倒计时3天｜言午画廊参加2025香港Art Central | 展位B26

言午画廊Xu Gallery

即将携艺术家袁野、阳新、庄红艺作品参加

2025年香港第十届Art Central

将于2025年3月26至30日于香港中环海滨

与各位艺术爱好者见面

Xu Gallery is pleased to present the works of artists 

Yuan Ye, Yang Xin and Zhuang Hongyi 

at the 10th Art Central Hong Kong 2025,

from March 26 to 30, 2025

 at the Central Harbourfront in Hong Kong.

言午画廊 Xu Gallery

展位号 Booth：B26

2025.03.25 Tue. VIP Preview - VIP ONLY

2025.03.26 Wed.12:00PM-5:00PM

2025.03.27 Thu.12:00PM-7:00PM

2025.03.28 Fri.12:00PM-7:00PM

2025.03.29 Sat. 11:00AM -7:00PM

2025.03.30 Sun. 11:00AM -5:00PM

地址 Address：香港中环龙和道9号 

9 Lung Wo Road, Central, Hong Kong

参展艺术家 Artists：

庄红艺 Zhuang Hong-Yi

阳新 Yang Xin

袁野 Yuan Ye

袁野，无量part2， 2024，180*200cm，布面丙烯

Yuan Ye, Immeasurable part2, 2024, 180*200cm, Acrylic on canvas

袁野，无量，2024，80*80cm，布面丙烯

Yuan Ye, Immeasurable, 2024, 80*80cm, Acrylic on canvas 

艺术家 Artist

袁野 Yuan Ye

袁野 （1991，中国）毕业于中国美术学院，现定居上海。

袁野以佛学哲学为创作核心，其作品通过视觉艺术探索“空性”与“无常”的深刻内涵。他的创作深受《金刚经》中“空性”思想的影响，强调放下“分别心”，以随缘的态度探索物质与精神的交织。

“无量”一词，既指超越有限的数量与时空，也象征着超脱妄想执念的“空性”智慧。袁野探索的是一种无常和无限的理念，即艺术作品和人本质上都无法被限定在某一特定的形态或固定的意义中。通过不再依赖传统书法形式，而是选择画布作为载体，袁野让字句在画布上叠加、交织，形成一种视觉上的混沌感，暗示着语言和文字的局限性，以及超越这些局限后内在清明的觉悟。

袁野的作品以书法为基础，却突破了传统书写的框架，通过文字的交叠、点线的自由组合，形成独特的视觉语言，既是对传统的解构，也是对“书画同源”理念的当代延展。他的作品不局限于形式与材料，而是通过叠加、消融与转化的方式，引导观者超越表象，直指内心的真实与无常。

袁野的作品展现了佛学观念的当代视觉化表达，邀请观者在视觉与心灵的双重体验中，感悟存在的意义与无常的真谛。近年重要展览包括：上海宝龙美术馆（2025）、上海獭獭画廊（2024）、杭州黄龙艺术空间（2022），上海乐在艺术空间（2022）等。

Yuan Ye (1991, China) graduated from China Academy of Art and now lives in Shanghai.

Yuan Ye adopts the philosophy of Buddhism as the core of his creation, and his works explore the fundamental connotation of “sunyata” (emptiness, vacuity) and “impermanence” (transient, inconstant) through the form of visual art. His creations are deeply influenced by the idea of “sunyata” in the Diamond Sutra, which emphasizes letting go of “asamprajanya” (inattentiveness, non-alertness) and exploring the intertwining of the material and the spiritual with a casual attitude.

The word “immeasurable” not only refers to the transcendence of finite quantity and space-time, but also symbolizes the wisdom of “emptiness”, which is free from delusion and obsession. Yuan explores the idea of impermanence and infinity, i.e., neither artworks nor people can be limited to a particular form or fixed meaning. By no longer relying on the traditional form of calligraphy, but choosing the canvas as the carrier, Yuan allows the words to be overlapped and intertwined on the canvas, creating a sense of visual chaos that hints at the limitations of language and words, as well as the realization of the inner clarity that comes from transcending these limitations.

Yuan’s works are based on calligraphy, but break through the framework of traditional writing. Through the overlapping of words and the free combination of dots and lines, he forms a unique visual language, which is not only a deconstruction of the tradition, but also a contemporary extension of the concept of “calligraphy and painting homology”. His works are not limited to forms and materials, but through superposition, dissolution and transformation, he guides the viewer to surpass appearances and reach the inner reality and impermanence.

Yuan’s works present a contemporary visual expression of Buddhist concepts, inviting the viewer to perceive the meaning of existence and the true meaning of impermanence in a dual experience of vision and mind. Recent major exhibitions include: Powerlong Museum, Shanghai, China (2025), Lutra Gallery, Shanghai, China (2024), Huanglong Art Space, Hangzhou, China (2022), and Leza Art Space, Shanghai, China (2022).

2025年香港Art Central展会

言午画廊期待与您在 展位B26 见面

Art Central Hong Kong 2025

Xu Gallery is looking forward to seeing you at booth B26!

宝龙艺术中心&言午画廊以推动亚洲当代艺术为己任，积极引进具有当代性和国际性的高品质展览、推荐和扶持新锐艺术家和富有创新精神的艺术项目。并以高度专业的自我要求，打造出艺术和收藏领域所肯定的画廊品牌，致力于国际化、多元化的艺术交流，在全球化的语境中探寻“东方”与“西方”、“传统”与“现代”之间一脉相承的内在线索，希望把更多高品质的艺术家及作品推荐给广大的艺术爱好者和收藏家。