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HHAM展讯 | 游·园—米小西个展

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游·园—米小西个展

GARDEN VISITING

MI XIAOXI SOLO EXHIBITION

出品人：王海英

Producer: Wang Haiying

学术主持：李裕君

Academic Host：Li Yujun

策展人：张恩泽

Curator：Zhang Enze

开幕 Opening：2024.12.29 15:00

展期 Duration：2024.12.29-2025.03.02

主办机构：海河美术馆、第零空间

Organizers: Haihe Art Museum, Zero Space

地址：天津市河东区富民路西台大街38号棉三创意街区1-207

Location: Mian3 Creative Block 1-207，Haihe East Road , Hedong District, Tianjin

前言

FOREWARD

“游·园”取自于《牡丹亭》中的《游园》一折，汤显祖借杜丽娘游园之景作爱恋之想象，虚幻与现实微妙交织。“游·园”既有昆曲意蕴，也具备中国古代画论“澄怀味象，卧以游之”的美学意义。在此基础上，“游”与“园”的创作意涵进一步拓展，产生了新的指向：“游”是创作者的心灵驰骋与情感投射，在心境澄明中取法于自然，化外物为己意。“园”既可作为一个真实空间出现，又是一种精神上的主观创造。

如花客|纸本设色|137×96cm|2023

米小西喜欢昆曲。咿咿呀呀的水磨调，低眉浅笑的姿态带给她极大的艺术激动，这种情感投射也成为创作灵感的来源。在近期的系列创作中，米小西通过寄情于“桃”表达自身的生活感知与情绪感受。她并不拘泥于“桃”的真实形态，而是从“我”的视角出发，赋予“桃”多元化的象征意义与精神寄托。对于她而言，创作是一种主观的快感，是情感与思想的碰撞与释放。画面中的不同颜色经过反复调控与尝试，在纸本表面形成相互渗透与晕染的灵动效果。物象的反复叠加增添了画面的细腻感，对半透明效果的精准把握则使色彩更加清透，呈现出一种流动感。尽管米小西的作品中充满女性气质的柔和与细腻，但她并不刻意从女性角度切入创作，而是顺应内心的情感流动，依靠本能表达创作的意图。在她看来，创作不应受到过多的外界定义与束缚，而是应该追随内心的自由与纯粹。正因如此，作品中的构图既有满幅的张力，也有留白的空灵，洋溢着节奏与呼吸感。

池中香|纸本设色|100×93cm|2023

炙热的惊凉|纸本设色|137×96cm|2023

作为一位当代艺术家，米小西的作品不仅继承了中国画传统的笔墨意味，也在此基础上寻求突破与创新。艺术创作既是她与历史的深刻对话，也是她重新看待世界的方式。《池中香》、《如花客》、《飞花醉时》等作品对桃色、烟雨等具象符号的诗意性表达搭建起一座亦真亦幻的艺术园林，是对传统文化的重构和当代景观的全新呈现。至此，“游·园”不仅是对昆曲《牡丹亭》“游园”意象的再延展，也是对中国古代画论精神的深刻回应，更是艺术家个体精神世界的抒发与再造。在米小西营造的画面中，传统文化与当代艺术交织相融，理性思考与热情想象并行不悖，最终构筑起一处承载着诗意、情思与文化回响的艺术胜境。

文/张恩泽

Tang Xianzu used the scene of Du Liniang's garden visiting as an image of love, blending fantasy and reality. “Garden Visiting” not only has the meaning of kunqu opera, but also has the aesthetic significance of“Cheng Huai Wei Xiang, lie down to tour” in ancient Chinese painting theory. On this basis, the creative meaning of“Visiting” and“Garden” is further expanded, which has a new direction: “Visiting” is the creator's spiritual gallop and emotional projection, taking the method from nature in the state of mind clarification, turn things into your own. “Garden” not only appears as a real space, but also is a kind of subjective creation in spirit.

