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新闻｜梁远苇个人项目《五色土》即将于外交公寓12号空间展出

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新闻｜梁远苇个人项目《五色土》即将于外交公寓12号空间展出崇真艺客

展期：2024年11月17日 —（）

Duration：November 17, 2024 -? ( )

地址：外交公寓12号空间

Venue：DRC No. 12

外交公寓12号空间荣幸的宣布，艺术家梁远苇的个人项目“五色土”将于11月17日开展。

在过去的一个月间，梁远苇使用五种基础色的复写纸，四把梳子以及一些圆形纸片，逐渐画满外交公寓12号客厅的天顶与所有墙面，并且延伸到整个空间。展览题目“五色土”取自艺术家幼年时熟悉的《北京晚报》同名文艺副刊。这个名称与艺术家成长和生活的城市北京有着显著的地域与文化关联：在中山公园中的社稷坛上铺着的“五色土”，其原本关于江山社稷的统治概念，在老百姓的日常业余读物中被转移成文艺园地的比喻，又被艺术家在此次的项目中再度转移成新的语言。

作为一个以绘画为主要媒介的艺术家，梁远苇一直感兴趣绘画与所在环境的结构性关系，“无论是物理空间的，文明历史的，当下现实的……在过往的每一次个展中我都对绘画与环境的关系进行了实验。这种兴趣也驱使我在过去的十年间，不断走到世界上不同文明、不同时代的壁画现场做实地考察。”这一次，梁远苇将她的探索与尝试带到了这个位置独特的小公寓空间。此次展览亦是外交公寓12号在现有地址的最后一次展览。在展览筹备之初我们便得知，由于临时遭遇租约更改问题，此次展出的时长将不可控。这也正如梁远苇在谈到这个项目的初衷时说道，“没有天然封闭的媒介，但有封闭的人心。即便身处一个不停被挤压收缩、不能长期稳定的空间中，不愿妥协的人仍然可以使用有限的材料，去描绘无限的愿景。”

关于艺术家

新闻｜梁远苇个人项目《五色土》即将于外交公寓12号空间展出崇真艺客

梁远苇 1977年生于西安，一岁时随父母迁至北京，于中央美术学院先后获得学士和硕士学位，现工作和生活于北京。作为在全球化语境下开展创作的新一代艺术家，她关注个体语言与社会结构之间的关系。将个人放置在对文明历史和当代语境的体悟中进行不断的自我革新，是梁远苇一直以来的工作方法。她以绘画为主要工作媒介，在具体的、细节的层面展开表达，深入并辩证地探寻着观念与形式间的有机关系。

梁远苇的作品曾在中国美术馆、北京UCCA尤伦斯当代艺术中心、北京红砖美术馆、北京中央美术学院美术馆、北京民生美术馆、上海民生美术馆、美国坦帕艺术博物馆、美国圣彼得斯堡美术馆、美国橘郡美术馆、荷兰鹿特丹波伊曼斯·范伯宁恩美术馆、美国伯克利美术馆、西班牙米罗博物馆等美术馆展出。2011年其作品入选“威尼斯双年展”中国馆。她的个人展览包括：“梁远苇”，北京公社，2022；“一物”，湖南省博物馆，2019；“勘玉钏”，威尼斯 Palazzo Pisani-Conservatorio de Musica，2017；“椭圆”，西安OCAT，2016；“弓象之间”，佩斯伦敦，2014；“石榴”，北京公社，2013；“金色笔记”，北京公社，2010；“51m：15# 梁远苇”，泰康空间，2010；“115楼1904室”，博而励，2008。

“Wu Se Tu,” a solo project by artist Liang Yuanwei, will open on November 17.

Over the past month, Liang Yuanwei has gradually transformed the ceiling and walls of the living room at DRC No. 12, covering them entirely with carbon paper in five basic colors, as well as four combs and a number of circular pieces of paper. The title of her exhibition, “Wu Se Tu, ” refers to a literary supplement of the same name in the Beijing Evening News, a popular edition the artist has known since childhood. “Wu Se Tu,” which means “five-colored earth,” has deep cultural ties to her hometown of Beijing: the colored earth, spread over the top of the Altar of Earth and Harvests in Zhongshan Park, symbolized dominion over land and people. The concept was reinterpreted in the literary supplement to represent the diversity of literature; it is now being reimagined by the artist into a new painterly language for this project.

Liang Yuanwei, whose practice consists mainly of painting, has long been interested in the structural relationship between painting and its surroundings—whether physical, historical, or cultural. “In each of my solo exhibitions, I have experimented with the connection between painting and its environment. This interest has led me, over the past decade, to conduct field research visiting murals from different civilizations and historical periods.” Now, Liang Yuanwei brings this exploration and experimentation to a uniquely situated apartment space, presenting what is to be DRC No. 12’s final exhibition at its current location.

Early in the preparation of this project, it became clear to us that the length of the exhibition would be uncertain due to unexpected changes in the lease agreement. Reflecting on this project, Liang Yuanwei notes,“No medium is naturally limited, but the human mind can be. Even in a space that is constantly shrinking and unstable, those unwilling to compromise can still use limited materials to convey boundless visions.”

About the Artist

Liang Yuanwei was born in Xi'an in 1977 and moved to Beijing with her parents at the age of one. She graduated from the China Central Academy of Fine Art, from which she received her BA and MA degrees and currently lives and works in Beijing. As a new-generation artist creating in a globalized context, she is interested in the relationship between individual language and social structure. Her practice involves continuous self-renewal by positioning herself within reflections on historical civilization and contemporary contexts. Primarily working with painting, Liang explores expression on a concrete, detailed level, probing deeply and dialectically into the organic relationship between concept and form.

Liang Yuanwei has exhibited her art in various spaces including the National Art Museum of China(Beijing), UCCA Center for Contemporary Art (Beijing), Museum of China Central Academy of Fine Arts (Beijing), Beijing Minsheng Art Museum (Beijing), Shanghai Minsheng Art Museum (Shanghai), Berkeley Art Museum (Berkeley), and Foundation Joan Miró (Barcelona). She was also one of the participating artists in the China Pavilion at the 54th Venice Biennale (2011). Her solo exhibitions include “One Object”, Hunan Museum, Changsha, 2019; “Behind the Curtain”, Palazzo Pisani-Conservatorio de Musica, Venice, 2017; “Oval”, Xi’an OCAT, 2015; “The Tension between a Bow and an Elephant”, Pace London, 2014; “Pomegranate”,Beijing Commune, 2013); “Golden Notes”, Beijing Commune, 2010; “51m: 15# Liang Yuanwei”, Taikang Space, 2010; “BLDG115 RM 1904: Liang Yuanwei’s Solo Show”, Boers-Li Gallery, 2008.

五色土

Wu Se Tu

梁远苇 | Liang Yuanwei

2024.11.17 — ( )

【外交公寓12号】

理事会理事：

高晓雪、栾诗璇、王拓、张思锐、周安然

学术委员会：

黄洁华、致颖、倪海峰

主持人：黄洁华

执行主管：王玥

空间志愿者：李维，刘旭星，孙盟，孙润翔，宋小光，王文笛，张木严