
本次项目首次呈现了彭斯 2017 — 2024年间珍贵的手稿作品,这一系列作品包括了材料实验探索、与意象累积等,是彭斯近几年工作方法详实的记录,并如实保存了他从2017年之后消失在大家视野,与那段私密时光无我相处的痕迹。这些如日课般练习的最大的特征是,作品的外轮廓均留有一个白边,这一点来源于彭斯对传统书法和篆刻的理解。同时,“留白”是彭斯一直比较关注的课题,在他的油画创作中也常常会呈现类似留白的边界。
这次项目展出的作品与彭斯肖像、风景系列创作的关系是紧密且独立的;紧密之处是,在手稿日课般的训练过程中,他在材料和笔法上进行了大量新的尝试,使其绘画体验得以不断丰富。绘画维度的拓展,让他衍生出了之后新的肖像与风景系列。在这些练习的过程中他试图摒弃个人的主观成见,但作品依旧透露出他过往所学、所体验的种种,画面中具有一种规整的序列结构,这是基于他的个人思想体系而自然形成的理性图示。
独立之处在于,这一系列练习呈现的是彭斯静默的 “无我” 状态,而非表现性的。“当我深深的根植于一笔,记忆和期待才会有所触及。”他将禅修的“观照念头”运用到日课般的一笔一笔之中,并力求在艺术创作层面呈现出以往难以抵达的境界。在练习的过程中,摒弃以往对艺术和绘画的固有想法,于日常生活中发现新的材料,不去设定画面最终的呈现,而是信任身体与媒介接触那一刻的感受,回到绘画最初手与笔与纸的关系,一笔一笔,经年累月。
一笔,以一个最单纯的动作,连接了彭斯所有绘画的动机,是对日常的笃定。绘画的生发,也是画面的答案。
文/王敏
武夷山-岩黑 Wuyishan - Rock Black
纸本岩黑粉
Rock black powder on paper
30x42cm 2018
This exhibition debuts a number of precious manuscript works by PENG Si between 2017 and 2024. The series includes material experiment and exploration, and imagery accumulation, and serves as a visual diary of PENG's recent approaches, faithfully preserving the traces of his “no-self” relationship with his private time after disappearing from public view in 2017. A distinctive feature of these his daily practice works like daily lessons is the white border on all his work, a choice that stems from PENG's understanding of traditional calligraphy and seal-cutting. Naturally, "blank space" is a subject that has long captivated PENG and similar blank boundaries have prevailed in many of his oil paintings.
The works in this exhibition are closely linked to PENG's portrait and landscape series but also independent from them. The close link lies in his numerous new attempts in materials and brushwork during the training of these manuscript works like daily lessons, allowing for a continuous enrichment of painting experience. The expansion of the painting dimensions has led to the emergence of his new portrait and landscape series later. Although he tries to abandon subjective ideas and understanding, the works still reveal what he has learned and experienced in the past, and the images demonstrate a regular sequential pattern, a rational illustration naturally formed based on his accumulation of thoughts.
The independent aspect is that this series of practices presents PENG's quiet "no-self" state rather than being expressive. "Only when I am deeply rooted in a single stroke can memory and expectation be reached." He applies the "observation of thoughts" in Zen meditation to each stroke in the daily practice like daily lessons and strives to reach a realm that was previously difficult to attain at the art creation level. During the practice process, he abandons his previous fixed ideas about art and painting, discovers new materials in daily life, does not set the final appearance of the images, but trusts the feelings at the moment when his body makes contact with the medium, returns to the original relationship between the hand, the pen and the paper in painting, stroke by stroke, over the years.
A single stroke, with the simplest of movements, connects all the motives of PENG's paintings. It represents the certainty in daily life, the origin of painting, and the answer to the pictures.
Text/Loar Wang
彭斯 Peng Si
温榆河-红丹 I Wenyu River - Minium I
纸本红丹粉
Minium powder on paper
44.5x59cm 2021

彭斯,1980年出生于湖南衡阳,2004年毕业于中央美术学院版画系,现生活工作于北京。近年个展:2023,曼德尔布罗的纳西瑟斯,新氧艺O2art,北京;2022,曜曜—彭斯个展,新氧艺O2art × 北京画廊周特别项目,北京;2016,新山水——彭斯油画艺术展,中国美术馆,北京;2014,景物斯和——彭斯艺术展,北京画院美术馆,北京;2010,异世同流——彭斯油画艺术展,北京大学赛克勒考古与艺术博物馆,北京;彭斯油画艺术展,大邱美术馆,韩国大邱;2008,风——彭斯油画展,保利艺术博物馆,北京。精选群展:2023,超越BEYOND 2003-2023,明当代美术馆,上海;第三届中国新疆国际艺术双年展——和美共生,新疆美术馆,新疆;2022,旷野之途,新氧艺O2art,北京;2019,青衿计划,观唐美术馆,北京;关山月美术馆,深圳;西安美术学院美术馆,西安;万物生——思与境偕 復言社主题邀请展,复言社,北京;2017,第二届中国美术馆收藏青年美术家作品展,中国美术馆,北京;中国美术馆青年艺术家学术提名展,中国美术馆,北京;2016,诗兴处有山水,上海明园美术馆,上海;在意——2016第三届中国油画双年展,中国美术馆,北京;2015,新朦胧主义 第三回展,东京画廊,北京;流动——意大利 中国 当代艺术交流,维琴察市政大厅;借古开今——匈牙利安东·莫纳与中国彭斯艺术对话展,匈牙利文化中心,北京;国风——中国当代艺术国际巡展,圣之空间艺术中心,中国北京/俄罗斯圣彼得堡;2014,第十二届全国美展,浙江美术馆,杭州;新疆印象——青年艺术家画新疆创作展,中国美术馆,北京;2011,第四届全国青年美展,中国美术馆,北京,2010,“具象研究——重回经典”展览,时代美术馆,北京;溪山清远——中国新绘画,路易斯·布鲁恩基金会,英国;2009,东西对话——第三届中德当代艺术家联展,耶拿大学美术馆,德国;2008,未来天空——中国当代青年艺术家提名展,今日美术馆,北京;2007,艺术中国——全国画展,清华大学美术学院,北京;2006,精神与品格——中国写实油画研究展,中国美术馆,北京;2004,第十届全国美展,中国美术馆,北京;2003,第三届中国油画大展,中国美术馆,北京。
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