making and viewing, and between seeing and being seen.

法鬥鼻尖上綻開的花  ABlooming Flower on the Tip of French Bulldog’s Nose, 2024

壓克力顏料．畫布 Acrylic on canvas, 70x60 cm

賴九岑（1970-）生於臺灣九份，現生活工作於臺北。藝術家的作品中有著潮流藝術的氣味，不過在其卡漫的表象之下，本質上是個恆久的繪畫命題：模擬與再現。其把觸目可及、日復一日所蒐集的材料放進腦中的記憶庫，在偌大的圖像資源中將不同文本、類型、時間等的文化層試圖堆疊成可見的「現實」，那些重新解散、整合、輸出的零碎符號、影象和記憶，引領觀者思考多層次的圖像意義。

高懸自如 Hangingin the Air Easily, 2019

綜合媒材．畫布 Mixed media on canvas, 55x55 cm

劉時棟（1970-）生於臺灣苗栗，現生活工作於臺北。其創作取材自日常「採集」的自然與非自然的物質文化殘片，以獨特細膩的拼貼手法及創作美學，拆解又重構了「歷史」和「記憶」的敘事架構與實相。藝術家借用中國古器圖像，在那些器形上層層疊加、拼貼錯置，重組了時間，賦予當代的符號，畫面不僅洋溢著寄情於物的文人抒情傳統，一種屬於傳統具象繪畫的「主題∕背景」關係也出現了。

自我表述 Personal narrative, 2024

油彩．畫布 Oil on canvas,38x24 cm

作田優希（1995-）生於日本愛知縣，以樹木和花卉等植物為主要繪畫主題。樹木、花朵和森林之於藝術家是塑造世界、情感和人物本身的謎題，是一個具有矛盾表達的世界——給人恐怖和陰森的印象，但同時又充滿了生命力。植物的陰陽相生、生命的各種表現形式和有機、無序的曲線有一種獨特的吸引力，作田優希藉由樹木和花朵的抽象剪影來表達人們的精神景觀或他們可能看到的風景。