群玉山头现|纸本设色|137×96cm|2023

Mi Xiaoxi likes kunqu opera. The water-grinding tone and the low-brow smiling posture brought her great artistic excitement, and this kind of emotional projection also became the source of creative inspiration. In the recent series of works, Mi Xiaoxi expresses her life perception and emotional feeling through“Peach”. She does not stick to the true form of“Peach”, but from the perspective of“I”, give“Peach” diversified symbolic meaning and spiritual sustenance. For her, creation is a kind of subjective pleasure, is the collision and release of emotion and thought. The different colors in the picture are adjusted and tried repeatedly to form a flexible effect of mutual penetration and shading on the surface of the paper. The repeated superimposition of images adds a delicate feeling of the screen, the translucent effect of the precise grasp of the color is more transparent, showing a sense of flow. Although Mi Xiaoxi's works are full of feminine softness and delicacy, she does not purposely cut into the creation from the female angle, but conforms to the inner emotional flow, and relies on the instinct to express the intention of creation. In her view, the creation should not be too much external definition and constraints, but should follow the inner freedom and purity. Because of this, the composition of the work both full of tension, but also empty space, filled with rhythm and breathing sense.

翻绣|纸本设色|95×150cm|2024

翠痕|纸本设色|100×68cm|2022

As a contemporary artist, MI Xiaoxi's works not only inherit the traditional meaning of Chinese painting, but also seek breakthrough and innovation on this basis. Artistic creation is both her profound dialogue with history and her way of re-viewing the world. Fragrance in the pool, Such as the flower, Flying drunk and other works of peach, misty rain and other concrete symbols of poetic expression to build a true and illusory art garden, it is the reconstruction of traditional culture and the new presentation of contemporary landscape. At this point, “Garden Visiting” is not only the extension of the image of “Garden Visiting” in the kunqu opera The Peony Pavilion, but also a profound response to the spirit of ancient Chinese painting theory, as well as an expression and reconstruction of the spiritual world of individual artists. In the picture created by Mi Xiaoxi, traditional culture and contemporary art are interwoven, rational thinking and enthusiastic imagination go hand in hand, and finally build an artistic paradise bearing poetic, emotional and cultural echoes.

By Zhang Enze

艺术家

米小西

河北省青年书画家协会会员

中国当代女子画会会员

中国当代艺术文献提名艺术家

多副作品被国内外知名美术馆和藏家收藏

出品人

王海英

第零空间创始人、798大库艺术总经理

文韵时光咖啡厅创始人、海河美术馆创始人

中国现当代艺术档案馆副馆长

于1996年入驻798，是最早入驻798的艺术工作者之一

学术主持

李裕君

独立策展人，艺术评论写作者。2005年毕业于西北民族大学美术学院艺术设计专业，2018-2019年进修于中央美术学院美术批评专题高级研修班；2022年入选国家艺术基金“新时期中国当代美术评论人才培养”计划；2024年入选国家艺术基金“策展理论研究人才培训”项目。自2006年起主要从事当代艺术策展、评论、艺术机构运营及媒体策划等相关工作，担任海河美术馆执行馆长，798第零空间主理人，鲁迅美术学院实验艺术系外聘导师，中国当代美术评论与策展青年联盟委员，中国文化促进会国潮艺术专业委员会专家顾问。

策展人

张恩泽

毕业于中央美术学院艺术史论专业

向上滑动阅览

海河美术馆（Haihe Art Museum，简称HHAM）坐落于天津市海河东岸棉3文化创意街区内。作为一家民营美术馆，海河美术馆组织架构完整，设有展览、教育、研究、收藏相应的职能部门，以艺术为媒，立足天津，放眼全球。

海河美术馆以持续呈现当代艺术家的新近创作，以及具有重要历史价值的作品、表演、音乐、教育、讲座和现场活动在内的多样化项目为主体职责，旨在打造一座具有开放性、国际化和有温度的跨领域文化艺术中心。让公众走进美术馆，体验多维度的艺术与生活，促进艺术与时尚的融合，共谱城市文化图景。

The Haihe Art Museum (HHAM) is located in the Mian 3 Cultural and Creative District on the east of the Haihe River in Tianjin, covering an area of about 600 square meters. As a private art museum, Haihe Art Museum has a complete organizational structure, with corresponding functional departments for exhibition, education, research, and collection. We are a museum with global insight.

We keep focusing on the latest artworks by contemporary artists and works with historical value. We also organize events including shows, music, and seminars. We aim to create an open and international cross-field art center. We would like to see the public enter the museum, experience multi-dimensional art and life, promote the integration to see the art trend, create an urban cultural landscape.

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