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daSein 对谈｜非色—— 色彩的源起与延异

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参与嘉宾｜Panelists：

何岸 He An

欧阳昆仑 Ouyang Kunlun

谢梓钰 Xie Ziyu

时间｜Time：

2025/03/24

15:00 - 17:00

地址｜Venue：

以是空间 Gallery daSein

* 对谈将限额向公众开放。有意者请于公众号后台留言（姓名+人数+联系电话）预约。

The conversation will be open to the public in limited number. Please make an appointment via Wechat stating your name, numbers of person and contact details.

地、水、火、风等四大所成及所生之法，称为色。反之，非四大所造成之法，称为非色。色彩是事物最外层的征兆，是人类最模糊又最根本的记忆表征，从根本上说就是观念起源和延异的结果。此次对谈标题“非色”所指代的是非色彩本体，邀请艺术家何岸、谢梓钰，以及空间设计师、艺术爱好者欧阳昆仑，由以是空间当前展览《葡萄海》出发，共同围绕色彩这一基于全世界的艺术都不可规避的主体话语展开对话。

All martial form is either made of the Four Great Elements (earth, water, fire and wind) or derived from them. However, colour is the outermost sign of things, the vaguest yet most fundamental representation of human memory, and is fundamentally the result of the origin and différance of concept. The title of 'Non-Colour' means not only referring to the ontology of colour. We hereby invite artists He An and Xie Ziyu, as well as spatial designer and art enthusiast Ouyang Kunlun, starting from the current exhibiton "Porphureos" to engage in a conversation around colour, which has always been an inevitable discourse in art worldwide.

欧阳昆仑

空间设计师、艺术爱好者。

Ouyang Kunlun

Spatial designer, art enthusiast.

何岸

1970 年出生于中国武汉，现工作和生活在北京。其创作涵盖了多种形式，时常结合工业材料营造富有感官叙事的装置现场。何岸时刻关注着文化、历史、政治和社会问题，这种广泛的兴趣使得其作品在地缘政治和美学层面都能与“当下”同步。

He An (b. 1970, Wuhan, China), currently lives and works in Beijing. His practice covers various media, often combining indus- trial materials to create site-specific installations filled with narrations. He has always been concerned about cultural, historical, political and social issues, this per- sonal wide interest makes his works synchronize with the “current” in a geopolitical and aesthetical aspect.

谢梓钰

1996 年出生于中国揭阳，现工作和生活在北京。2019 年学士毕业于广州美术学院并于2022 年获硕士学位。她目前的创作涉及了绘画、雕塑与装置等多种媒材，创作侧重“自然”中某些生长与运作的法则，尝试将其转化为多层的语言予以表达。

Xie Ziyu (b. 1996, Jieyang, China), currently lives and works in Beijing. Her current works include various media, such as painting, sculpture, and installa- tion. Xie focuses on the growth and operational princi- ples of “nature,” attempting to express them into a mul- tilayered visual language.

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