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狮語画廊｜2024 Abu Dhabi Art 阿布扎比艺术博览会｜Booth: M23

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#狮語艺博会

2024 Abu Dhabi Art 阿布扎比艺术博览会

狮語画廊 | Leo Gallery

M23 Booth

参展艺术家 | Artists

芭芭拉·爱德斯坦 Barbara Edelstein｜卞青 Bian Qing

荷亥?梅耶 Jorge Mayet｜刘瑛 Liu Ying

展期 | Duration 2024.11.19 - 11.24

藏家预览｜Collector Preview

2024.11.19（周二｜Tues.）16:00 - 21:00

2024.11.20（周三｜Wed.）11:00 - 18:00

公众开放｜Public Days

2024.11.20 - 24（周三｜Wed. - 周日｜Sun.）14:00 - 21:00

地址 | Venue

马娜奥萨迪亚特中心，阿拉伯联合大公国，阿布扎比

Venue: Manarat Al Saadiyat Island, Abu Dhabi, UAE

狮語画廊在2024年Abu Dhabi Art荣幸呈现来自不同大陆的四位艺术家芭芭拉·爱德斯坦、卞青、刘瑛和荷亥?梅耶的作品。展位M23。

四位艺术家来自不同的文化背景，各自的创作深深植根于他们的文化经验和个人经历。通过各自独特的视角，他们在作品中展现了自然与世界、文化与身份、记忆与乡愁等主题的多重表达。在这个展览中，观众将能看到艺术家们如何在自然元素、寻常景观和宇宙能量的交织中，探索人、故土与环境之间的复杂关系。

Leo Gallery is thrilled to present the works of four diverse artists from different continents at Abu Dhabi Art 2024: Barbara Edelstein, Bian Qing, Liu Ying, and Jorge Meyer, at Booth M23.

Each artist hails from a distinct cultural background, with their creative processes deeply embedded in their personal experiences and cultural heritage. Through their unique lenses, they explore themes such as the interplay between nature and the world, the intricate dance between culture and identity, and the poignant echoes of memory and nostalgia. This exhibition invites viewers to witness how these artists weave together natural elements, familiar landscapes, and cosmic energies to delve into the complex relationships between people, their homelands, and their environments.

芭芭拉·爱德斯坦Barbara Edelstein

《空气中的叶（系列）》Leaf in the Air (series), 2022

宣纸水墨 Ink on Rice Paper

67 x 124cm

《神秘花园（系列）》Wonder Garden (series), 2023

铝合金 Aluminum

268 x 61 x 40cm

芭芭拉·爱德斯坦出生于美国洛杉矶。她对自然的迷恋不仅来源于童年时期加利福尼亚山丘的包围，也源于生物科学的学习背景。受到中国传统绘画与东方禅宗的启发，爱德斯坦的作品聚焦于自然植被的描绘，以宣纸水墨为主要形式，将“留白”等写意式的东方笔法融入她独特的艺术语言。她的作品旨在通过感性体验，以微小的切入口灌注自己对周遭世界的体知，从“一花一世界”的宇宙观中中照见宏观世界。

Barbara Edelstein, born in Los Angeles, USA, draws on a fascination with nature that stems from her childhood amidst the rolling hills of California, as well as her academic background in biology. Influenced by traditional Chinese painting and Eastern Zen philosophy, Edelstein’s work focuses on depicting natural vegetation. Using ink and rice paper as her primary mediums, she skillfully integrates the Eastern brush technique of “leaving blank space” into her distinct artistic language. Her work seeks to capture the sensory experience of the world, revealing the profound connection between the macrocosm and the microcosm in the philosophy of “To see a world a Bodhi” taught in Buddhism.

卞青 Bian Qing

《绿叶》Green Leaves, 2023

布面油画 Oil on Canvas

180 x 170cm

《红桃与黄印》Red Peaches and Yellow Seals, 2023

布面油画 Oil on Canvas

200 x 300cm

卞青的创作植根于中国传统绘画的“山水”主题，但他超越了传统的表达方式。通过当代艺术观念的拆解与重构，他创造了一种新的美学意境。在他的“日常物”系列中，卞青将日常生活中的物品视为“近处的山水”，并对不同的生活意象进行自由的叠加。他以黄绿色调呼应中国传统纸材质的使用，借用现代油画语言重新诠释了中国文化的根脉，将传统与现代的碰撞化为视觉上的诗意表达。

Bian Qing’s art is anchored in the tradition of Chinese “shanshui” (landscape) painting, yet he pushes beyond conventional boundaries. By deconstructing and reassembling traditional elements through contemporary artistic concepts, he forges a fresh aesthetic realm. In his “Daily Objects” series, Bian Qing reimagines everyday items as “intimate landscapes,” layering various life scenes with a poetic fluidity. His use of yellow and green hues nods to the traditional Chinese paper medium, while his modern oil painting techniques breathe new life into these cultural roots, transforming the intersection of tradition and modernity into a rich visual poetry.

刘瑛 Liu Ying

《空山》Empty Mountain, 2023

布面油画 Oil on Canvas

100 x 140cm

《云和山》Mountains and Clouds, 2024

布面油画 Oil on Canvas

150 x 200cm

刘瑛的作品深受宇宙和自然的启发，她通过抽象绘画来探索宇宙的能量状态，试图用视觉语言来表达这种无形的力量。她的作品充满了爆发力、生命力和治愈力，反映了她对对于自然和生命的崇敬。刘瑛的创作以强烈的色彩和动态的构图，试图在跨文化背景下，通过艺术为观众建立起与宇宙和自然的深层联系，探索人类如何理解世界并感知自身的存在。

Liu Ying’s work is deeply inspired by the cosmos and nature, exploring the energies of the universe through abstract painting and seeking to express these unseen forces through a dynamic visual language. Her artworks are charged with explosive energy, vitality, and a sense of healing, reflecting her deep reverence for nature and the cosmos. Through vibrant colors and dynamic compositions, Liu strives to forge a deep connection between the viewer and the universe, inviting them to explore how art can serve as a bridge to understanding the world and perceiving human existence across cultural divides.

荷亥?梅耶 Jorge Mayet

《交流》Communication, 2014

布面油画 Oil on Canvas

150 x 200cm

《我为你散落香甜之味》I Dropped You a Sweet Taste, 2012

采购产品铜线，纸浆，亚克力 Copper Wire, Paper Mache, Acrylics

82 x 120 x 50cm

受到移民经历影响，荷亥·梅耶的作品基调多以离散为主。被连根拔起的大树，悬浮飘宕于虚空之中，使人可以从他的画面中感受到某种思乡的情愫。荷亥·梅耶怀念文化、宗教尚未成为社会政治傀儡的那个时代，并因此向往那些未开化的尊崇自然力量的老村庄，这种对文化和自然的敬仰之情在他的作品中充分的流露出来。梅耶以微缩还原景观的装置作品再现的记忆中的家乡景象，它们正是艺术家自身文化身份的一部分。

Jorge Mayet's works, influenced by his immigrant experience, often convey a poignant sense of displacement. Uprooted trees floating in void spaces evoke a deep sense of homesickness. Mayet yearns for a time when culture and religion havenot yet become social and political puppets, longing for old villages that revered natural forces. This profound respect for culture and nature is vividly expressed in his works. Using materials like wires and paper, Mayet recreates scenes of his homeland from memory, representing his cultural identity. Mayet's images of his hometown are presented in miniature landscape restoration installations, which reveal his deep-seated longing and affectionate remembrance of his roots.

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