这是个展｜李泽易：我最爱的摇滚歌手

李泽易：我最爱的摇滚明星

Zeyi LI：My Favorite Rock Star

开幕 Opening: 2025.1.4（六） 16:00

展期 Duration: 2025.1.4 - 2.5

地点 Location: 啥空间，杭州市河坊街465号 Schein Space, 465 Hefang Street, Shangcheng, Hangzhou

啥空间(Schein Space)欣然宣布，将于2025年1月4日带来李泽易个人项目“我最爱的摇滚明星”(My Favorite Rock Star)。本项目以同名影像作品为主体，在作品中艺术家设置了数字劳动者的一场移情，向观众展现短剧演员和网约车司机这两种身份的工作与日常，希望与梦想，挣扎和逃逸。主人公以第一人称进行自述，一次又一次寻求与观众建立连接的可能，进而引发震荡的共情。

在创作过程中，艺术家前往横店、上海、杭州等地进行了一系列田野调查工作，采访相关从业人员，观察其工作与生活状态，试图厘清数字资本主义下的劳动雇佣结构关系。在作品的最后，艺术家提出一个任何同时代个体无法摆脱的问题：作为数字资本主义下的劳动者、参与者和受众的我们是否可能避免沦为“流众”的命运？

Schein Space is pleased to announce the upcoming solo exhibition Zeyi LI: My Favorite Rock Star, opening on January 4, 2025. Centered around the eponymous video work, the project stages an emotional displacement of digital laborers, presenting the intertwined lives of a short drama actor and a ride-hailing driver. Through their work and daily routines, aspirations and dreams, struggles and escapes, the artist explores the complexities of contemporary existence. Narrated in the first person, the protagonist seeks repeatedly to establish a connection with the audience, evoking a profound resonance of shared emotions.

During the creation process, the artist conducted extensive field research in Hengdian, Shanghai, and Hangzhou, interviewing industry practitioners and observing their work and living conditions. This investigative approach aims to unravel the intricate employment structures shaped by digital capitalism. In the work’s final moments, the artist raises an inescapable question faced by individuals in contemporary society: as laborers, participants, and audiences within the digital capitalist system, can we ever escape the fate of becoming part of the “multitude”?

????????????????????

关于艺术家

李泽易，现居北京，2017年毕业于芝加哥艺术学院（SAIC），获硕士学位。他近期的创作主要关注权力形而上学以及他者在主体叙事中的失语，通过录像、装置、绘画、照片等多重媒介构置场域，以此作为强度的设置点，顺应感官的放大，展现个体无法跨越和弥补的系统之荒诞性，并进一步探讨创造人类新生活的可能。

Zeyi LI lives in Beijing. He received his MFA from School of the Art Institute of Chicago in 2017. His recent practices focus on the metaphysics of power and the dislocation of the‘other’in the narrative of the subject. He constructs the fields of intensities through multiple media such as video, installation, painting, and photograph by which to the amplify the senses and to display the absurdity of the system that cannot be crossed and compensated by the individual, and to further explore the possibility of creating a new life for human beings.