藝術家自述及展覽現場｜賴九岑《溫室》

The wind rises. The air is filled with particulates, seeds, pollen, spores, sand and dust... They swirl around in the air, floating and descending, sometimes sticking to the seams of fibers, or sliding across the ends of skin and hair, or drilling into corners, or resting in small wet moss pits, or embark on the next journey again against the wind, until a place to stay can be found in the boundless desert.

Installation views ?大未來林舍畫廊 Lin & Lin Gallery

晨昏。由規律組成的片刻前行，從指尖滑動的間隙、鍵盤輸入語句的轉換以及演算法的執抝中，來自全球各處的圖像隨著滑鼠的點擊聲一一落下儲入，一點一滴轉化在各色的顏料瓶罐裡積聚沈澱濃縮，在日夜與思緒的交換中在畫布上逐漸成形。

From dawn to dusk. Time unfurls in measured intervals, the gaps between fingers swiping, the conversion of keyboard input sentences and the persistence of algorithms, images from all over the world are stored one by one with the click of the mouse. These visual fragments are then distilled and concentrated within vibrant pigments, gradually coalescing on the canvas through the interplay of days and nights, and the ebb and flow of thought.

Installation views ?大未來林舍畫廊 Lin & Lin Gallery

圍繞。畫面上的人與花鳥疊加覆蓋交錯，植物花朵在畫中恣意生長，從耳中、在頭緣、在玻璃框的擬生態空間、在孿生子的指尖、甚至在如維納斯誕生的鯊魚嘴裡??，都存在著人（人工）與自然共生的擬態，一如作品上那多彩的螢光邊線沿著物的輪廓，迷幻逶迤地游移在實虛的界域。

Surround. The people, flowers and birds in the painting overlap and overlap, and the plants and flowers grow freely in the painting, from the ears, on the edge of the head, in the stimulated ecological space of the glass frame, on the fingertips of the twins, and even like the birth of Venus in the shark’s mouth..., there is a mimicry of the symbiosis between human (artificial) and nature, just like the colorful fluorescent edges in the work that follow the contours of the objects, wandering in the boundary between reality and illusion in a psychedelic and winding way.

Installation views ?大未來林舍畫廊 Lin & Lin Gallery

溫室。揚起又沉落的微粒在思慮中挑揀，一粒粒種子在一個個新增的檔案夾內休眠，它們離開了原有的環境與空氣、並裁剪掉與之相應的光影。在這受隔離保護與精心控制的小烏托邦裡，只待適當的溫濕度與恰如其分的養分催化，即可與每個當下重新鏈結並自成語境。

Greenhouse. Particulates dance and settle, sifting through the depths of thought. Seeds, dormant in newly created folders, have left their native environments and atmospheres, their associated light and shadow cropped away. In this isolated, carefully controlled micro-utopia, they await the perfect blend of temperature, humidity, and nourishment to reconnect with the present moment and form their own unique narrative.

Installation views ?大未來林舍畫廊 Lin & Lin Gallery

更迭。空氣流動我們得以暢意呼吸，數位流動我們則可載存巨量資訊。如同15至17世紀歐洲的大航海時代，以及其中的哥倫布大交換，眾多的物種在海與陸等異地之間漂流繁衍。至今，相似的過程仍每日在我的眼前不停重複、在有意無意的置換植入過程中轉化構成每件作品，各自敘述開啟不同文本的新頁。

Alternate. The flow of air sustains our free breath, while digital currents carry vast amounts of information. Just as the Age of Discovery, with its Columbian Exchange, saw countless species traverse oceans and continents, a similar process unfolds daily before my eyes. Through intentional and unintentional replacement and implant, each work transforms, opening new chapters in distinct texts.

Installation views ?大未來林舍畫廊 Lin & Lin Gallery

展覽預告｜賴九岑《溫室》

公众号：大未来林舍画廊展覽預告｜賴九岑《溫室》

賴九岑，1970年生於臺灣九份，國立臺北藝術大學美術創作碩士。作品深獲國際關注與收藏支持，並獲多所重要美術機構典藏，如龍美術館、臺北市立美術館、國立臺灣美術館等。有多次獲獎紀錄，囊括臺北美術獎首獎、何鴻燊博士基金會藝術獎、郭柏川美術創作獎首獎、東華扶輪美術獎首獎、巴黎大獎競賽獎首獎等，並曾獲國家文化藝術基金會2004年「透明之光」與1997年「殖入?健康計畫」創作補助。其重要展覽包括2025，【溫室】，大未來林舍畫廊，臺北，臺灣；2024，【一片。小日子】，中央大學藝文中心，桃園，臺灣；2022，【走光的紙月亮】，大未來林舍畫廊，臺北，臺灣；2020，【禽獸不如—2020台灣美術雙年展】，國立臺灣美術館，臺中，臺灣；2013，【轉動藝臺灣】首爾市立美術館，首爾，韓國；2007，【食飽未？──2007亞洲藝術雙年展】，國立臺灣美術館，臺中，臺灣；2006，【當代風景】，台北當代藝術館，臺北，臺灣；2004，【臺灣當代繪畫的迴旋曲式──愛之維谷】，光州美術館，光州，韓國；2003，【零．零．種．種—賴九岑個展】臺北市立美術館，臺北，臺灣；2000，【非常廟展】，臺北市立美術館，臺北，臺灣；1997，【1997末世漫遊】，非常廟，三芝，臺灣等。